Botey mariana (12 resultados)

Wraps. Condición: Very Good. Textblock is clean and tight. Minimally egde or spine worn. 62pp.; including biographies. Size: 8vo - over 7¾" - 9¾" tall. Photographs (ilustrador). Paperback.

Paperback. Condición: Very Good. Traces of rubbing on full color wraps, otherwise clean and uncreased.

First Edition. First edition. Softcover. Exhibition catalog for a group show that ran September 11 through November 6, 1999 and featured works by Mariana Botey, E.V. Day, Anne Fishbein and Laurie Dahlberg, Diana Lopez, Gertrudis Rivalta, Elena del Rivero, and Sandra Vivas. Includes numerous color and black and white illustrations. A fine copy in glossy wrappers.…

Soft cover. Condición: Very Good. 1st Edition. Book in very good condition: No markings/writings on text. Pages are clean and crisp. Front and back cover in very good condition. WILL SHIP WITHIN 24-48 HOURS.

Condición: Very Good. Hardcover, 224 pages. The years from 1945 to 1985 are often identified as the moment in which Los Angeles established itself as a leading cultural center in America. However, this conception of its history entirely excludes the very controversial presence of the Mexican muralists, as well as the work of other artists who were influenced by them and responded to their ideas. It is likewise often thought that Los Angeles' Mexican culture arrived full formed from outside it, when in fact that culture originated within the city--it was in Los Angeles and Southern California that José Vasconcelos, Ricardo Flores Magón, Octavio Paz and other intellectuals developed the iconography of modern Mexico, while Anglos and Chicanos were developing their own. David Alfaro Siqueiros, Clemente Orozco, Alfredo Ramos Martínez and Jean Charlot made some of their earliest murals in Los Angeles, influencing the Mexican, Mexican-American and Chicano artists of the 1970s and 80s. MEX/LA: Mexican Modernism(s) in Los Angeles 1930-1985 focuses on the construction of different notions of "Mexicanidad" within modernist and contemporary art created in Los Angeles. From the Olvera Street mural by Siqueiros, to the Golden Age of Mexican cinema and the Disney silver-screen productions, to the revitalization of the street mural, up to the performance art of Guillermo Gómez-Peña, MEX/LA explores the bi-national and hybrid forms of artistic practices, popular culture and mass-media arts that have so uniquely shaped Los Angeles' cultural panorama. Record # 362224.…

Condición: good. Paperback Book.

Condición: Very Good.

Hardcover. Condición: New. The years from 1945 to 1985 are often identified as the moment in which Los Angeles established itself as a leading cultural center in America. However, this conception of its history entirely excludes the very controversial presence of the Mexican muralists, as well as the work of other artists who were influenced by them and responded to their ideas. It is likewise often thought that Los Angeles' Mexican culture arrived full formed from outside it, when in fact that culture originated within the city--it was in Los Angeles and Southern California that Josà Vasconcelos, Ricardo Flores Magà n, Octavio Paz and other intellectuals developed the iconography of modern Mexico, while Anglos and Chicanos were developing their own. David Alfaro Siqueiros, Clemente Orozco, Alfredo Ramos MartÃnez and Jean Charlot made some of their earliest murals in Los Angeles, influencing the Mexican, Mexican-American and Chicano artists of the 1970s and 80s. MEX/LA: Mexican Modernism(s) in Los Angeles 1930-1985 focuses on the construction of different notions of "Mexicanidad" within modernist and contemporary art created in Los Angeles. From the Olvera Street mural by Siqueiros, to the Golden Age of Mexican cinema and the Disney silver-screen productions, to the revitalization of the street mural, up to the performance art of Guillermo Gà mez-Peña, MEX/LA explores the bi-national and hybrid forms of artistic practices, popular culture and mass-media arts that have so uniquely shaped Los Angeles' cultural panorama.…

Soft cover. Condición: New. Estado de la sobrecubierta: New. En este libro la autora cuestiona las representaciones de lo indígena en la historia y el arte mexicano. Su análisis se enfoca particularmente en las formas narrativas, mesiánicas y proféticas, de pasados y futuros imaginarios. Analiza el modo en que los europeos interpretaron las culturas nativas. Conceptos y metáforas como la Revolución indígena de Artaud, la economía general de Bataille, el comunismo primitivo de Bandelier y la República india de Rousseau, son deconstruidos y contextualizados desde la genealogía y el archivo mexicano, a partir de la teoría crítica poscolonial.…

Soft cover. Condición: New. Estado de la sobrecubierta: New. Libros en español - Books in Spanish from Colombia, Latin America, Ecuador, Peru, Chile, Mexico, Bolivia, Uruguay, Paraguay, El Salvador, Nicaragua, Guatemala publicados por colleges, universities, universidades, publishers y editoriales ubicadas en America Latina - Latinoamerica.…

Soft cover. Condición: New. Estado de la sobrecubierta: New. Este volumen reúne un conjunto de textos elaborados tanto por críticos culturales como por artistas-teóricos que problematizan el legado de la noción de emancipación para la modernidad global. Lo característico de estos ensayos, apuestas programáticas y estudios de caso, es desplegar su inquietud en contextos y procesos histórica y culturalmente localizados. Éstos son textos definidos por la geografía indeterminada del sur y la orientación de la perspectiva poscolonial. Constituyen una aportación al debate sobre el destino de la cultura, la estética y la dialéctica entre poscolonialidad y globalidad.…

215 S. Hardcover mit Schutzumschlag. 4°. Zweisprachig: englisch, spanisch. Sauberes Exemplar ohne Stempel und Anstreichungen. Zahlreiche Abbildungen und Tafeln. Sehr gut erhalten. Sprache: eng.