bowles franklin (47 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: Very Good. Not Stated. Interior is clean, bright and tightly-bound. Size: 4to - 9¾" - 12" Tall.

Paperback. Condición: Good. Red paperback in good with some edgewear; no marks;

Softcover. Condición: Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Condición: Very Good. book has light wear to edges and ends of spine, otherwise bright clean shape.

Trade Paperback. Condición: Used Very Good. Light wear to cover, slightly bumped corners, pages clean and unmarked. Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.

Softcover. Condición: Good. First Edition. Good white paperback about 8½x8½ inches with worn covers. 57 pages, unmarked. Introduction by Franklin Bowles. [ntsp]; Ashlf; 57 pages.

Soft cover. Condición: Near Fine. Oblong softcover, 68 pgs. 11.25 x 8.5 in. Color illus. Near fine with minimal wear.

Soft Cover. An unused copy with light scuffing on the cover. Postcard announcing opening exhibit at Franklin Bowles Galleries laid in. Fully illustrated with a short artist's bio and bibliography toward the end. Size: 9 x 9.

Soft cover. Condición: Fine. 1st Edition. Full page color plates throughout. Text by Franklin Bowles. Published on the occasion of the exhibition at Franklin Bowles Galleries, San Francisco and New York, (1980? ) ; Tight, clean and crisp. In excellent condition. No inscriptions. No remainder mark. Not ex-library. As New. ; Square 8vo; 84 pages.

Paperback. Condición: Very Good. Color & b/w Illustration Ilustrador. First Edition. In color pictorial wraps, 4to, 84pp. Illustrated gallery catalog. Size: 4to - over 9¾" - 12" tall. Book.

Paperback. Condición: Very Good. Very Good Condition. Has some wear. Five star seller - Buy with confidence!

Condición: New.

Soft cover. Condición: Fine. Color Plates Ilustrador. Not Indicated.

Paperback. Condición: Fine. First Edition. Softcover in pictorial wraps with flaps First printing of first edition. Book is As New, crisp and clean, printed on heavy paper with vivid color plates. Published to accompany a 2006 exhibition of the artist's work at the Franklin Bowles Gallery in San Francisco. Square 4to. 72 pp.

Broschiert. Condición: Gut. 2. Auflage;. 340 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); leichte altersbedingte Anbräunung des Papiers; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Einbandkanten sind leicht bestoßen. In ENGLISCHER Sprache. . Sprache: Englisch Gewicht in Gramm: 480.

Condición: Fair. Acceptable condition. (Surrrealism, Exhibition Catalogs) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books.

Soft cover. Condición: Very Good. TEXT UNMARKED, INCLUDES PRICE LIST MAY-JUNE 1981.

Soft cover. Condición: Fine. Color Plates Ilustrador. Not Indicated.

Condición: New.

Condición: As New. December 4, 2004; illustrated paper covers; very mild shelf wear; Interior clean and unmarked; 4to, 9 3/4" - 12" Tall; 135 pages.

Condición: Good. Illustrated wraps, 127 pages, large color plates. Essay by Marie-therese Caille. Isabey, Dupre, Huet, more. 10.5x8.5".

Condición: Good. 4to., printed wraps. 84 pp. Ill. ~100 fine color plates. NF.

Condición: Good. 8vo., wraps. 54 pp. Ill. dozens color plates. Essays. Exhib. Dec 1980 - Jan 1981. Stamped ex-lib. copy P. Iannetti. Cover wear; else VG.

Paperback. Condición: Very good. Paperback. 10 3/4" X 7 3/4". 74pp. Mild rubbing and shelf wear to covers, corners, and edges of pictorial paper wraps. Pages are clean and unmarked. Binding is sound. An overall clean, solid copy of this full-color catalogue that was published for the Arranz-Bravo: Energy Land art exhibition at the Franklin Bowles Gallery. Like Florence in the Renaissance, and Paris and New York more recently, Catalonia has been a very fertile ground for artistic creation. Gaudi, Dalí, Picasso, Miró, and Tàpies are among its most celebrated artists. The latest among them, born in Barcelona and still living there, is Eduardo Arranz-Bravo. With all these artists, Arranz-Bravo shares a passionate desire to paint, a visceral creativity, and outstanding technical skills. His art, like theirs, is unique, inventive, challenging, and in constant evolution. "Life is like a river," Arranz-Bravo tells us, "it is something you can live from. A river can never live with the water of twenty years ago, now it is living with the present water. I think I am like a river. Nobody can stop this river." Arranz-Bravo was born in 1941. During a trip to Paris in 1958, the 17-year old artist's painting departed from his conventional artistic training he began to tirelessly churn out radically abstract works. During this time he drew inspiration from the Spanish physicist, Miguel Masriera, who encouraged him to continue his painting. Motivated by his travels in Paris and Italy, in 1959 he enrolled in the Escuela Superior de Bella Artes de San Jorge, in Barcelona. In 1967, Eduardo drastically changed his painting style, beginning a trend the critics have called "new figuration," a term he detests. Eduardo's work has continued to grow and evolve throughout his career. However, he does not believe in explaining his art; he believes in selective perception and prefers that each viewer draw his or her own conclusions when interpreting his paintings. (Publisher).

Soft cover. Condición: Very Good. Softcover, 80 pgs. 11.5 x 8.25 in. Essay, color illus. Minimal corner wear.

Condición: New. In.

Condición: gut. III, 107 S., 25 cm, Bibliotheksexemplar, Ecke leicht geknickt. Sprache: Englisch.

Condición: New. pp. 356 2nd Edition.

Couverture rigide. Condición: Comme neuf. Edition originale. Paris 2004. 1 Volume/1. -- Comme Neuf -- Reliure éditeur cartonnée sous jaquette illustrée . Format in-4°(.28,8 x 26 cm )(.454 gr ). ------ 132 pages . ************************* Présentation éditeur : "" Peintre de notoriété internationale, Pierre Marie Brisson puise son inspiration dans l'art rupestre et la fresque, dont il s'attache à reproduire les échos oniriques et poétiques. A travers sa technique si caractéristique, entre grattage et collage, son travail privilégie la matière et la couleur. Ses décors, qui tiennent à la fois du théâtre et du cirque, sont bravés par des funambules, des amants, des oiseaux, des alpinistes impliqués dans des rêves-poursuites d'une sensualité éphémère. Des pans de mémoire venus de tous les horizons nous convient à d'insolites voyages en Camargue, à Pompéi, au Maroc et au Japon. Présentées par un texte de Jean Rouaud, prix Goncourt 1990, les uvres les plus récentes de Pierre Marie Brisson reproduites dans cet ouvrage nous plongent dans l'univers fascinant des cultures ancestrales, à la découverte de ces " traces laissées par les hommes ", pour reprendre la définition de l'art qu'affectionne l'artiste. " Un conglomérat de couches textiles et culturelles venues se déposer dans une obscurité avide à partir de mille coins du monde. " Michel Butor The internationally known pointer Pierre Marie Brisson draws his inspiration from rock paintings and frescoes, whose dream-like and poetic resonance he seeks to transcribe in his art. Based on a distinctive technique combining scraping and collage, his work is all about matter and colour. The scenes he sets evoke theatre and circus. Here tightrope walkers, lovers, birds and mountaineers boldly pursue their ephemeral dreams in a powerfully sensual atmosphere. Clusters of memories from around the world carry us on strange journeys to the Camargue and Pompeii, Morocco and Japan. Presented here with a text by Jean Rouaud, winner of the 1990 Goncourt Prize for literature, the most recent works by Pierre Marie Brisson takes us into the fascinating world of ancestral cultures, as we discover what, in his favoured definition of art this artist calls "the traces left by men". "A conglomeration of textile and cultural loyers from a thousand places laid down in a passionate darkness." Michel Butor "" ***************************** ref 34.