Braggs rashida (38 resultados)

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians adopted a variety of strategies to cope with the cultural and social assumptions that confronted them throughout their careers in Paris, particularly as France became embroiled in struggles over race and identity when colonial conflicts like the Algerian War escalated. Using case studies of prominent musicians and thoughtful analysis of interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this postwar musical migration. She examines key figures including musicians Sidney Bechet, Inez Cavanaugh, and Kenny Clarke and writer and social critic James Baldwin to show how they performed both as artists and as African Americans. Their collaborations with French musicians and critics complicated racial and cultural understandings of who could represent "authentic" jazz and created spaces for shifting racial and national identities-what Braggs terms "jazz diasporas.".…

Condición: New. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, this book identifies how they performed both as musicians and as African Americans. Series: Music of the African Diaspora. Num Pages: 272 pages, 9 b/w illustrations. BIC Classification: 1DDF; 3JJP; AVGJ. Category: (G) General (US: Trade). Dimension: 229 x 152. . . 2016. 1st Ed. Paperback. . . . .…

Condición: New. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, this book identifies how they performed both as musicians and as African Americans. Series: Music of the African Diaspora. Num Pages: 272 pages, 9 b/w illustrations. BIC Classification: 1DDF; 3JJP; AVGJ. Category: (G) General (US: Trade). Dimension: 229 x 152. . . 2016. 1st Ed. Paperback. . . . . Books ship from the US and Ireland.…

Condición: New. In English.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. 2022. Hardcover. . . . . .

Hardcover. Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 257 pages. 9.00x6.00x0.50 inches. In Stock.

Condición: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians adopted a variety of strategies to cope with the cultural and social assumptions that confronted them throughout their careers in Paris, particularly as France became embroiled in struggles over race and identity when colonial conflicts like the Algerian War escalated. Using case studies of prominent musicians and thoughtful analysis of interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this postwar musical migration. She examines key figures including musicians Sidney Bechet, Inez Cavanaugh, and Kenny Clarke and writer and social critic James Baldwin to show how they performed both as artists and as African Americans. Their collaborations with French musicians and critics complicated racial and cultural understandings of who could represent "authentic" jazz and created spaces for shifting racial and national identities-what Braggs terms "jazz diasporas.".…

Condición: new.

Hardcover. Condición: Brand New. 300 pages. 11.75x9.75x1.25 inches. In Stock.

Hardback. Condición: New. At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians adopted a variety of strategies to cope with the cultural and social assumptions that confronted them throughout their careers in Paris, particularly as France became embroiled in struggles over race and identity when colonial conflicts like the Algerian War escalated. Using case studies of prominent musicians and thoughtful analysis of interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this postwar musical migration. She examines key figures including musicians Sidney Bechet, Inez Cavanaugh, and Kenny Clarke and writer and social critic James Baldwin to show how they performed both as artists and as African Americans. Their collaborations with French musicians and critics complicated racial and cultural understandings of who could represent "authentic" jazz and created spaces for shifting racial and national identities-what Braggs terms "jazz diasporas.".…

Condición: New. pp. 258.

Paperback. Condición: New. At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians adopted a variety of strategies to cope with the cultural and social assumptions that confronted them throughout their careers in Paris, particularly as France became embroiled in struggles over race and identity when colonial conflicts like the Algerian War escalated. Using case studies of prominent musicians and thoughtful analysis of interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this postwar musical migration. She examines key figures including musicians Sidney Bechet, Inez Cavanaugh, and Kenny Clarke and writer and social critic James Baldwin to show how they performed both as artists and as African Americans. Their collaborations with French musicians and critics complicated racial and cultural understandings of who could represent "authentic" jazz and created spaces for shifting racial and national identities-what Braggs terms "jazz diasporas.".…

Condición: New. In English.

Condición: New. Using case studies of prominent musicians and thoughtful analysis of interviews, music, film, and literature, this title investigates the impact of this postwar musical migration. Series: Music of the African Diaspora. Num Pages: 280 pages, 9 b/w illustrations. BIC Classification: 1DDF; 3JJP; AVGJ. Category: (G) General (US: Trade). Dimension: 229 x 152 x 22. Weight in Grams: 499. . 2016. Hardback. . . . . …

Condición: NEW.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: Brand New. 257 pages. 9.25x6.25x0.75 inches. In Stock.

Condición: New. pp. 258.

Kartoniert / Broschiert. Condición: New. At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans.Klappentex.

Condición: New. Using case studies of prominent musicians and thoughtful analysis of interviews, music, film, and literature, this title investigates the impact of this postwar musical migration. Series: Music of the African Diaspora. Num Pages: 280 pages, 9 b/w illustrations. BIC Classification: 1DDF; 3JJP; AVGJ. Category: (G) General (US: Trade). Dimension: 229 x 152 x 22. Weight in Grams: 499. . 2016. Hardback. . . . . Books ship from the US and Ireland. …

Taschenbuch. Condición: Neu. Neuware - At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans.