Breuer marco (36 resultados)

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Published Without Dust Jacket. 1st Edition. 88 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Published without dust jacket. First Edition / First Printing. 10,9,8,7,6,5,4,3,2,1. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Condición: New.

Exhibition invite, 5 x 7 inches; very good condition; an unmailed copy.

hardcover. Condición: New.

Softcover, staple-bound, 20 pages; very good condition; light rubbing to covers; no internal marks.

Hardcover with die-cut covers; without dustjacket as issued, unpaginated; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Exhibition invite that unfolds, 6 x 8 inches; very good condition; an unmailed copy. This is a postcard, not the book.

Condición: New.

Paperback. Condición: Very Good. ltd. ed. december, 1998 number 1 with photographs by marco breuer, poems by Jeremy Segler, short play by Oona Stern and works by Jeanne Hardy and Cindy Poorbaugh. 12 pages, newsprint, black and white reproductions. 11" x 8 1/2". Slight wear to edges otherwise very good condition.…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Color illustrations. Introduction. Housed in near fine condition cardboard slipcase. ; tall 8vo 9" - 10" tall; 32 pp.

Hardcover - as published. Condición: fine, new sealed.

Hardback. Condición: New. Marco Breuer: Early Recordings presents the first comprehensive look to date at work by the conceptually driven German artist. Boldly experimental, Breuer uses an extensive and continually evolving range of processes to extract abstract and visually compelling images from photographic paper. Whether it involves placing burning coals on the photographic paper or repeatedly slicing into it or sanding away at the emulsion until holes appear, Breuer's work eviscerates the usual expectations of the cameraless image. The end results are exquisitely gorgeous and minimalist, and this volume reproduces them with attention to every slice, abrasion, and color shift. The images function as "recordings" of the artist's actions-only the trace of impact and expended energy remain. Breuer's work has garnered significant critical acclaim and, as Vince Aletti describes it, has "the intelligence and wit of the mid-century modernist avant-garde and the anything-goes audacity of photography's earliest innovators.".…

2 vol. : [unpaginated] ; 51 pp. (reader); 2 vol. : 24.2 x 17 cm. ( S M T W T F S) ; 20.2 x 12.7 cm. (reader) ; 25.1 x 17.2 cm. (slipcase); slipcase; black-and-white & color; edition size 1000; unsigned and unnumbered; offset-printed Artist's book / monograph on the camera-less photography of Marco Breuer. Includes a spiral-bound book of images with a paperback "Reader" with essays on Breuer housed in a pocket in the inside of the verso. Books are housed in a slipcase with the title printed on the spine. Reader includes texts by Evan Hause, Richard Howard, Adam Klein, Lynne Tillman and Martin Wilner M.D. Very Good / Fine. Sunning of slipcase, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges may be required for international orders.…

Softcover. Condición: Very Good. This is a clean copy. There are no markings to the text. There is some very minor shelf and handling wear to the cover.

First Edition. Softcover. First Edition. Includes texts by Evan Hause, Richard Howard, Adam Klein, Lynne Tillman, and Martin Wilner. Fine in spiral-bound wrappers, in a lightly toned, else Near Fine example of the publisher's slipcase.

Hardcover. Condición: New. New large hardback; published w/o jacket.

4to. Color plates. Cloth; French-fold printed wrapper; board slipcase. FIRST EDITION, one of 1000 copies of the trade issue. A fine copy.

Couverture rigide. Condición: Comme neuf. Edition originale. New-York 2007 . 1 Volume/1. -- Comme Neuf Reliure éditeur cartonnée percée de 22 trous laissant entrevoir " Pan (C-270) (série "Pan and Tilt", 2003, papier chromogène éraflé - Format in-folio( 34,5 x 26,8 cm )( 1125 gr ). -------- 80-XVI pages. **************** "" Early Recordings présente un large choix des travaux photographiques de Marco Breuer pendant la période 1996-2005." Ce choix, très bien imprimé, propose en huit séries - Extractions, E/Z, Present Tense, Exposures, Pan and Tilt, Time Being, Complications, Notes, Queries - 48 photographies expérimentales, à pleine page, titrées, datées et dimensionnées en fin de volume. "" **************************** ref 360 PH8921.…

Hardcover. Condición: Brand New. 96 pages. 13.75x10.75x0.75 inches. In Stock.

hardcover. Condición: fine. First. With an essay by Mark Alice Durant. Many illustrations in color & in black & white. Slim folio, white boards with numerous circular die-cut holes. (New York): Aperture, (2007). First Edition. A fine copy, without dust wrapper as issued. Signed by Breuer in pencil along edge of title page.…

Hardcover. Condición: New.

hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Brand New. 96 pages. 13.75x10.75x0.75 inches. In Stock.

Condición: Good. Fo. [circa 110 pp]. Color and Black and white plates. Hard cover. Very Good. Heavy item. Heavy volume, additional shipping may apply.

Hardback. Condición: New. Marco Breuer: Early Recordings presents the first comprehensive look to date at work by the conceptually driven German artist. Boldly experimental, Breuer uses an extensive and continually evolving range of processes to extract abstract and visually compelling images from photographic paper. Whether it involves placing burning coals on the photographic paper or repeatedly slicing into it or sanding away at the emulsion until holes appear, Breuer's work eviscerates the usual expectations of the cameraless image. The end results are exquisitely gorgeous and minimalist, and this volume reproduces them with attention to every slice, abrasion, and color shift. The images function as "recordings" of the artist's actions-only the trace of impact and expended energy remain. Breuer's work has garnered significant critical acclaim and, as Vince Aletti describes it, has "the intelligence and wit of the mid-century modernist avant-garde and the anything-goes audacity of photography's earliest innovators.".…

dj. First Edition. First edition. Hardcover. First printing of only 1000 copies designed by Andrew Roth and Jerry Kelly and printed on Job Parilux Paper. Essay by James Elkins. Includes 10 color illustrations. A fine copy in a very near fine dust jacket and in a fine cardboard slipcase. An attractive production.…

13.25 x 10 inches. Color reproductions of Breuer's camera-less photography. Original boards; clamshell box. Signed and numbered P/P (?) on the colophon, with a Polaroid print laid-in. This is possibly a printer's proof copy in a pictorial folding clamshell box: someone, presumably Breuer himself, has abraded all of the text off of the front cover and spine of the book (as in other known copies), and some of the text in Mark Alice Durant's essay has been crossed out in black felt-tip pen. Aperture issued a special box set (in this clamshell case with a Polaroid) in an edition of 25 copies. The inscription on the colophon, and the unique treatment of the covers and text implies that this copy is outside of that limitation of 25 copies. First edition, first printing, special proof copy. …

Condición: Good. 4to. [8 pp]. Single unbound sheet, folded. Very good with marginal scratching along fold lines. Full page color plates. Catalogue published in conjunction with exhibit "Marco Breuer: Line of Sight" from April 2 through October 2, 2011 at the de Young Museum in San Francisco, CA.