Burliuk david (50 resultados)

Condición: Fair. Acceptable condition. The American Quarterly on the Soviet Union Vol. III, No. I. Spine tips worn. (russia ussr soviet union).

Paperback. Condición: Brand New. translation edition. 53 pages. 5.75x4.00x0.25 inches. In Stock. Burliuk, David; Mayakovsky, Vladimir (ilustrador).

Paperback. Condición: Very Good condition. First Edition. New York: ACA Galleries, 1959. Very Good condition but for 1 short closed tear and some finger soil on the cover. Internally clean and unmarked. NO foxing. 8" wide by 10.25" tall. Art exhibition catalogue which marks the 27th anniversary of the ACA Galleries. Includes a 7-page account of the Gallery's history, 1932-1959, by Herman Baron. Among the 31 artist's profiled here are David Burliuk, Nicolai Cikovsky, Philip Evergood, William Gropper, Robert Gwathmey, Joseph Hirsch, Alton Pickens, Anton Refregier, Joseph Solman, Moses Soyer, Harry Sternberg and Charles White. There is a photographic portrait of each artist, along with their biographical profile and a full-page reproduction of each artist's work. Bound in the original buff wrappers, stamped in red and black. First Edition. Softcover. Very Good condition. Illus. by Burliuk, David, & Nicolai Cikovsky, Philip Evergood, William Gropper, Robert Gwathmey, Joseph Hirsch, Alton Pickens, Anton Refregier, Joseph Solman, Moses Soyer, Harry Sternberg, Charles White. Unpaginated (but about 84 pages). Burliuk, David, & Nicolai Cikovsky, Philip Evergood, William Gropper, Robert Gwathmey, Joseph Hirsch, Alton Pickens, Anton R (ilustrador).…

Soft cover. Condición: Good. Soft cover book (98 pages)with covers that show light browning/soiling/scuffing with tip creased. Bookseller since 1995 (LL-16-TS-Down-L) rareviewbooks.

Paperback. One folded sheet with b&w illustration and black lettering. Includes an essay by the artist and a list of 57 works. Good- (Wraps are moderately worn/scuffed/smudged/misfolded.).

Softcover, 128 pages; in English and Russian; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra. ÿ.

No Binding. Condición: Very Good. Artist's postcard [c. 1960s] in Very Good condition, unmailed, with minor marks on reverse. Cards are sent in stiff mailers. Photo.

hardcover. Condición: fine. Estado de la sobrecubierta: fine. First. Well-illustrated in color. 64 pages. Slim square 4to, black boards, d.w. Winnipeg: Winnipeg Art Gallery, (2008). First edition. Fine in fine dust wrapper. Scarce exhibition catalogue. David Burliuk (ilustrador).

Condición: Very Good. 20 pp., original self wrappers, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First edition. Russian poet and artist David Burliuk's copy with his original ink drawing and signature to half title page. Hardbound in dust jacket. Unclipped upper dust jacket flap has $3.00 price, lower flap is neatly clipped. Jacket shows minor wear to edges and some age darkening, otherwise very good. Light canvas boards show minor age toning, otherwise very good.…

Hardcover. Condición: New. Known as the father of Russian Futurism, David Burliuk is one of the least understood of 20th century avant-garde artists. The dispersal of his paintings over three continents and his evolutive style have made it difficult to assess his place in Modernist art history. Due to unprecedented access to a major private collection, this publication marks the first North American survey of his career in over 40 years. Accompanied by numerous colour plates, three essays provide an overview of Burliuk s early years where he, along with poet Vladimir Maiakovsky, established the first Futurist group. We follow his travels through Siberia and Japan and to his eventual settling in the United States in the 1920s. Here he developed the painting style known as Radio-Modernism, a synthesis of Futurism, Expressionism and a fascination with technology.…

Encuadernación de tapa dura. Condición: Casi nuevo. 2000. Catálogo de gran formato y peso de la exposición celebrada en el Von der Heydt - Museum (Wuppertal, Alemania) en el año Septiembre - Noviembre de 2000. Presenta la colección del Staatliches Russisches Museum. 239 pp. Excelentes reproducciones en color de 224 obras expuestas. Idioma: Alemán. LIB 10L.…

Burliuk, David, 1882-1967. David Burliuk (1882-1967): selections from various periods. With an essay by Alfred Werner. New York: ACA Gallery, 1967, 20pp., stapled PAPERBACK, very good, reproductions are in black and white except for the cover. Catalog of an exhibition held Oct. 31-Nov. 18, 1967. - American Contemporary Art Gallery.- With substantial 5-page In Memoriam by Alfred Werner, dated New York 1967. - Burliuk (born in Kharkov, Ukraine) was a an early member of the futurist and Blaue Reiter groups. …

Soft cover. Condición: Good. Paperback. Newspaper clipping stapled to cover. Previous owner's notes & date in ink to front cover. Minor wear to wrappers, otherwise very good. Rare.

Couverture souple. Condición: Très bon.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 24. A perfect gift for your loved ones. Reprinted from 1929 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 24.…

Soft cover. Condición: Good. Paperback. Minor tears to pages. Foxing to wrappers, otherwise very good.

Paperback. Orange wraps with red lettering; 24 pp.; frontispiece. Text in Russian. This is a book of Revolutionalry Russian Poetry. Fair (Wraps are detached; textblock edges are worn/toned/foxed/smudged/scuffed; interior is lightly toned with occasional foxing/smudging; pages are beginning to tear at the bottom gutter; large stain on the last page that carries through the last five pages.).…

Paperback. Tan wraps with black and white illustration and black lettering; unpaginated; richly illustrated. Created on the occasion of an exhibition held May 11th through 24th, 1941. Scarce catalogue. Fair (Wraps are heavily toned/scuffed/smudged; interior is stained/toned/foxed/smudged; covers are starting at the top and bottom; textblock edges have light staining and toning; rear page has margin notes in pencil.) Signed and Inscribed by the Author in Cyrillic.…

Palace editions 2000- ISBN 10: 3930775913 / ISBN 13: 9783930775910 First edition - Tadellos ! Hardcover with dust jacket - both fine inside and outside - 239 (2) pages + dust jacket ORIGINALEINBAND - ORIGINAL PUBLISHERS WRAPPERS Sprache: Deutsch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.…

Paperback. White stapled wraps; unpaginated; richly illustrated. This is a presentation copy from the artist, inscribed, signed and dated before the exhibition opened, May 11th through 24th, 1941. Good (Wraps are moderately toned/edgeworn/scuffed/smudged; both covers are starting at both ends; interior is clean, but toned and lightly smudged in places.). …

Paperback. Wraps are missing; 62 pp.; richly illustrated with mounted plates. Fair (Wraps are missing; first page is torn at the top near the spine; textblock edges are heavily toned; corners are chipped off; interior is toned/foxed/scuffed/smudged; mounted plates look good.).

Paperback. Signed Inscription by the Artist/Author. Light green wraps with black spine strip and red lettering and illustration; 47 pp.; richly illustrated. Text in Russian. Good- (Boards are toned/edgeworn/scuffed/smudged; corners of covers are chipped off; spine strip is frayed; front cover and spine strip are pulling away from the textblock; ffep is starting at the bottom and is chipped; textblock edges are toned/scuffed/smudged; interior is pretty clean with light toning/smudging.).…

Paperback. Green sewn wraps with black lettering; 32 pp. (unopened); 8 unnumbered pages of plates; illustrations, portraits. Text in Russian. Illustrations by David Burliuk. Good- (Wraps are moderately edgeworn/scuffed/smudged; covers are starting at both ends and nearly entirely detached; rear cover is torn first endpaper is torn out; first and last few pages are also starting at both ends; textblock edges are toned/scuffed/foxed; rear endpaper is almost detached.).…

26 x 1,8 cm, 12 Seiten, 4 schwarz-weiss Abbildungen, ein Persönlichkeitsfoto, illustrierte Original-Klammerheftung (lediglich die Metallklammern oxidiert), kleiner Papierabrieb innherhalb der Umrahmung auf dem Vorderdeckel, sonst ein gutes Exemplar. SA 34 (= Sammlung Société Anonyme). - Herbert, Apter, Kenney, The Société Anonyme and the Dreier Bequest at Yale University, 1984, darin: Seite 7; Seite 128 (mit Abbildung der Titelillustration); Seite 756, chronology: [.] Campendonk s one artist show, costing $ 1250, is held at the Daniel Galleries; Dreier and Burliuk speak at the opening, and Burliuk writes a short text for the accompanying brochure [.]. - Gross, J., The Société Anonyme. Modernism in America, 2006, darin siehe Seite 170. - Firmenich, Andrea, Heinrich Campendonk 1889-1957. Leben und expressionistisches Werk. Aurel Bongers Recklinghausen, 1989. - Charles Daniel (1878-1971), art dealer, opened his gallery, known as Daniel Gallery, after the Armory show in 1913. The gallery closed in 1932. Société Anonyme New York. Daniel Galleries. Burliuk, David (Foreword). Lozowic, Louis (translation). Heinrich Campendonk. Catalog for his first solo exhibition in America. Exhibition in the rooms of the Daniel Gallery, 2 West 47th Street. There are 34 works listed, 4 of which are shown (Pastoral Scene, The Wood Carver, The Yellow cat, Piero). New York, Published by the Société Anonyme, Inc New York. Press of J. J. O'Brien & Son, [1925], 26 x 1.8 cm, 12 pages, 4 black and white illustrations, a personality photo, illustrated original staple binding (only the metal staples oxidized), small paper abrasion within the frame on the Front cover, otherwise a good copy. SA 34 (= Collection Société Anonyme). - Herbert, Apter, Kenney, The Société Anonyme and the Dreier Bequest at Yale University, 1984, therein: page 7; Page 128 (with cover illustration); Page 756, chronology: [.] Campendonk's one artist show, costing $1250, is held at the Daniel Galleries; Dreier and Burliuk speak at the opening, and Burliuk writes a short text for the accompanying brochure [.]. - Gross, J., The Société Anonyme. Modernism in America, 2006, see page 170. - Firmenich, Andrea, Heinrich Campendonk 1889-1957. Life and expressionist work. Aurel Bongers Recklinghausen, 1989. - Charles Daniel (1878-1971), art dealer, opened his gallery, known as Daniel Gallery, after the Armory show in 1913. The gallery closed in 1932. Sprache: englisch. …

First edition; 8vo (22 x 15 cm); 32pp. including title-page, with two illustrations by the author, original publisher's wrappers, a very good copy. David Burliuk (1882-1967) often referred to as the 'Father of Russian Futurism' is the author of these two poems. The first is titled The Great and Meek Bolshevik and dedicated to Tolstoy on the 100th anniversary of his birth and the second was written in celebration of Maksim Gorky's 60th birthday.…

On the way to the New World --- First publication of the poem "Christopher Columbus", illustrated by the famous futurist artist and Maykovsky's friend. One of only three works published by Mayakovsky in the US. An excellent copy of this scarce edition: Worldcat locates only four physical copies (Harvard (2), Penn State, University of Notre Dame), to which we can add one copy in Chicago, one in the St. Petersburg RNB and one at the Slavonic Library in Prague. We could not trace any other copies at auction in the West, and only three in Russia. "Mayakovsky was very fond of this little book; it was always on the bookshelf of the desk in his room on Lubyanka lane" (Mayakovsky museum, our translation here and below). The leading poet of Revolutionary Russia, Vladimir Mayakovsky (1893-1930) attempted to get to the States three times: twice his visa was rejected and the third time he managed to obtain a visa to Mexico first. On 21 June 1925, Mayakovsky departed the French port of Saint-Nazaire for Mexico on the transatlantic ship "Espagne". The present poem "Khristofor Kolomb" ["Christopher Columbus"] was written aboard, its typewritten copy being dated "7.VII. Atlantic Ocean." In a letter to his lover and muse Lilia Brik from 3 July, Mayakovsky reported: "I have to write poems about Christopher Columbus, which is very hard, because without Odessians here it is difficult to figure out the diminutive of Christopher. And to rhyme Columbus (which is already difficult) in the tropics is a heroic deed". Upon his arrival in Mexico later in July, Mayakovsky sent the poem to Brik for publication in the futurist journal LEF ["Levyi Front Iskusstv", "Left Front of the Arts"], which was edited by the poet himself. At that time, LEF however ceased its publications and the poem did not come out. Meanwhile, Mayakovsky entered the US and reached New York on July 30. There he had a momentous encounter with his friend and poet David Burliuk who illustrated and published the poem in a separate edition titled Otkrytie Ameriki [Discovery of America] in October 1925, while Mayakovsky was travelling through the country. This edition shouldn't be confused with the other, very similar title 'Moe Otkrytie Ameriki' [My Discovery of America], a 1926 Russian publication relating Mayakovsky's travel itself and published upon his return: Mayakovsky indeed reached Moscow on 22 November 1925 after 6 months of travelling the longest journey in his life. The poem curiously asserts that Columbus was Jewish, and the edition even includes an epigraph "Christopher [Kolumb] was Christopher [Kolomb] the Spanish Jew. From Journals", possibly added by Burliuk (see Khardzhiev). The Russian spelling of Columbus' name as "Kolomb" is unusual and "most likely comes from the American pronunciation of the great traveller's name" (Kozhinov); the poem's earlier version from the letter to Brik had the conventional spelling "Kolumb". All the subsequent authorised publications of the poem, such as in Krasnaia gazeta [Red Newspaper] (#270, 6 November, 1925) and Parizhskii vestnik [Paris Herald] (#162, 13 November, 1925), used the New York edition's spelling as an example. David Burliuk (1882-1967) was a Ukrainian poet, artist and one of the leading figures of Russian futurism and avant-garde. Together with Mayakovsky and other poets he formed the Gileia (also Hylaea) art group, the most leftist and experimental one among futurists, publishing avant-garde almanacs and staging futurist plays. In 1920 he immigrated to Japan and two years later settled in New York where he was active in pro-Soviet groups. Provenance: Private émigré collection, New York. Physical description:Duodecimo (14.7 x 10.5 cm). 12 pp. including a first leaf with portrait to recto and blank verso. Publisher's illustrated wrappers by Burliuk. Condition:Very light browning to upper margin of upper wrapper, otherwise excellent. Bibliography:Turchinskii. p. 346; Lesman 1501; Kozhinov V. V., Robin I. L., Timofeeva V. V. P.…

First Edition. 26 x 19cm. Hardcover in maroon buckram boards, cloth spine, 157pp. 250 x 185mm. Text in Russian. Contains examples of adventurous typographical Futurist graphic poetry, and complete with seven plates. Vladimir Burliuk's two colour plates are bound facing each other after the pre-title page. An early landmark work in Russian Futurism. Contributions from Vasily Kamensky, David Burliuk, Vladimir Burliuk, Alexandra Exter [i.e. Aleksandra Ekster], Velimir Khlebnikov, Vadim Shershenevich, Benedikt Livshits, et al. Some unobtrusive pencil underlining in Velimir Khlebnikov's and Nikolai Burliuk's texts (pages 79-85) in the 'Theory and Controversy' section, and also two marginal pencil lines on Livshits's text on pages 102-3. Pages light toned, otherwise good condition.£3500.…

Paperback. Tan sewn wraps with black lettering and illustration; 14 pp.; illustration. This is a story written and illustrated by David Burliuk, known as the "father of Russian Futurism." Good (Wraps are lightly edgeworn/scuffed/smudged; covers are starting at the bottom; some pages are lightly toned around the edges; interior has occasional foxing and smudging; binding is solid.).…

Hardcover binding, 107[+5]pp. 195 x 170mm. Bound in magenta and dark blue patterned paper-covered boards, retaining original wallpaper wraps, bound in. Some splitting to gutters. External wear to extremities, otherwise good. Printed on pale cyan-coloured paper. A landmark compilation of prose and art, including a call for the implementation of Zaum a new trans-rational language. Rare.Please contact us if you would like to see an image of the book.…