Childs bernard (28 resultados)

Hardcover with dust jacket. Extensive ink underlining and notes, previous owner's name on ffep and on page 25. 659 pp.

Softcover staple bound, 12 pages; very good condition; clean and crisp; no internal marks.

Softcover staple bound, 20 pages; very good condition; a few light creases to pages; no internal marks.

Softcover. Condición: Very Good with no dust jacket. Binding is sound. Pages clean, off-white. Wrappers have fading at spine, address label on back, general light handling wear. Contents: Cott, The limits of silent comedy. Childs, Interview with John Hancock. Pryluck, The film metaphor: the use of language-based models in film study. Dick, Narrative and infra-narrative in film. Devlin, A "cinematic" appoach to Tennyson's descriptive art. Riley, Gothic melodrama and spiritual romance: vision and fidelity in two versions of Jane Eyre. Heinz and Huss, A Separate Peace: filming the war within. Stone, Ahab gets girl, or Herman Melville oes to the movies. Mersand, The preparation and use of study guides for the mass media with a study guide to The Gold Rush (1925). Reviews. Poems by Jean Epstein and Mindy Morawetz. Film notes and queries. 9.0" tall; 95 pages.…

Condición: Very Good. None. 176 pages, softcover, color illustrated wraps. B&w illustrations, some color. Articles on Gerhard Richter, Paul Klee, Bernard Childs, Les Levine, artist's games, collector Henry McIllhenny. Clean, bright copy. Record # 406790.

paperback. Condición: Good. Stapled gallery catalogue Light writing on front cover Gallery stamp on title page Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

First Edition. First edition. Softcover. 19 pages. Exhibition catalog for a show that ran July 26 through October 31, 1969. Features an introduction by Una E. Johnson. Includes 9 black and white illustrations, a black and white photograph of the artist, checklist, list of previous exhibitions and other information. A near fine copy in stapled wrappers.…

Soft Cover. Condición: Very Good. catalogue on Bernard Childs prints; softcovers; Introduction by Janet Flint; with b&w photo of artists; and 4 b&w with one front cover in color; with 16 text descriptions; some rubbing to softcovers, in VERY GOOD COND.

Soft cover. Condición: Fine. Bright, clean well-preserved fifty-year old exhibition catalog. 19 pages. Original print cover art, printed from the original plate of Bernard Childs. No marks or writing in book.

Hardcover. Condición: Very Good. No Jacket. Nathan, George Jean. World's great plays / with an introduction by George Jean Nathan ; decorations by Bernard Childs. Cleveland: The World Publishing Company, 1944. Hardback, VG, no dustjacket. Black cloth, slightly sunned to spine, a little bumped to corners. Black decorations and lettering to front and spine. Binding strong. Light tanning to endpapers. 491pp., the text in two columns, b/w illustrations. Contents clean and bright. Contains: Lysistrata / Aristophanes ; Faust / Goether ; The master builder / Ibsen ; Cyrano do Bergerac / Rostand ; The cherry orchard / Chekhov ; The Empeoror Jones / O'Neill ; The plough and the stars / O'Casey. RightWayUp Books aims to provide accurate and detailed descriptions. We do not use AI and all images are of the actual book for sale - no stock images are ever used. Thank you for looking at this listing. Bernard Childs (ilustrador).…

Softcover staple bound, 20 pages; very good condition; clean and crisp; no internal marks. Laid in is a print of a yellow flower or top of a goblet, signed in green ink at bottom Childs - 70- Noel .

Condición: Good. 8vo. 12 pp. Soft Cover. Very Good+. Illustrated paper wraps. Staple binding. B&W plates throughout.

Softcover. Small Quarto. Softcover. Tissue wraps. 24 pages. Illustrations. VG. slight bumping to the corners.

Soft cover. Condición: Near Fine. 8vo, 33 pp. Saddle stapled in wraps. A critical "documentary history" of a Philadelphia developer named Arthur W. Binns and his Linmore housing project. Includes speculations on the need for tenants leagues to communicate and organize with labor unions to better living conditions. April 2nd (1940) update pasted to inside rear. Scarce. OCLC locates 9 holdings.…

Condición: Fine. First edition hard back binding in publisher's original pastel grey paper covered boards, black title and author lettering to the spine, archive maps to the end papers. Square 10'' x 10''. Contains 240 printed pages of text with colour and monochrome photographs throughout. Fine condition book in Fine condition dust wrapper. Dust wrapper supplied in archive acetate film protection, it does not adhere to the book or to the dust wrapper. Member of the P.B.F.A. ISBN 9781856695527 ARCHITECTURE.…

1) The Prints of Bernard Childs. Hirschl Adler Galleries, New York 1988. 8°. 6 Blatt. OBroschur. Verzeichnet 16 Arbeiten, 5 abgebildet. 2) Paintings / Prints /Images in Light. Storm King Art Center, Mountainvill, New York 1969. 8°. 12 Blatt. OBroschur. 9 Arbeiten sind abgebildet.

Sous-verre. Condición: Très bon. "Kauai" de la série hawaïenne The flood of Paoö Fish from Lalo-Hona. 1968. Imp. Childs. Signée au dos par Judith Childs, épouse de Bernard Childs. " A nos amis Jean-Marie Drot et Madeleine Drot. Bien affectueusement pour 1997. New York 6.1.97." Gravure au carborundum et résine époxy sur zinc. Sous verre. Format : Cadre 22x31 cm. Gravure : 11x21 cm. Il s'agit d'un tirage séparé hors commerce de la plaque du motif principal -des pêcheurs- partie d'une composition où ils sont représentés au bord de l'océan. Cette composition, gravure et peinture, réalisée à 10 exemplaires est une partie de la série 'Images of Hawaiian Legends'. Jean-Marie Drot (1929-2015), qui fut directeur de l'Institut français d'Athènes puis de l'Académie française de Rome, avait notamment écrit pour Connaissance des Arts en 1976 un article, « Bernard Childs, une révolution dans l'art de la gravure », auquel avait été associée une démonstration publique du procédé. Bernard Childs est un représentant important de l'expressionnisme abstrait, dont les oeuvres sont représentées dans les grandes collections du monde. Né à Brooklyn en 1910, Il travaillait entre Paris et New York, où il décéda en 1985 . ENGLISH TEXT : "Kauai" from the Hawaiian series The flood of Paoö Fish from Lalo-Hona. 1968. Imp. Childs. Signed on the back by Judith Childs, wife of Bernard Childs. " A nos amis Jean-Marie Drot et Madeleine Drot. Bien affectueusement pour 1997. New York 6.1.97." Engraving with carborundum and epoxy resin on zinc. Under glass. Format: frame under glass : 12,21 x 8,67 inch - Engraving: 8,27 x 4,34 inch. It is a separate, non-commercial print, of the plate of the main motif - fishermen - part of a composition where they are represented at the edge of the ocean. This composition, engraving and painting, made in 10 copies, is a part of the series 'Images of Hawaiian Legends'. Jean-Marie Drot (1929-2015), who was director of the French Institute in Athens and then of the French Academy in Rome, wrote an article for Connaissance des Arts in 1976, «Bernard Childs, une révolution dans l'art de la gravure», to which was associated a public demonstration of the process. Bernard Childs is an important representative of abstract expressionism. Born in Brooklyn in 1910, he worked between Paris and New York, where he died in 1985. Currently, Childs is represented by the Jason McCoy Gallery, New York, New York and The Annex Galleries (prints), Santa Rosa, California.…

Hardcover. Condición: Like New. Hardcover 1st Edition Fine in Fine slipcase Signed by Illustrator(s) First edition number 233 of 350 copies signed by translators Anthony Kerrigan & Diarmaid O Suilleabhain and illustrator Bernard Childs. Printed on German mould-made rag paper. Quarter brown leather and boards in matching slipcase. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.…

Cloth in Slipcase. Condición: Fine. No Dust Jacket. First Edition; First Printing. SIGNED limited edition. Copy 134 of 350 printed. Signatories are Anthony Kerrigan, Diarmaid O Suilleabhain & Bernard Childs on colophon. Fine in quarter maroon leather and gray boards in matching gray card slipcase with paper title label at spine. Printed on German mould-made rag paper. (87pp. ) (7" X 9 3/4") Features two Borges stories, A statement by Borges as well as poet Robert Graves and an essay and poem on Borges by Anthony Kerrigan. Nicely produced. ; 7" X 9 3/4"; 87 pages.…

Panderma-Verlag, Carl Laszlo, Bern 1960. 4°. 36 Blatt. OBroschur. Vordere Broschur und 1 Blatt lose. = DÄDALUS - REIHE 3. Bernard Childs war Teilnehmer der documenta 2 in Kassel in der Abteilung Grafik. Mit 4 farbigen ganzseitigen Strukturen von Bernard Childs.

Auf der Rückseite mit einem handschriftlichen Vermerk (von Laszlo?) Orig. Radierung v. Childs sign. u. gestempelt PANDERMA. - Der US-amerikanische Maler und Grafiker Bernard Childs (1910-1985) gehörte zu den bedeutenden Vertretern des Abstrakten Expressionismus. - Tlw. min. angestaubt. ge Gewicht in Gramm: 350 4°. Einseitig bedrucktes illustriertes Werbeblatt mit einer mont. sign. u. dat. Orig.-Farbradierung von Bernard Childs (Blattgröße 16,8 x 8,5 cm).…

Four (4) bright and colorful Bernard Childs prints, each signed and dated in pencil at the foot with the message "Noël". They each were used as Christmas greetings for the years 1976-1979, and show Childs' distinctive abstract style. All four measure approx. 5.25" by 5", and they are housed in a hand-addressed envelope postmarked and stamped December, 1978. Addressed to "Mr. & Mrs. Gilbert Jonas" of New York's Upper East Side. Includes printed return address label of Childs to lip of envelope. Bernard Childs (1910-1985) was a New York painter and printmaker known for engraving metal printmaking plates with power tools. His use of color, line, and space led to a distinctly sensual point of view. He traveled widely, and has been the subject of dozens of solo and group exhibitions over the years. Very good. Light toning. A little damage to envelope.…

Condición: Fine. Estado de la sobrecubierta: Near Fine. Limited edition of 50. A suite of seven intaglio prints, each signed and dated by the artist, printed on Arches Velin paper. The seven prints are loose, as issued, in a folder of Arches Velin heavyweight stock with titling recto, and colophon to recto after the fold, this folder, with the 7 prints inside, is housed in a chemise of rust colored linen over boards, green end papers and ribbon ties at North, South and East. Images are approx. 3 x 4 inches, sheets measure approx 10 x 12 inches. From the limitation page: "Printed in Paris in the autumn of 1968 by Leacouriere Frelaut, under the artist's supervision from his original intaglio-colograph zinc plates. The edition consists of 50 suites of seven prints numbered from 1/50 to 50/50, printed on Velin Arches paper." It goes on to mention an additional edition of 12 suites. This copy is signed by the artist below this declaration and numbered 29/50 in his hand. Each print is also signed and numbered by the artist just under each image. Finally, the folder is additionally inscribed by the artist's wife Judith, in 2001 : "For Sylvan Cole, who inspired Bernard to do this suite. Love, Judith. New York 4.xii.2001." Sylvan Cole was extraordinary art dealer in New York City in the 30's and 40's; he was a tireless evangelist for the print medium, especially as a means of getting fine art into the homes of middle class collectors. He is credited with virtually single handedly creating a market for prints at a time when they were considered not worthy of serious consideration. A great association. Condition of the prints is Fine; they are fresh and vibrant, with original tissue guards. The paper folder shows mild toning at edges. Condition of the cloth outer folder is Very Good+ with a few faint scuffs and a sticker ghost on the upper right corner. The first line of Bernard Child's Wikipedia page reads: "Bernard Childs (1910-1985) was an artist who worked in Paris and New York. He was primarily a painter and printmaker, and pioneered the direct engraving of metal plates with power tools." You have to give respect to any artist who pioneered the direct engraving of metal plates with power tools. Selected public collections with holdings of Childs work include: Bibliothèque nationale de France, Paris Ishibashi Foundation, Tokyo (formerly the Bridgestone Gallery) Brooklyn Museum, Brooklyn, New York Grey Art Gallery, New York University, New York Hood Museum of Art, Hanover, New Hampshire Israel Museum, Jerusalem Metropolitan Museum of Art, New York Museum of Fine Arts, Boston Moderna Museet, Stockholm National Portrait Gallery, Stockholm National Portrait Gallery, Washington, DC The National Museum of Western Art, Tokyo Princeton University Museum of Art, Princeton, New Jersey San Francisco Fine Arts Museums, Palace of the Legion of Honor, Achenbach Foundation for Graphic Arts Smith College Museum of Art & the Mortimer Rare Book Room, Northampton, Massachusetts Stedelijk Museum, Amsterdam The Hyde Collection, Glens Fall, New York The Library of Congress, Washington D.C. The Butler Institute of American Art, Youngstown, Ohio The Jane Voorhes Zimmerli Art Museum, Rutgers, New Brunswick, New Jersey Whitney Museum of American Art, New York Worcester Art Museum, Worcester, Massachusetts Yale University Art Museum, New Haven, Connecticut. Loose prints in a paper folder and laid into a stiff backed, string tied folder. Signed.…

Condición: Good. Oil on canvas. 32 x 23.5 inches. 81 x 60 cm. Signed and dated lower right. It has his name B. Childs and address 4, rue de l'université on the verso of the canvas and the notation "7.61." Small scratch in the image. There is a label on the "museum grade honeycomb mounting panel": Conservation of Art LLC. 24127 (Childs 1567).From the collection of the late San Francisco artist Vesta Kirby (1936-2016) who was a designer at SOM and the studio and restoration assistant and to Gordon Onslow Ford (1981-1992). One Ear was given to Vesta Kirby by Roger Keyes, the art historian, curator, and poet. It had been Bernard's wedding gift to him and Keiko Keyes, his first wife.Bernard Childs, son of Russian immigrants, was born in Brooklyn/New York in 1910. In the daytime, he earned his living doing occasional jobs and at night he attended Kimon Nicolaïdes'drawing lessons at the Art Students League. A severe financial situation forced Childs to abandon his artistic work. He did not restart drawing until his military service during world war II. Around 1947 he attended Amédée Ozenfant's class in New York. During the 1950s and 60s he often travelled, lived in Italy, Paris and Japan for a longer period. In the 1950s he developed an abstract picture language, in which he worked with archetypical signs and symbols and with the methods of surrealistic automatism. Since 1955 he also attended to printed graphics, which accompanied his painting. Childs used electrically powered tools to work on his plates. This way he lent velvet-like structures and a vivid, skillful line direction to his prints. Between 1966 and 1977 he alternately lived in Paris and New York. Bernard Childs' artistic work was extraordinarily complex. …

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1919 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 362 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 362 Language: English.…

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1919. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 19, Pages:- 358, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 19 358 358.…

1) ORadierung Klappkarte von 1956. 6 x 4,3 cm auf 13 x 9 cm. Unterhalb der Darstellung signiert, mit Jahresangabe 56 und mit "Noel" bezeichnet. Auf dem zweiten Blatt mit dem handschriftlichen Zueignung "Greetings ! und Evelyn and Bernard Childs signiert. 2) ORadierung von 1958. 6 x 4,3 cm auf 13 x 9 cm. Unterhalb der Darstellung signiert, mit Jahresangabe 58 versehen und 76/180 nummeriert. 3) ORadierung von 1964. 3,7 x 3,1 cm auf 10 x 7 cm. Unterhalb der Darstellung signiert, mit Jahresangabe 64 versehen und mit "Noel" bezeichnet. 4) ORadierung von 1966. 4,2 cm im Durchschnitt auf 12,6 x 12,8 cm. Unterhalb der Darstellung signiert, mit Jahresangabe 66 versehen und mit "Noel" bezeichnet. Sehr schöne, an Wols erinnernde Informelle Arbeiten des 1910 in Brooklyn geborenen Künstler, Er studierte u.a. bei Amédée Ozenfant und arbeitete ab Mitte der 1950er Jahre verstärkt im Bereich der Druckgrafik. Seine Arbeiten ernteten internationale Aufmerksamkeit und Anerkennung. Im Jahr 1959 war er Teilnehmer der documenta 2 in Kassel in der Abteilung Grafik. 4 Original-Radierungen.…

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1919. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 362, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 362 362.…