Bruno calzolari (17 resultados)

In-16° pp. 59, bross. edit.

brossura. Condición: Very Good. Codnizioni molto buone. Il tentativo insurrezionale del marzo 1848 ad Assisi ricostruito consultando le carte dell'epoca. 39 Molto buono (Very Good) .

brossura. Condición: Good. Presentazione di GINO COSTANZI. Copertina flessibile e pagine appena ombrate. 53 Buono (Good) .

In 16°, brossura editoriale illustrata con alette, pp. XII, 32, (4), buon esemplare. (sca palm) (spedizione standard SEMPRE tracciata con raccomandata-piego di libri, eventuale FATTURA da richiedere all'ordine).

Condición: buono. Dal Medioevo a fine Ottocento Stati europei Historical and Political studies From Middle Ages to the end of the 19th Century Europe Biblioteca 29 Materiali per la storia di Mirandola Volume decimo cartone edit. con titoli al piatto e al dorso e sovrac. ill. - prima edizione - illustrazioni a colori fuori testo OTTIME CONDIZIONI. …

Condición: Good. Condizioni dettagliate: Più che buone, abrasioni e macchie sul volume, copertina flessibile.

brossura. Condición: Molto buono (Very Good). Molto buono (Very Good) .

Softcover with dustjacket, 126 pages; in English and Italian; good condition; still bound pages no longer glued to covers; no internal marks. Foreign shipping may be extra.

flessibile. Condición: Come Nuovo (Mint). Presentazione di Gino Costanzi. 53 p., f.to cm 24x17, brossura, tavole fuori testo in b/n. Come nuovo. Book.

24 cm, brossura; pp. 39, 18 tavole fuori testo Come nuovo.

Assisi, 1982, 8vo estratto con copertina originale, pp. 103/121. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo, completo in se, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo ?® composto da tre pagine. Quando la rivista di provenienza non viene indicata ? perch? ci ?® sconosciuta. - !! ATTENTION !!: : NOT A BOOK : ?Äúextract?Äù or ?Äúexcerpt?Äù means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from?Äù ?Äúto", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.…

Assisi, Circolo del Subasio, 1981, 8vo brossura editoriale, pp. 60 con 2 illustrazioni e 6 tavole fotografiche.

Condición: Très bon état. in-4, broché, couv. illustrée, 111 pp., nombreuses reproductions en couleurs. Texte bilingue italien-anglais. Très bon état.

Paperback. Condición: Sehr gut. oktav paperback. sehr gutes exemplar. ungelesen, tadellos, farbig illustrierte original-broschur, 364 seiten mit abbildungen, reihe: gruppo studi bassa modense bibliotheca n. 18, materiali per la storia di mirandolo, volume quatro; kleiner stempel auf vorsatz / opuscolo originale non letto, impeccabile, illustrato a colori, 364 pagine con illustrazioni, serie: gruppo studi bassa modense bibliotheca n. 18, materiali per la storia di mirandolo, volume quatro; piccolo francobollo in copertina. …

Paperback. Condición: Good. First Edition. 22 x 28cm good paperback, front cover detaching from the contents. Italian and English text with a mix of colour plus black and white reproductions showing the work of the Italian artist, originally associated with Arte Povera.

Condición: Very Good.

55 pp.; 35.5 x 25 cm.; loose leaves; duotone; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. rovides an overview of participating galleries and their artists. Additionally includes "in unabhängiger Präsentation, da von Auswahlkomitee eingeladen, aber nicht von den PROSPECT 69 vertretenen Galerien in der Kunstalle gezeight" [in an independent presentation, as invited by the selection committee, but not shown by the galleries represented by PROSPECT 69 in the Kunsthalle]. Artists include Bernd & Hilla Becher, Hanne Darboven, Jan Dibbets, Bruno Gronen, Michael Heizer, Sol LeWitt, Richard Long, Reiner Ruthenbeck, and Niele Toroni. Additionally includes full-page images or projects by Robert Smithson (Mirror Displacement, Portland Isle, England, 1969), Charles Ross, Markus Raetz, Jean-Frédéric Schnyder, Jannis Kounellis, Eliseo Mattiacci, Stanley Brouwn, Alighero Bottti (1/2 page), Emilio Prini (1/2 page), Giuseppe Penone (1/2 page), Pier Paolo, Calzolari (1/2 page), E.P. Butler (1/2 page), Eric Orr (1/2 page), James Lee Byars (1/2 page), Paul Cotton (1/2 page), Hans Haacke, Lynda Benglis, Ron Cooper, Doug Wheeler, Giorgio Griffa, David Prentice, a double-page centerfold of blue stripes by Daniel Buren, Dennis Oppenheim, ZAJ-Gruppe, Dick Higgins, Joseph Beuys (photo by Ute Klophaus), David Lamelas, and 13 "Information" pages with advertising.Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited by Seth Siegelaub. Provides an overview of participating galleries and their artists and includes interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner. References : "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 176-179. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 113 - 115. Very Good. Light overall aging to paper, few very small chips to lower edge of recto cover, pale time staining to verso cover. Contents clean and unmarked. An outstandingly well preserved copy of a otherwise typically fragile publication.…