Burchett richard (101 resultados)

Paperback. Condición: Very Good. Rigby Star Independent Purple Reader 4: The Nutcracker This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Condición: Very Good. Practical Geometry: A Course Of Construction Of Plane Geometrical Figures For The Use Of Art Schools This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

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Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

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Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

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Condición: New. pp. 148.

Gebunden. Condición: Neu. Neu -Sam Francis (1923-1994), einer der führenden Vertreter des Abstrakten Expressionismus, erlangte schon in den 1950er- und 1960er-Jahren durch seine Reisen internationale Bekanntheit und ließ sich von den zahlreichen Ländern, die er besuchte, in seinem Werk inspirieren. Bedeutend für sein weiteres Schaffen war vor allem Japan, das er 1957 erstmals bereiste und wo sich Francis ein fortdauerndes Netzwerk aufbaute. Schon früh setzten Kritiker seinen Gebrauch des Negativraums in Verbindung zum japanischen Konzept »ma«, einem symbolisch aufgeladenen Raum zwischen Objekten oder Ideen. Dieses Buch untersucht Sam Francis' Faszination für die Kultur Japans und gibt mit rund 190 Abbildungen Einblick in die Parallelen zwischen traditioneller japanischer Kunst und seinem Schaffen als abstrakter Künstler. Basierend auf Archivrecherchen und Gesprächen mit japanischen Künstlerkollegen sowie seiner Familie und Freunden, wird zudem der Einfluss des Künstlers auf Vertreter der Bewegungen Gutai und Monoha und auf Protagonisten in Musik, Film und Literatur aufgezeigt. (Text engl.) 224 pp. Englisch. …

Hardcover. Condición: New. No Jacket. 1st Edition. This copy is still sealed in its original shrink-wrap. Quarto in pictorial, paper-covered boards. Color illustrations. Brand new. Inventory no. 10318A.

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Taschenbuch. Condición: Neu. Neuware - 'On The Central Training School For Art' (delivered 7th Dec. 1857) by Richard Burchett offers a fascinating glimpse into the principles and practices of art education during the mid-19th century. This historical lecture provides valuable insights into the curriculum, methodologies, and philosophies that shaped the training of artists at a pivotal institution. Burchett's perspective is invaluable for understanding the development of art education and its impact on the artistic landscape of the time.Students and scholars of art history, education, and 19th-century studies will find this work a compelling primary source. Burchett's detailed observations and reflections provide a nuanced understanding of the challenges and opportunities faced by art educators and students alike. This lecture is a testament to the enduring importance of rigorous training and the cultivation of artistic talent.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Paperback. Condición: New. One of the world's preeminent Abstract Expressionists, California-born painter Sam Francis (1923-1994) first travelled to Japan in 1957, quickly established studios and residences there, and became active in a circle of avant-garde artists, writers, filmmakers, architects, and composers, including members of the nascent Gutai and Mono-ha movements. This book chronicles those connections, as well as his complex and evolving relationship with East Asian aesthetics from the 1950s through the 1990s.From the very first exhibitions Francis had in Tokyo, critics linked his evocative use of negative space with the Japanese concept of "ma", a symbolically rich interval between objects or ideas. This shared pictorial and philosophical syntax laid the foundation for a feedback loop of mutual influence that spurred frequent collaborations between the artist and his Japanese contemporaries, extending into the realms of printmaking, ceramics, music, poetry, publishing, and performance. Written by art critic and curator Richard Speer, with a foreword by Debra Burchett-Lere, executive director/president of the Sam Francis Foundation, this is the first full-length monograph to explore an important but sometimes overlooked milieu in Post-World War II art-a dialogue between Eastern and Western sensibilities that prefigured our current era of global interconnectedness and cross-cultural exchange. Lavishly illustrated with colour plates and archival images, it is an adjunct publication for the related exhibition "Sam Francis and Japan: Emptiness Overflowing" (Los Angeles County Museum of Art, 2021), co-curated by Speer. …

Taschenbuch. Condición: Neu. Neuware - This book is a comprehensive guide to practical perspective drawing. Richard Burchett provides a step-by-step approach to understanding perspective and how to apply it in art and design.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Taschenbuch. Condición: Neu. Neuware - 'Linear Perspective' by Richard Burchett is a comprehensive guide to understanding and mastering the principles of linear perspective. Originally published in the 19th century, this classic work remains an invaluable resource for artists, architects, and designers seeking to create realistic and compelling representations of three-dimensional space on a two-dimensional surface. Burchett's clear and methodical approach covers everything from basic concepts to advanced techniques, making it accessible to both beginners and experienced practitioners. The book delves into the fundamental rules of perspective, explaining how to accurately depict objects receding into the distance. Through detailed illustrations and step-by-step instructions, readers will learn to construct accurate perspectives for various subjects, including buildings, landscapes, and still life arrangements. This enduring guide offers timeless wisdom and practical exercises that will enhance any artist's ability to create depth and realism in their work.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Paperback. , . Author: Richard Speer Format: Paperback Number of Pages: 224 One of the twentieth century's leading Abstract Expressionists, Sam Francis (1923-94) was one of the few visual artists who traversed the globe multiple times during the 1950s and 1960s, becoming one of the first postwar American painters to develop a truly international reputation. Francis's engagement with the world and his fascination and involvement with different cultures, in particular that of Japan, is explored in this compelling volume, published in conjunction with the exhibition Sam Francis and Japan: Emptiness Overflowing at the Los Angeles County Museum of Art. Richard Speer offers astute insights into the visual, technical, and philosophical affinities between traditional Asian art and Francis's work as a modern abstract painter. He delves into the relationship of Francis's aesthetics to such older Japanese artistic traditions, in particular the concept of "ma," a symbolically rich in-between zone that is paralleled in the lyrical deployment of negative space in Francis's paintings. In addition, Speer looks at Francis's friendships with many of the Gutai and Mono-ha artists and highlights their shared conceptual theories involving notions of time, space, and a limitless continuum. A contemplative and discerning overview of the artist in Japan, the book draws on archival research and individual interviews with Francis's Japanese colleagues, as well as family and friends. It suggests the transformative power of art as a cultural bridge while expanding our insight into the artist's visual language and his devotion to the image. Francis's own aphoristic essay "One Ocean One Cup," first published in Japan in 1977, revealing the artist's reactions to living and working in the transcendental Japanese environment, rounds out the book. Paperback.…