Chambers william h (122 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Softcover. Blue gray soft cover, red lettering, lightly rubbed, owner's name on front cover. U. S. History; 17900.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Stapled Paperback. Condición: Very Good. No Jacket. 18 pp. The covers are tanned at the edges. Correction marked on the last page of the text. The binding is tight.

Condición: New.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New.

Paperback. Condición: Very Good. Paperback, offprint, printed wrappers, 15 pages, VERY GOOD.

Hardback. Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Very Good. Hardcover. 4to. Published by Spanierman Gallery, LLC, New York. 2003. 151 pgs. Bound in illustrated paper covered boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. The catalogue of an exhibition at Spanierman Gallery, New York, May 8 - June 28, 2003. 44 paintings are described and illustrated in color. 15 figures accompany the text. The book has a detailed biography of Willard Metcalf and many illustrations of his paintings. Preface by Ralph Sessions; foreword by Ira Spanierman; essays include: "Willard Metcalf: Genesis of an American Artist" by Richard J. Boyle; "Willard Metcalf: 'A Partial History of the Renaissance'" by Bruce W. Chambers; "Willard Metcalf: Painter Laureate of New England Impressionism" by William H. Gerdts. EB; 1858-1925; 9.7 X 0.7 X 12.8 inches; 151 pages.…

Condición: New. Debaines, A Brunet; Toussaint, H (ilustrador).

Condición: New. Debaines, A Brunet; Toussaint, H (ilustrador).

Hardcover. Condición: Very Good. No Jacket. Pristine text is peppered with vibrant color artwork. Sturdy cover and spine with shelfwear, mild scuffing.

hardcover. Condición: Interior is excellent. very good cover.

Condición: Very Good. 5 pages, illustrated. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: Quarto. Category: Apollo Arts Magazine; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages).…

Hardcover. Condición: Brand New. 928 pages. 6.02x1.97x9.21 inches. In Stock.

Cloth Boards. Seventh Edition. Original blue cloth binding in very good condition with silver titles to the spine Contents clean and in good condition previous owners label and inscription to the front and rear endpapers pp iv 187. book.

Condición: Very Good. 8 pages as issued. Folio. (9.5 x 14 ins). FEATURING approx 500 line account of Pellico's ordeal. A crisp copy of the original Weekly Newspaper. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Preserved in a modern card cover, prepared for practicality - an unassuming but serviceable presentation that favours function over finery. Size: Folio (23 x 33 cms). Category: Chambers' Edinburgh Journal; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on. Softcover (Booklet - Unbound Pages). …

hardcover. Condición: Very Good. Spanierman Gallery, LLC [Published Date: 2023]. Hardcover, 151 pp. Catalog published in conjunction with the 2003 retrospective exhibition at Spanierman Gallery. In very good condition/ NO dust jacket. Glossy illustrated Paper over Boards have light bumping to edges and corners and light overall scuffing. Binding tight. Pages clean and unmarked. Includes 45 full color plates and detailed catalog entries for 44 works, encompassing provenance, exhibition history, and bibliographical references. Essays by Richard J. Boyle, Bruce W. Chambers, and William H. Gerdts Preface by Ralph Sessions and foreword by Ira Spanierman; Selected bibliography; Index to Illustrations. [From Preface] After decades of neglect following his death in 1925, Willard Metcalf is today rightly recognized as one of the greatest interpreters of the American landscape. Much of his reputation rests on paintings from the last twenty years of his life, when he concentrated on intimate views and sweeping vistas of the rural New England that he knew so well. By this time, Metcalf had found the means to express a singular vision, and while he sometimes edited his compositions, his canvases captured the essence of the New England countryside with a compelling naturalism and powerful sense of place. It should not be forgotten, though, that Metcalf painted for half a century. He was adept in several mediums, and, in addition to his oils, was a fine muralist and illustrator, even if he was not particularly enamored of some of the work that he undertook to support himself. Critical and financial success did not come quickly or easily either, but he was dedicated to his art and achieved recognition among his peers years before he was widely known to the public. In order to get a true sense of the extent of his accomplishments, then, it is necessary to place his later landscape work in context. This exhibition takes a retrospective view by including paintings from all phases of his career. Metcalf was, in fact, remarkably talented from the start, as a precocious sixteen-year-old apprentice. His steady progress can be charted through his early work along the New England coast in the late 1870s to his sojourn in the Southwest a few years later. The paintings that he completed during his study and travel in Europe and North Africa in the 1880s confirm his increasing strength and self-confidence, while his work from the 1890s and first few years of the twentieth century evidences the virtuosity and craftsmanship that culminated in his later success. Spanierman Gallery has long been involved in the revival of interest in Metcalf, and so I am especially pleased to have had the opportunity to organize this exhibition, calling upon the gallery's extensive records and resources. The Metcalf Catalogue Raisonne Project, which has been sponsored by Spanierman Gallery since 1991, and the painstaking research compiled by Elizabeth de Veer have informed this undertaking from the beginning. In addition, a previous Metcalf exhibition held at the gallery in 1995-96, provided an important precedent. As Ira Spanierman relates in his Foreword, Willard Metcalf's paintings strike a personal chord with all those of us who are fortunate enough to see and study them over an extended period of time.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Very good hardcover with good dust jacket, 1960. Slight wear and chipping to jacket.

Hardcover. Condición: Brand New. 928 pages. 6.02x1.97x9.21 inches. In Stock.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Soft cover. Condición: Very Good. First Thus. Trade paperback format. Light wear on the corners with an uncreased spine; no interior markings. Cover art by Doug Fornuff. This anthology contains: A Little Something for Us Tempunauts by Philip K. Dick; The Summer People by Shirley Jackson; The Beautiful Stranger by Shirley Jackson; The Whimper of Whipped Dogs by Harlan Ellison; Sticks by Karl Edward Wagner; There's a Long, Long Trail A-Winding by Russell Kirk; The Call of Cthulhu by H. P. Lovecraft; The Rats in the Walls by H. P. Lovecraft; My Dear Emily by Joanna Russ; Vandy, Vandy by Manly Wade Wellman; Belsen Express by Fritz Leiber; Yours Truly, Jack the Ripper by Robert Bloch; A Rose for Emily by William Faulkner; Mackintosh Willy by Ramsey Campbell; Smoke Ghost by Fritz Leiber; Seven American Nights by Gene Wolfe; The Signalman by Charles Dickens; The Repairer of Reputations by Robert W. Chambers; The Beckoning Fair One by Oliver Onions; What Was It? by Fitz-James O'Brien; The Reach by Stephen King; Evening Primrose by John Collier; The Ash-Tree by M. R. James; The New Mother by Lucy Clifford; Young Goodman Brown by Nathaniel Hawthorne; Mr. Justice Harbottle by Joseph Sheridan Le Fanu; The Crowd by Ray Bradbury; The Autopsy by Michael Shea; John Charrington's Wedding by E. Nesbit; Larger Than Oneself by Robert Aickman; If Damon Comes by Charles L. Grant; The Swords by Robert Aickman; The Roaches by Thomas M. Disch; Bright Segment by Theodore Sturgeon; Dread by Clive Barker; The Fall of the House of Usher by Edgar Allan Poe; The Monkey by Stephen King; Within the Walls of Tyre by Michael Bishop; Schalken the Painter by Joseph Sheridan Le Fanu; The Yellow Wallpaper by Charlotte Perkins Gilman; How Love Came To Professor Guildea by Robert Hichens; Born of Man and Woman by Richard Matheson; You Can Go Now by Dennis Etchison; The Rocking-Horse Winner by D. H. Lawrence; Three Days by Tanith Lee; Good Country People by Flannery O'Connor; The Jolly Corner by Henry James; Crouch End by Stephen King; Night-Side by Joyce Carol Oates; Seaton's Aunt by Walter de la Mare; Clara Militch by Ivan Turgenev; The Damned Thing by Ambrose Bierce; Afterward by Edith Wharton; The Willows by Algernon Blackwood; The Asian Shore by Thomas M. Disch; and The Hospice by Robert Aickman. Size: 8vo. Doug Fornuff; (ilustrador). Book.…

Softcover. First Edition, First Printing. Book condition is Very Good, bound in wraps. Some rubbing and edgewear to exterior. Text is clean and unmarked. ; 8vo. 9"h x 6"w. Contents: Moral Conversation and Moral Reasoning, Paying for Parts, Ethics and Suicide, Epidemiology, Families, Troubled Bodies/Disabled Bodies, Birth and Death, Gendered Relationships.…

Wraps. Condición: Very Good. Vol. 53, No. 5. Pulp magazine. Edited by Frank Quinn. Cover art by Alan Foster. Includes "Not Without Honor" by Will Irwin; "Football Fans Can't Crash His Gate" by John Tunis; "Risking Your Neck for Camera News" by Harriet Works Corley; "The Last White Line" by Octavus Roy Cohen; "He's "Bill" Jardine in Kansas" by Herbert Corey; "You've Got to Have Nerve" by Nina Purdy; "The Man They Hanged" (novel) by Robert W. Chambers; "Taxi Meet 'Er" by Edwin Palmer; "A Skyscraper Schoolmaster" by Elizabeth Gertrude Stern; "He's Won 6,000 Horse-Races" by Walter S. Hiatt; "Money Is Useful" by William Almon Wolff; "Opera Begins at Home" by Stanley Olmstead; "Women and Dolls" by Stella Burke May; "The Best Love-Story i Ever Read" (contest letters); "The Cask of Amontillado" (Old Short Story) by Edgar Allan poe; "The Duchess at Prayer" (Modern Short Story) by Edith Wharton; "We Must March" (novel) by Honore Willsie Morrow; "The Aerial Weather Man" by Q. Wood; "The Champion Prize Winner" by Frances Dewey McMullen; "A $60,000 Peony Bed" by M. H. Malone; "Hers is a New Profession" by George F. Paul; "Everybody's Chesnut Tree". Illustrated by S. George Phillips, H. T. Fisk, Gayle Hoskins, Tony Sarg, Otto J. Gatter, Dominick Commerota, John R. Pierce, and J. Scott Williams. Creasing; writing on front ansd same on rear, but not erased; rubbing. Magazine.…

hardcover. Condición: Very Good+. 1st Ed. 4to, an art exhibition catalogue, well illustrated with color plates, bibliography, 151 pages.