Caskey jill (45 resultados)

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Remainder mark on bottom of pages.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Cloth copy with dust jacket. Publisher's remainder mark on bottom of text block, else bright clean internals. Dust jacket has minor shelf wear including minimal tearing on bottom spine. Overall a clean and attractive copy.…

hardcover. Condición: Used-Very Good. dj. Cloth, dj. Minor shelf wear. Publisher's mark to text block.

paperback. Condición: Very Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK. …

Cartoné (tapa dura cartón). Condición: New. Estado de la sobrecubierta: Nuevo. 01. LIBRO.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. xvi, 328pp. Blue cloth-covered boards, silver titles on spine. Black remainder mark on bottom text block edge. Page margins just starting to tan. Internally neat, clean, bright and tight. Dust jacket has light chipping to edges. 4to. Surveys the port of Amalfi and the surrounding region which produced unusual types of art and patronage throughout medieval times and evaluates its production in terms of moral, economic, and social structures including investment strategies, anxiety about wealth and salvation, and southern Italy's diverse religious communities. Illustrated with black and white photographs. …

Condición: New.

Paperback or Softback. Condición: New. Art and Patronage in the Medieval Mediterranean: Merchant Culture in the Region of Amalfi. Book.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New.

Condición: New. Originally published in 2004, this book evaluates the Amalfitan art production in terms of moral, economic, and social structures. Num Pages: 344 pages, Illustrations. BIC Classification: 1DST; 1QSM; ACK. Category: (P) Professional & Vocational. Dimension: 189 x 247 x 19. Weight in Grams: 628. . 2011. Reissue. paperback. . . . .…

Condición: New. Brand New.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Hardcover. Cloth, dw.

Hardcover. Condición: Very Good. FIRST EDITION with dust jacket + owners name - Rare and Collectable - will send out 1st class post within 12 hours of receipt of order.

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Condición: New. pp. 344.

Condición: New. Originally published in 2004, this book evaluates the Amalfitan art production in terms of moral, economic, and social structures. Num Pages: 344 pages, Illustrations. BIC Classification: 1DST; 1QSM; ACK. Category: (P) Professional & Vocational. Dimension: 189 x 247 x 19. Weight in Grams: 628. . 2011. Reissue. paperback. . . . . Books ship from the US and Ireland.…

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - An important trade centre in the Medieval Mediterranean, Amalfi and the surrounding region of southern Italy sustained strong art production and patronage from the eleventh through to the thirteenth centuries. Merchant patrons realised a wide variety of religious and residential complexes that were evocative of Byzantine, Islamic, Western, and local traditions. With the rise of the Angevin kingdom, a demise of this eclectic art tradition took place and by the fourteenth century, Amalfitan painting and sculpture reflected compromises between local and Neapolitan styles, demonstrating the erosion of its autonomy. Originally published in 2004, this book evaluates the Amalfitan art production in terms of moral, economic, and social structures, including investment strategies, anxieties about wealth and salvation, and southern Italy's diverse religious communities. Historiographical analyses and postcolonial models of interpretation offer further insight into Amalfitan art and its ever-shifting relationship to the visual cultures of sovereign authorities in southern Italy.…

Paperback. Condición: Brand New. 400 pages. 12.00x9.00x0.75 inches. In Stock.

Kartoniert / Broschiert. Condición: New. &Uumlber den AutorJill Caskey, Adam S. Cohen, and Linda SafranInhaltsverzeichnisIntroduction: From Santiago to Samarkand, Lincoln to Lalibela1. The Roots of Medieval Art 2. Fourth and Fifth Cen.

Hardcover. Condición: Brand New. 327 pages. 10.00x7.75x1.00 inches. In Stock.

Paperback. Condición: New. Illustrated. This volume approaches the problem of the canonical "center" by looking at art and architecture on the borders of the medieval world, from China to Armenia, Sweden, and Spain. Seven contributors engage three distinct yet related problems: margins, frontiers, and cross-cultural encounters. While not displaying a unified methodology or privileging specific theoretical constructs, the essays emphasize how strategies of representation articulated ownership and identity within contested arenas. What is contested is both medieval (the material evidence itself) and modern (the scholarly traditions in which the evidence has or has not been embedded). An introduction by the editors places the essays within historiographic and pedagogical frameworks. Contributors: J. Caskey, K. Kogman-Appel, C. Maranci, J. Purtle, C. Robinson, N. Wicker and E.S.Wolper. …

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Illustrated. This volume approaches the problem of the canonical "center" by looking at art and architecture on the borders of the medieval world, from China to Armenia, Sweden, and Spain. Seven contributors engage three distinct yet related problems: margins, frontiers, and cross-cultural encounters. While not displaying a unified methodology or privileging specific theoretical constructs, the essays emphasize how strategies of representation articulated ownership and identity within contested arenas. What is contested is both medieval (the material evidence itself) and modern (the scholarly traditions in which the evidence has or has not been embedded). An introduction by the editors places the essays within historiographic and pedagogical frameworks. Contributors: J. Caskey, K. Kogman-Appel, C. Maranci, J. Purtle, C. Robinson, N. Wicker and E.S.Wolper. …