Catlett elizabeth (33 resultados)

Soft cover. Condición: Near Fine. No Jacket. 1st Edition. Cover Art by Elton C. Fax. "In Memoriam: W. Alphaeus Hunton." Contains inter alia: "Survey of Afro-American Playwrights" by Jim Williams; "In Defense of the People's History and Culture: Black and White" by Ernest Kkaiser; "Gwendolyn Brooks -- Poet Laureate of Bronzeville, U.S.A." by Jeanne-Marie A. Miller. 5-96pp. Size: 8vo - over 7¾" - 9¾" tall. Elizabeth Catlett (ilustrador). Journal.…

Soft cover. Condición: As New. No Jacket. 1st Edition. Cover Art by Elton C. Fax. "In Memoriam: W. Alphaeus Hunton." Contains inter alia: "Survey of Afro-American Playwrights" by Jim Williams; "In Defense of the People's History and Culture: Black and White" by Ernest Kkaiser; "Gwendolyn Brooks -- Poet Laureate of Bronzeville, U.S.A." by Jeanne-Marie A. Miller. 5-96pp. Size: 8vo - over 7¾" - 9¾" tall. Elizabeth Catlett (ilustrador). Journal. …

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. Catlett, Elizabeth (ilustrador).

Soft cover. Condición: Near Fine. No Jacket. 1st Edition. "American Indians and Mexican Americans: A Selected Bibliography" by Ernest Kaiser. Cover Art by Elizabeth Catlett. 295-384pp. Size: 8vo - over 7¾" - 9¾" tall. Elizabeth Catlett (ilustrador). Journal.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Soft cover. Condición: Good. Edited, and with Introduction by John Hendrik Clarke. Also 40 other writers, artists, actors, sculptors, painters, doctors, lawyers, clerymen, photographers, philosophers. Covers and spine thumbed around edges and corners. Simple binding neat and tidy, yet showing it's age, in need of some TLC. Page edges are heavily discoloured, this halos the pages The odd mark here and there. Previous owner's inscription on head .of title page. General discolouration due to age, throughout, otherwise this book is in good condition. *We always describe the faults of our books meticulously but they usually present better than they sound.…

Paperback. Condición: Brand New. 242 pages. 12.50x9.75x12.50 inches. In Stock.

Condición: Neuf. Catlett, Elizabeth (ilustrador).

Broché. Condición: D'occasion - Comme neuf. Seghers, sous blister. Envoi rapide et soigné. Catlett, Elizabeth (ilustrador).

Séghers, 2022. In-4 en leporello sous étui de 14 pages illustrées. Sous célophane. Comme neuf. Catlett, Elizabeth (ilustrador).

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Orange cloth. Oblong quarto. 119pp. Photo-illustrated dust jacket. Edited by Lucinda H. Gedeon. With essays by Michael Brenson and Lowery Stokes Sims. This monograph covers a fifty-year period from 1946-1996 in the life's work of the renowned African-American artist Elizabeth Catlette. From the beginning of her career as an artist and a teacher in the early 1940s her themes have reflected her concerns for social injustice, the human condition and her life as an African-American woman and mother. Formally, her sculpture draws upon African and pre-Columbian traditions, as well as early modernism in Europe, the United States and Mexico. There are numerous illustrations in color of her work. A very good copy with minor wear. The title page has some light marking at the bottom otherwise the text is very good and clean. The jacket is very good with minor wear.…

paperback. Condición: Wie neu. 242 Seiten; 9783753307022.1 Gewicht in Gramm: 2.

Condición: As New. Unread book in perfect condition.

Gebundene Ausgabe. Condición: Neu. en. 279 Seiten ; 32 cm + 1 Begleitheft (31 Seiten) NEW ! + + + A richly illustrated re-discovery of a great artist who was among the first to create images and sculptures of African-American life and history to close a gap in the canon of art history.At the start of the twentieth century, there were certain absences in the way that African American history was represented in the canon of art history. Some collective experiences lacked images with which people could identify, which were necessary for the idea of community and a shared iconography to emerge. These images - clear, precise and invariably personal portraits of people close to her and heroines or showing events from African American history - were created by Elizabeth Catlett.Text: Benjamin H. D. Buchloh, E.N. Mirembe, Hannah Black, Manthia Diawara und Terri Geis, Melanie Herzog, Precious Okoyomon. 9783753307022 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 1200.…

Condición: gut. 2025. Elizabeth Catlett: Museum für Moderne Kunst, Frankfurt In deutscher Sprache. pages.

hardcover. Condición: Like New. Brand new gift quality hardcover in jacket oversized and overweight. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Hardcover. Condición: Fine. Limited Edition. Number 141 of 400 copies. Signed by Margaret Walker and signed by Elizabeth Catlett, who illustrated the volume with four-color lithographs. The Limited Editions Club Letter dedicated to this book is laid in. Elephant folio 21 3/4 x 18 1/2 inches. Hand-sewn and bound. In lined, clamshell case. Fine. Elizabeth Catlett (lithographs) (ilustrador). Signed by Author(s). …

Paperback. Condición: New. Jacob Lawrence Series on American Artists; Elizabeth Catlett, born in Washington, DC, in 1915, is widely acknowledged as a major presence in African American art, and her work is celebrated as a visually eloquent expression of African American identity and pride in cultural heritage. But this is not the whole story. She has lived in Mexico for 50 years, as a citizen of that country since 1962, and she and her husband, artist Francisco Mora, have raised their children there. For 20 years she was a member of the Taller de Gráfica Popular (Popular Graphic Arts Workshop) and she was the first woman professor of sculpture at the Universidad Nacional Autà noma de Mà xico. Her extraordinary career has stretched from her years as a student at Howard University during the 1930s through various political and social movementsâ"including the Chicago Renaissance of the 1940s, the Black Power and Black Arts movements, the Mexican Public Art Movement, and feminismâ"which have informed her art. This richly illustrated and informative monograph is the first to document the full range of Catlettâs life and work. In addition to thoroughly researching primary source materials and to critiquing individual art works with sensitivity and erudition, the author has conducted numerous interviews with Catlett and has analyzed with clarity the political context of her work and her diverse sympathies and allegiances. Herzog examines key artistic influences and shows how Catlett transformed an extraordinary stylistic vocabulary into a socially charged statement. In tracing Catlettâs long and continuing career as a graphic artist and sculptor in Mexico, Herzog explores an important period in Catlettâs life between the 1950s and the 1970s about which almost nothing is known in the United States. She examines the "Mexicanness" in Catlettâs work in its fluent relationship to the underlying and constant sense of African American identity she brought with her to Mexico. Herzogâs solidly grounded interpretation offers a new way to understand Catlettâs work and reveals this artist as a fascinating and pivotal intercultural figure whose powerful art manifests her firm belief that the visual arts can play a role in the construction of a meaningful identity, both transnational and ethnically grounded.…

Hardcover. Condición: New. Jacob Lawrence Series on American Artists; Elizabeth Catlett, born in Washington, DC, in 1915, is widely acknowledged as a major presence in African American art, and her work is celebrated as a visually eloquent expression of African American identity and pride in cultural heritage. But this is not the whole story. She has lived in Mexico for 50 years, as a citizen of that country since 1962, and she and her husband, artist Francisco Mora, have raised their children there. For 20 years she was a member of the Taller de Gráfica Popular (Popular Graphic Arts Workshop) and she was the first woman professor of sculpture at the Universidad Nacional Autà noma de Mà xico. Her extraordinary career has stretched from her years as a student at Howard University during the 1930s through various political and social movementsâ"including the Chicago Renaissance of the 1940s, the Black Power and Black Arts movements, the Mexican Public Art Movement, and feminismâ"which have informed her art. This richly illustrated and informative monograph is the first to document the full range of Catlettâs life and work. In addition to thoroughly researching primary source materials and to critiquing individual art works with sensitivity and erudition, the author has conducted numerous interviews with Catlett and has analyzed with clarity the political context of her work and her diverse sympathies and allegiances. Herzog examines key artistic influences and shows how Catlett transformed an extraordinary stylistic vocabulary into a socially charged statement. In tracing Catlettâs long and continuing career as a graphic artist and sculptor in Mexico, Herzog explores an important period in Catlettâs life between the 1950s and the 1970s about which almost nothing is known in the United States. She examines the "Mexicanness" in Catlettâs work in its fluent relationship to the underlying and constant sense of African American identity she brought with her to Mexico. Herzogâs solidly grounded interpretation offers a new way to understand Catlettâs work and reveals this artist as a fascinating and pivotal intercultural figure whose powerful art manifests her firm belief that the visual arts can play a role in the construction of a meaningful identity, both transnational and ethnically grounded.…

Wrappers. Condición: NEW. Estado de la sobrecubierta: no dj's as issued. Edition limited to 400. No Reply Press, 2023 BY TONI MORRISON, WITH WOODBLOCKS BY ELIZABETH CATLETT At the pinnacle of world literature, in her lecture upon receiving the Nobel Prize, Toni Morrison used her platform to urge care with words. "Language," she said, "is susceptible to death, erasure; certainly imperiled and salvageable only by an effort of the will." Language is not fixed, but precious and delicate like a bird in your hands. With its elegiac prose and interweaving of narrative and polemic, Morrison's meditation is worth continual close reading. To celebrate its thirtieth anniversary, and with special permission from the Nobel Prize Committee, we have printed her lecture alongside the gripping woodblocks of Elizabeth Catlett. The edition is limited to 400 copies, numbered 1 through 400. The twenty-third imprint of No Reply Press, 2023. Typeset in 11-point Centuar. 20 pages, Measuring 6 by 9 inches. Printed by hand on Cotton Flurry using a Vandercook Universal I. Bound in Suminagashi-style wrappers. Elizabeth Catlett (ilustrador).…

Softcover. First Edition. Square octavo, unpaginated. In Very Good minus condition. Bound in chartreuse paper covers with two staples. Light age toning and rubbing all over. Light wear and creasing to spine. Shelved in Case 11. 1415701. Shelved Dupont Bookstore.

Softcover. Condición: Fine. First Edition. First edition. Forward by Elton C. Fax. Small square octavo. [32]pp. Illustrated. Stapled printed wrappers. A touch of rubbing at the corners, else fine. Signed by Catlett. Scarce exhibition catalog, especially signed by the artist. Catlett was born in Washington, D.C. and studied under Lois Mailou Jones at Howard University. She and her husband moved to Mexico City after being awarded a fellowship. There she worked with Taller de Gráfica Popular and went on to become the head of the sculpture department for the Escuela Nacional de Artes Plásticas. *OCLC* locates six copies. Signed.…

Hardcover. Condición: Fine+. Signed by author and illustrator. Limited edition of 400 copies, this being copy #83. Full red cloth cover is flawless. Boards and spine are straight. Binding is tight. Publisher's notes laid-in. Pages are clean and pristine. Six beautiful color lithographs by Catlett. Black cloth slipcase with red leather title box is sunned, else fine.; Signed by Author & Illustrator. …

A Fine Copy, Signed by the Illustrator and Author CATLETT, Elizabeth, [illustrator]. LIMITED EDITIONS CLUB. WALKER, Margaret. For My People (LEC). New York: Limited Editions Club, 1992. Full Description: CATLETT, Elizabeth, [illustrator]. WALKER, Margaret, [author]. [LIMITED EDITIONS CLUB]. For My People. New York: Limited Editions Club, 1992. Limited to 400 copies signed by Catlett and Walker on the colophon. This copy being number 295. Folio (21 3/4 x 18 1/2 inches; 550 x 464 mm). With six color lithographs by Catlett. The 400 copies of this edition were hand-set in Monotype Albertus and printed on 300gm Arches Cover. With prospectus laid in. Original red linen-covered boards. Front board printed in black. Housed in the original black cloth folding case, with leather cover label. Case with some minor smudging. A fine copy. Printed on the 50th anniversary of Walker's first published work, "For My People," Catlett's lithographs illustrate Walker's poem, published in 1942, about African-American life in Chicago. Regarding Catlett's art, "Beautifully striking, singularly apt, these are pictures that, while avoiding the literal, empathically complement Margaret Walker's poem." (From the LEC newsletter, #567). LEC Bibliography. HBS 69336. $4,000. CATLETT, Elizabeth; LIMITED EDITIONS CLUB (ilustrador). Signed.…

Hardcover. Condición: Fine. Near Fine. First edition. Organized by Lucinda H. Gedeon. Essays by Michael Brenson and Lowery Stokes Sims. Oblong quarto. Heavily illustrated. Topedge of cover with a small bump else fine in lightly rubbed, near fine dust jacket with a corresponding gentle bump. Inscribed to longtime friend Bertha Taube on the front fly: "To Bertha Taube, in friendship and esteem- Elizabeth Catlett 3/7/98." Taube's obituary in the *Santa Cruz Sentinel* describes her as a lifelong peace and civil rights activist and tells of her moving to Mexico City after a divorce, where she "began her lifelong friendship with the renowned artist Elizabeth Catlettwho decades later, Berte [Bertha] assisted crossing the border!" A nice association. …