Catherine smet (110 resultados)

Paperback. Condición: New.

Paperback. Condición: Brand New. 2nd edition edition. 96 pages. 9.00x0.40x5.40 inches. In Stock.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condición: New. 1. New copy.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. pp. 304.

Paperback. Condición: New.

Soft cover. Condición: Near Fine. First Edition. A crisp Near Fine copy. 280 pp., profusely illustrated.

Condición: New.

Condición: New. 2012. Paperback. . . . . .

Large Softcover. Condición: Very Good. Single spine crease. 2012 Large Softcover. 303 pp. Tracing the history of graphic design over the past 30 years, this dense and informative reader presents a large selection of essays which address the origins and purposes of the field. Originally intended to accompany a May 2011 conference in London, the investigation expanded its scope as one text lead to another and further relevant input was discovered. The first anthology of its kind, this reader comprises some of the most influential published texts about graphic design history, underscoring the aesthetic, theoretical, politcal and social tensions that have underpinned it from the beginning. Included are texts by Steve Baker, Wen Huei Chou, Johanna Drucker, Victor Margolin, Catherine de Smet and numerous others.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 304 pages. 11.69x8.27x1.97 inches. In Stock.

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Softcover. Condición: Bon. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: New. 2012. Paperback. . . . . . Books ship from the US and Ireland.

paperback. Condición: Used-Very Good. Bilingual. octavo, illus. Some shelf-wear.

Condición: New.

Hardcover. Condición: new. Hardcover. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Read Frame Type Film stems from the ambitious "TypoFilm" research project, initiated at the Centre Pompidou in Paris in 2020 and dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Long before the advent of the digital realm, we have been reading on screen. From credits to subtitles to title cards and beyond, texts play a critical part in the structure of a film. Yet, away from the world of narrative, industrial cinema, where the work of renowned title designers like Saul Bass and Pablo Ferro has gained critical consideration, these textual and visual elements have often been overlooked. In Read Frame Type Film, film curator Enrico Camporesi, graphic design historian Catherine de Smet, and designer Philippe Millot aim to address this gap by focusing on a neglected body of works: experimental and artists' films. They bring their extensive research and expertise to a discussion of 24 works from the film collection at the Centre Pompidou that capture the affinity between cinema and typography. Composed of a series of rich explorative texts, accompanying specially-commissioned photography of analog film strips from the collection, the book is itself an experimental object in which text and images mirror one another. It spotlights the endless possibilities of interplay between images and text and centers a long-overlooked art form in the history of moving images. Read Frame Type Film is a book developed from the ambitious "TypoFilm" research project that was initiated at the Centre Pompidou in Paris in 2020, dedicated to constructing a genealogy of this understated yet pivotal element of design on screen. Bringing together graphic design historians and specialists in artists' film and video, the project, a book in which text and images mirror one another, set out to pay rigorous attention to the practical, historical, and theoretical relationship between cinema and typography. …

Condición: New. pp. 304.

Condición: New. pp. 304.

Hardcover with dustjacket, 104 pages; in English and French; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.