Burchard wolf (24 resultados)
Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World
Marschner, Joanna [Editor]; Bindman, David [Editor]; Ford, Lisa L. [Editor]; Burchard, Wolf [Contributor]; Grant, Florence [Contributor]; Griffith, Tyler [Contributor]; Hallett, Mark [Contributor]; Hanson, Craig Ashley [Contributor]; Howard, Samantha [Contributor]; Inglesby, Roisin [Contributor]; Jay, Emma [Contributor]; Joncus, Berta [Contributor]; Jones, Kathryn [Contributor]; Laird, Mark [Contributor]; Longstaffe-Gowan, Todd [Contributor]; Meyers, Amy R. W. [Contributor]; Orr, Clarissa Campbell [Contributor]; Prochaska, Frank [Contributor]; Asleson, Robyn [Contributor]; Albinson, A. Cassandra [Contributor]; Prosser, Lee [Contributor]; Burrows, Donald [Contributor]; Ribeiro, Aileen [Contributor]; Roach, Joseph [Contributor]; Roberts, Jane [Contributor]; Roman, Cynthia [Contributor]; Storey, Matthew [Contributor]; Styles, John [Contributor]; Adamson, Glenn [Contributor];
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Librería: Alplaus Books, Alplaus, NY, Estados Unidos de AmericaAlplaus Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 36,39
Envío por EUR 10,36Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: Good. Estado de la sobrecubierta: Good. Very large, heavy (7 lbs.) hardcover with dust jacket. No markings noted. NOTE: THIS BOOK IS TOO HEAVY TO SHIP OUTSIDE THE UNITED STATES. Extra charges may be requested for shipping and handling.
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- Primera edición
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 42,38
Envío por EUR 9,50Se envía de Irlanda a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. Num Pages: 248 pages. BIC Classification: ACQB; AFC; AGB. Category: (G) General (US: Trade). Dimension: 252 x 288 x 28. Weight in Grams: 1652. . 2017. 1st edition. Hardcover. . . . .
Enlightened Princesses: Caroline, Augusta, Charlotte, and the Shaping of the Modern World
Marschner, Joanna [Editor]; Bindman, David [Editor]; Ford, Lisa L. [Editor]; Burchard, Wolf [Contributor]; Grant, Florence [Contributor]; Griffith, Tyler [Contributor]; Hallett, Mark [Contributor]; Hanson, Craig Ashley [Contributor]; Howard, Samantha [Contributor]; Inglesby, Roisin [Contributor]; Jay, Emma [Contributor]; Joncus, Berta [Contributor]; Jones, Kathryn [Contributor]; Laird, Mark [Contributor]; Longstaffe-Gowan, Todd [Contributor]; Meyers, Amy R. W. [Contributor]; Orr, Clarissa Campbell [Contributor]; Prochaska, Frank [Contributor]; Asleson, Robyn [Contributor]; Albinson, A. Cassandra [Contributor]; Prosser, Lee [Contributor]; Burrows, Donald [Contributor]; Ribeiro, Aileen [Contributor]; Roach, Joseph [Contributor]; Roberts, Jane
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Librería: Lavendier Books, Foster, RI, Estados Unidos de AmericaLavendier Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 48,91
Envío por EUR 6,04Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: Very Good. Yale Center for British Art and Yale University Press; New Haven, 2017. Hardcover. A Very Good, black cloth binding with gilt lettering on front board and spine, binding sturdy and intact, bumped bottom board corners, very mild scattered foxing top text block edge, small and faint rub mark bottom… text block corner, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, crease to front flap, Mylar protected, Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 572pp., appendix, bibliography, index, credits, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 46,14
Envío por EUR 9,92Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 15 disponibles
HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 45,75
Envío por EUR 14,00Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. In English.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 53,76
Envío por EUR 9,07Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. Num Pages: 248 pages. BIC Classification: ACQB; AFC; AGB. Category: (G) General (US: Trade). Dimension: 252 x 288 x 28. Weight in Grams: 1652. . 2017. 1st edition. Hardcover. . . . . Books ship from the US and Ireland.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 65,56
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joint capacitie…s of Premier peintre du roi, director of the Gobelins manufactory and rector of the Académie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Académie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Académie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East façade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought h.
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- Firmado
Librería: HALCYON BOOKS, LONDON, Reino UnidoHALCYON BOOKS
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 43,94
Envío por EUR 21,03Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: Very Good. Estado de la sobrecubierta: Includes dust jacket. Signed. A clean, tight copy. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QU…OTE FOR MULTI VOLUME SETS BEFORE ORDERING.
The First Georgians: Art and Monarchy, 1714-1760
Rufus Bird,Wolf Burchard,Kate Heard,Kathryn Jones,Desmond Shawe-Taylor
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Librería: Book Express (NZ), Shannon, Nueva ZelandaBook Express (NZ)
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Bueno
EUR 39,44
Envío por EUR 26,77Se envía de Nueva Zelanda a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good. 495 pages. 2014 marks the three-hundredth anniversary of the succession of the House of Hanover to the British throne. In celebration of this historic milestone, The Fi rst Georgians explores the rich artistic patronage of the early Hanoverian perio d. Georges I and II, along with Queen Caroline…and Frederick, Prince of Wales, w ere all great patrons of the arts and together they amassed a broad and diverse collection of works. From sculptures, paintings, and miniatures to fascinating e xamples of the applied arts, including maps, crowns, books, and clocks, their co llections reflect the spirit of the early Georgian era.This catalog showc ases three hundred full-color photographs of the finest works from among the col lection, many of which have never before been published or made available for pu blic display. Produced in Germany, France, and Britain during one of the most dr amatic periods of change across all aspects of political, intellectual, and cult ural life, the works reflect changing views of science, politics, and art throug hout the early to mid-eighteenth century?the period when modern Britain was co ming into being.Despite the depth of this collection and its cultural imp ortance, artistic production during the early Hanoverian period has been less we ll-documented than during the late Hanoverian period. With this volume, Desmond Shawe-Taylor directs our attention to this relatively neglected period.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 69,43
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joi…nt capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Academie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Academie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Academie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East facade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought his own sovereign authority over the visual arts. Charles Le Brun and the Image of Louis XIV. In his joint capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Acadmie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts so much so that some scholars have repeatedly described him as dictator of the arts in France. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 52,48
Envío por EUR 23,37Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Hardcover. Condición: Brand New. 287 pages. 11.25x9.75x1.25 inches. In Stock.
The First Georgians: Art and Monarchy, 1714-1760
Bird, Rufus; Burchard, Wolf; Heard, Kate; Jones, Kathryn; Shawe-Taylor, Desmond
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Librería: Oakholm Books, Aberfeldy, Reino UnidoOakholm Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 48,15
Envío por EUR 35,06Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. No inscriptions etc; looks barely used.
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Librería: Gallix, Gif sur Yvette, FranciaGallix
Contactar con el vendedorVendedor de 4 estrellasCondición: Nuevo
EUR 50,00
Envío por EUR 35,66Se envía de Francia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Neuf.
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Librería: New Legacy Books, Annandale, NJ, Estados Unidos de AmericaNew Legacy Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Aceptable
EUR 91,19
Envío por EUR 2,15Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: Good. Fast shipping and order satisfaction guaranteed. A portion of your purchase benefits Non-Profit Organizations, First Aid and Fire Stations.
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Librería: Shelley and Son Books (IOBA), Hendersonville, NC, Estados Unidos de AmericaShelley and Son Books (IOBA)
Contactar con el vendedorVendedor de 5 estrellasMiembro de asociación: IOBA
Condición: Usado - Como Nuevo
EUR 88,93
Envío por EUR 5,61Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: Like New. Like New. A beautiful book in wonderful condition. Full refund if not satisfied.
The First Georgians: Art and Monarchy, 1714-1760
Bird, Rufus; Burchard, Wolf; Heard, Kate; Jones, Kathryn; Shawe-Taylor, Desmond
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Librería: Lavendier Books, Foster, RI, Estados Unidos de AmericaLavendier Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 88,93
Envío por EUR 6,04Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: Very Good. Royal Collection Trust; London, 2014. Hardcover. A Very Good, green binding with gilt lettering on spine, binding sturdy and intact, mild crimping to spine edges, bit of scattered foxing top text block edge, in a Very Good, some handling/scuff marks to panels, bit of edge/corner wear, Dust wrappe…r. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 495pp., appendices, color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.
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Librería: Goodwill of Central and Coastal Virginia, Richmond, VA, Estados Unidos de AmericaGoodwill of Central and Coastal Virginia
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Regular
EUR 91,04
Envío por EUR 4,96Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: acceptable.
The First Georgians: Art and Monarchy, 1714-1760
Bird, Rufus; Burchard, Wolf; Heard, Kate; Jones, Kathryn; Shawe-Taylor, Desmond
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Librería: Carlton Books, Shaftesbury, Reino UnidoCarlton Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 102,31
Envío por EUR 4,79Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Very Good. Some dust on the top edge.
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Librería: Black Cat Books, Shelter Island, NY, Estados Unidos de AmericaBlack Cat Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 111,17
Envío por EUR 4,32Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: New. No Jacket. New. Shrink-wrapped. Hardbound, no dust jacket.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 63,15
Envío por EUR 75,96Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Hardback. Condición: New. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joint capacitie…s of Premier peintre du roi, director of the Gobelins manufactory and rector of the Académie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Académie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Académie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East façade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought h.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 111,00
Envío por EUR 31,95Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: new. Hardcover. This monograph examines the wide artistic production of Louis XIV's most prolific and powerful artist, Charles Le Brun (1619-1690), illustrating the magnificence of his paintings and focusing particularly on the interiors and decorative art works produced according to his designs. In his joi…nt capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Academie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts - so much so that some scholars have repeatedly described him as 'dictator' of the arts in France. The Sovereign Artist explores how Le Brun operated in his diverse fields of activities, linking and juxtaposing his portraiture, history painting and pictorial theory with his designs for architecture, tapestries, carpets and furniture. It argues that Le Brun sought to create a repeatable and easily recognizable visual language associated with Louis XIV, in order to translate the king's political claims for absolute power into a visual form. How he did this is discussed through a series of individual case studies ranging from Le Brun's lost equestrian portrait of Louis XIV, and his involvement in the Querelle du coloris at the Academie, to his scheme for 93 Savonnerie carpets for the Grande Galerie at the Louvre, his Histoire du roy tapestry series, his decoration of the now destroyed Escalier des Ambassadeurs at Versailles and the dramatic destruction of the Sun King's silver furniture. One key theme is the relation between the unity of the visual arts, to which Le Brun aspired, and the strong hierarchical distinctions he made between the liberal arts and the mechanical crafts: while his lectures at the Academie advocated a visual and conceptual unity in painting and architecture, they were also a means by which he attempted to secure the newly gained status of painting as a liberal art, and therefore to distinguish it from the mechanical crafts which he oversaw the production of at the Gobelins. His artistic and architectural aspirations were comparable to those of his Roman contemporary Gianlorenzo Bernini, summoned to Paris in 1665 to design the Louvre's East facade and to create a portrait bust of Louis XIV. Bernini's failure to convince the king and Colbert of his architectural scheme offered new opportunities for Le Brun and his French contemporaries to prove themselves capable of solving the architectural problems of the Louvre and to transform it into a palace appropriate "to the grandeur and the magnificence of the prince who [was] to inhabit it" (Jean-Baptiste Colbert to Nicolas Poussin in 1664). The comparison between Le Brun and Bernini not only illustrates how France sought artistic supremacy over Italy during the second half of the 17th century, but further helps to demonstrate how Le Brun himself wanted to be perceived: beyond acting as a translator of the king's artistic ambition, the artist appears to have sought his own sovereign authority over the visual arts. Charles Le Brun and the Image of Louis XIV. In his joint capacities of Premier peintre du roi, director of the Gobelins manufactory and rector of the Acadmie royale de peinture et de sculpture, Le Brun exercised a previously unprecedented influence on the production of the visual arts so much so that some scholars have repeatedly described him as dictator of the arts in France. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: Rebooksellers, Tequesta, FL, Estados Unidos de AmericaRebooksellers
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 148,78
Envío por EUR 4,72Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: Very Good. This Book is in Very Good condition. See our picture for exact item you will receive. All items ship within 24 hours. Packaging is 100% Recyclable. Most items purchased from Charitable organizations. A portion of each sale is also donated to a monthly charity, check your package for this month's…charity. Reuse-Recycle-Rebook.
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- Primera edición
Librería: Nighttown Books, Powell, WY, Estados Unidos de AmericaNighttown Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 173,42
Envío por EUR 5,14Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hard Cover. Condición: Fine. First Edition. First Printing in illustrated boards with white-stamped blue cloth shelfback as new, no remainder or other markings, NOT ex-lib, binding tight pages bright, slight wear top corners, tiny soil spots to cloth lower rear panel, else Fine unread copy of already scarce title (no dj, as issu…ed); 4to; 240pp fully illus in color; illustrated endpapers. Extra shipping charge REQUIRED for shipment of this heavy oversize book (additional charge MAY BE SUBSTANTIAL for expedited or overseas shipment).
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Librería: Librairie Le Trait d'Union sarl., TROYES, FranciaLibrairie Le Trait d'Union sarl.
Contactar con el vendedorVendedor de 5 estrellasMiembro de asociación: ILAB
Condición: Usado
EUR 45,00
Envío por EUR 35,80Se envía de Francia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
London, Paul Holberton, 2016. In-4, rel. d?éditeur pleine toile jaune sous jaquette ill., 287 pp., texte en anglais, ill. en noir et en couleurs. Bibliogr., index. /92F Hardcover, with dust wrappers. Fine condition, unmarked.
