Carrie bennett (38 resultados)

Paperback. Condición: Very Good. Russell, Ruth (ilustrador).

Condición: Good. A sound copy with only light wear. Overall a solid copy at a great price.

Condición: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.

Paperback. Condición: Good. Wear to cover edges and corners. There were pencil marks and a name inside front cover that have been erased. No marks or tears in text. Russell, Ruth (ilustrador).

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Paperback. Condición: Very Good. Nice book. There is a small nick in the spine. Russell, Ruth (ilustrador).

softcover. Condición: Fine copy. 1st. 8vo, 78 pp.

Condición: New.

Paperback. Condición: New. In Lost Letters and Other Animals Carrie Bennett explores what words can and cannot express. Animals abound- birds sing and stop singing, dogs breathe and stop breathing, deer appear and disappear. All along the human brainbox records, remembers, and then forgets. In five long fragmented poems, we put together a collage that is a meditation on the eternal tension between beauty and truth. Bennett' s touch is light but cuts deeply into the impermanence that marks our lives. A beautiful collection. - Barbara Hamby Lost Letters and Other Animals feels written at the foot of The Tower of Babel, mid-fall, as Bennett tenderly records a world turning back into rubble. This rubble is so beautiful and so wise it could easily be mistaken for a poem. Bennett' s world keeps slipping out of the words that name it. Only the poem remembers. Bennett wears the " day like a bright / bell in (her) throat." This " day" must be the magical instrument she uses to write these spare but gigantic poems down. - Sabrina Orah Mark Meditating on mind, body, and language, Lost Letters and Other Animals attempts " to preserve the exact measurement of loss" that accompanies Alzheimer' s, an incalculable task that forces us beyond words and their " pretty cages." Both body and mind, these fragments reveal, can box us in, bind or unbind us, defining us to ourselves until " the ability to name is gone." In these beautifully haunting and haunted poems, Carrie Bennett opens space to consider how memory' s absence is marked by what remains.- Amaranth Borsuk.…

Paperback. Condición: Very Good. 16784th. Russell, Ruth (ilustrador).

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. In Lost Letters and Other Animals Carrie Bennett explores what words can and cannot express. Animals abound- birds sing and stop singing, dogs breathe and stop breathing, deer appear and disappear. All along the human brainbox records, remembers, and then forgets. In five long fragmented poems, we put together a collage that is a meditation on the eternal tension between beauty and truth. Bennett' s touch is light but cuts deeply into the impermanence that marks our lives. A beautiful collection. - Barbara Hamby Lost Letters and Other Animals feels written at the foot of The Tower of Babel, mid-fall, as Bennett tenderly records a world turning back into rubble. This rubble is so beautiful and so wise it could easily be mistaken for a poem. Bennett' s world keeps slipping out of the words that name it. Only the poem remembers. Bennett wears the " day like a bright / bell in (her) throat." This " day" must be the magical instrument she uses to write these spare but gigantic poems down. - Sabrina Orah Mark Meditating on mind, body, and language, Lost Letters and Other Animals attempts " to preserve the exact measurement of loss" that accompanies Alzheimer' s, an incalculable task that forces us beyond words and their " pretty cages." Both body and mind, these fragments reveal, can box us in, bind or unbind us, defining us to ourselves until " the ability to name is gone." In these beautifully haunting and haunted poems, Carrie Bennett opens space to consider how memory' s absence is marked by what remains.- Amaranth Borsuk.…

Condición: As New. Unread book in perfect condition.

paperback. Condición: As New. Book is in excellent condition, text is unmarked and pages are tight.

Condición: New.

Condición: New.

Single Issue Magazine. Condición: Near Fine. First Edition. Bloomington, IN: Indiana Review / Indiana University. 2005 First edition. Magazine in Pictorial wrappers 8vo 185 pages Edited by Grady Jaynes with articles, poetry, fiction by Beth Bachmann, Hadara Bar-Nadav, Kenneth Baron, Elinor Benedict, Carrie Bennett, Anne Blonstein, Mary Lou Buschi, Paula Carter, Susanna Childress, Ye Chun, Patrick Culliton and others. A near fine copy with minor edge wear. See Photos clph (Indiana). cover art by Ryan Woods (ilustrador). …

Soft cover. Condición: Fine. 1st Edition.

Hardcover. Condición: Fine. First Edition. FINE - mended tear on front DJ cover. Presentation copy FEP by author. Hand-tinting By Bennett Hall (ilustrador). Signed by Author(s).

Condición: New. 2021. paperback. . . . . .

Soft cover. Condición: As New. The Bond Shop by Carrie Jacobs-Bond & Son 1915. Like New music. Music clean and unmarked. Carrie Jacobs-Bond was an American singer, pianist, and songwriter who composed some 175 pieces of popular music from the 1890's through the early 1940s. She was the first women to sell one million copies of a song, and was inducted into the Songwriters Hall of Fame in 1970. Sheet music.…

Condición: New. 2021. paperback. . . . . . Books ship from the US and Ireland.

Softcover. Condición: Fair. Sheet music. Folio. 6pp. Gamble-hinged wrappers. A large dampstain along the bottom of the wrappers affecting throughout, edgewear, soiling to the wrappers, and a music shop stamp and an owner name penned on the front cover, a complete but just a fair to good only copy. For low voice and piano. Plate imprint, "A Hundred Years From Now 4 L.". …

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Good. Chicago copyright 1914 first edition. Carrie Jajcobs-bond & Son. Folio wraps. 6p. Music score for piano and medium voice. Owner signed on cover (Hazel V. Gantt). Good, some light wear. Music clean.

Taschenbuch. Condición: Neu. Neuware - In Lost Letters and Other Animals Carrie Bennett explores what words can and cannot express. Animals abound-- birds sing and stop singing, dogs breathe and stop breathing, deer appear and disappear. All along the human brainbox records, remembers, and then forgets. In five long fragmented poems, we put together a collage that is a meditation on the eternal tension between beauty and truth. Bennett's touch is light but cuts deeply into the impermanence that marks our lives. A beautiful collection. -- Barbara Hamby Lost Letters and Other Animals feels written at the foot of The Tower of Babel, mid-fall, as Bennett tenderly records a world turning back into rubble. This rubble is so beautiful and so wise it could easily be mistaken for a poem. Bennett's world keeps slipping out of the words that name it. Only the poem remembers. Bennett wears the ' day like a bright / bell in (her) throat.' This ' day' must be the magical instrument she uses to write these spare but gigantic poems down. -- Sabrina Orah Mark Meditating on mind, body, and language, Lost Letters and Other Animals attempts ' to preserve the exact measurement of loss' that accompanies Alzheimer' s, an incalculable task that forces us beyond words and their ' pretty cages.' Both body and mind, these fragments reveal, can box us in, bind or unbind us, defining us to ourselves until ' the ability to name is gone.' In these beautifully haunting and haunted poems, Carrie Bennett opens space to consider how memory's absence is marked by what remains.-- Amaranth Borsuk.…

SOFTCOVER. Condición: As New. 1st Edition. Medium size 4to in photo illustrated and gilt embossed stiff card covers, 120pp, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Paperback. Condición: New. In Lost Letters and Other Animals Carrie Bennett explores what words can and cannot express. Animals abound- birds sing and stop singing, dogs breathe and stop breathing, deer appear and disappear. All along the human brainbox records, remembers, and then forgets. In five long fragmented poems, we put together a collage that is a meditation on the eternal tension between beauty and truth. Bennett' s touch is light but cuts deeply into the impermanence that marks our lives. A beautiful collection. - Barbara Hamby Lost Letters and Other Animals feels written at the foot of The Tower of Babel, mid-fall, as Bennett tenderly records a world turning back into rubble. This rubble is so beautiful and so wise it could easily be mistaken for a poem. Bennett' s world keeps slipping out of the words that name it. Only the poem remembers. Bennett wears the " day like a bright / bell in (her) throat." This " day" must be the magical instrument she uses to write these spare but gigantic poems down. - Sabrina Orah Mark Meditating on mind, body, and language, Lost Letters and Other Animals attempts " to preserve the exact measurement of loss" that accompanies Alzheimer' s, an incalculable task that forces us beyond words and their " pretty cages." Both body and mind, these fragments reveal, can box us in, bind or unbind us, defining us to ourselves until " the ability to name is gone." In these beautifully haunting and haunted poems, Carrie Bennett opens space to consider how memory' s absence is marked by what remains.- Amaranth Borsuk.…

Soft cover. Condición: Good. 144 pages : illustrations (some color) ; 23 cm ; ISBN 9780960893010, 0960893016 OCLC 12763897 LCCN 85071412 LC QC373.K3 B35 1985 Dewey 688.72 ; color photographic stiff paper wrappers ; Contents: Once upon a scope -- New Images Emerge -- Related Facets and Inner Reflections -- Shops and Galleries Featuring Kaleidoscopes -- Brewster Patents and Excerpts from Bush Patents ; Kaleidoscope makers profiled: Doug Johnson, Carolyn Bennett, Peach Reynolds, Craig Musser, Bill O'Connor, Susan Stover, Peg Comeau, Dennis Comeau, Janice Chesnick, Sheryl Koch, Irene Ecuyer, Bill Ecuyer, Carrie Souza, Kirk Webber, Carmen Colley, Stephen Colley, Tom proctor, Corki Weeks, Dee Potter, Sue Ross, Erik Van Cort, Kate Van Cort, John Culver, Tina Stasi, Jeff Stasi, Charles Karadimos, Annie greenberg, Craig Huber, David Kalish, Marilyn Endress, Joe Kerby, Tim grannis, Jack Lazarowski, Ken Kosage, Cheryl Kosage, robert Moorehead, Stella Moorehead, Lesley Wadsworth, Willie Stevenson, Alice Stevenson, Dominique Stora, Gary Newlin, Howard Roe, Alfred Brickel, Marshall Yeager, Walter Reike, Kenneth Kaufman, Irene Holler, Ray Howlett, Robert Stephen, Mary Golden, Brian Tompkins, Mary Ann Saber, Helmut Coral, and Charlene Coral ; business card of La Belle Epoque, The Perfume of New Orleans, The Jackson Brewery, Babs Ryan and Joy Gowland stapled to inside front cover ; several plates of full-colored photographs of various and unique kaleidoscopes ; rare details on several glass arrtists around the country ; G. Book.…