Britt tim (18 resultados)

Hardcover. Condición: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less. McFetridge Britt, Stephanie (ilustrador).

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. McFetridge Britt, Stephanie (ilustrador).

Hardcover. Condición: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Newsletter. 4p., 8.5x11 inches, articles, events, resources, photos, very good newsletter in wraps. Cover story on Anti-Gay Movement in Nevada: Britt: Not another dime.

Newsletter. 4p., 8.5x11 inches, articles, events, resources, photos, very good newsletter in wraps. This states October on cover but also September and October inside. No volume or issue numbers. Early issue of what became the newsletter for the Harvey Milk Gay Democratic Club.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condición: New.

Softcover. Condición: Near Fine. First Edition. First edition. Green wrappers. 123pp. Bottom corner on front wrapper lightly creased, near fine. Poetry and stories by Tim Nash, P.B. Newman, Hilary Masters, James Applewhite, Margaret Edwards, Tom Huey, Marianne Gingher, Carol Cox, Alexander Albright, John Whalen, Tim Tarkington, Louis Skipper, Mary Steinmetz LeDonne, Sally Carstarphen, Don Zigler, Ellen Levine, Robert Ruh, David Middleton, Suzanne B. Jordan, Joseph Maiolo, Scott Bates, W.S. Doxey, Alan Britt, and Jim Clark. …

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Hardcover. Condición: Brand New. 256 pages. 10.25x8.50x10.54 inches. In Stock.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition.

Hardcover. Condición: New. As photography steadily gained a foothold in the 1840s, a group of British painters calling themselves the Pre-Raphaelites came of age. Answering John Ruskin's call to study nature, 'rejecting nothing, selecting nothing, and scorning nothing,' these young painters were also spurred on by the possibilities of the new medium (introduced in 1839), particularly its ability to capture every nuance, every detail. And yet, the Pre-Raphaelites' debt to photography has barely been acknowledged. From photography, painters learned to see anew: adapting such radical qualities as abrupt cropping, planar recession, and a lack of modulation between forms, painters made their art modern, sometimes shockingly so. Photographers in turn looked to Pre-Raphaelite visual strategies and subject matter - mined from literature, history, religion - to secure,' as Julia Margaret Cameron wrote, 'the character and uses of High Art.' These artists developed a shared vocabulary - featuring light and minute detail as an emblem of visual truth - which helped launch realism as the century's dominant visual mode. 'Exactness,' a critic affirmed in 1856, 'is the tendency of the age.' This volume explores the rich dialogue between photography and painting through the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. These artists - from photographers Lewis Carroll, Julia Margaret Cameron, Roger Fenton, Henry Peach Robinson and Oscar Gustave Rejlander, to such painters as John Everett Millais, William Holman Hunt, Dante Gabriel Rossetti and John William Inchbold - not only had much in common, but also upended traditional approaches to making pictures.…

IX and 230 pages. Original cloth with original dustjacket (very good and clean copy). 30 x 23,5 cm. First edition. ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- BITTE BEACHTEN: Auf Grund der absurden und irrsinnig teuren staatlichen Regelungen für die Entsorgung der Versandpappen in den nachfolgenden Ländern, kann ich leider nicht mehr liefern nach: Österreich, Griechenland, Polen. Kunden in ÖSTERREICH können sich aber an die einheimische Post wenden, dort unter Alles Post Deutschland. --- PLEASE NOTE: Due to the absurd and insanely expensive government regulations for the disposal of shipping cartons in the following countries, I can unfortunately no longer deliver to: Austria, Greece, Poland. However, customers in AUSTRIA can contact their local post office, there under Alles Post Deutschland. …

Draft script for the 1989 film, seen here under the working title "Beverly Hills Vampire." Copy belonging to makeup artist Richard Miranda, with his name in manuscript ink on the front wrapper, and his annotations throughout. Laid in with the script is a five-day shooting schedule, along with a call sheet dated May 24, 1988. A straight-to-video comedy about three nerds who hook up with vampiric call girls during a trip to Hollywood. Set and shot on location in Beverly Hills. Blue titled wrappers. Missing title page. 91 leaves, with last page of text numbered 91. Xerographic duplication, rectos only. Pages Near Fine, wrapper about Near Fine, bound with three gold brads.…