Bob nickas (331 resultados)

Hardcover. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. Jumbo-sized. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New.

Paperback. Condición: New.

Hardcover. Condición: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Paperback. Condición: new. Paperback. For one year, respected critic and curator Bob Nickas put his money where his eyes are: he decided to become a collector, someone who takes art off gallery walls instead of hanging it there. His ground rules dictated that he would buy one work per month from an artist he had never written about or exhibited before. In this fascinating diary of his year on the market, he tracks the changes in his relation to art, when the commitment becomes one of the wallet and not just the mind and words. It has affected the way I look at art, he writes. On the one hand, if I am unwilling to part with my hard-earned money, how worthy can the art really be? On the other, there are certainly works far above my humble means. For this project, I have had to pay to have my say. For one year, respected critic and curator Bob Nickas put his money where his eyes are: He decided to become a collector, someone who takes art off gallery walls instead of hanging it there. His ground rules dictated that he would buy one work per month from an artist he had never written about or exhibited before. In this fascinating diary of his year on the market, he tracks the changes in his relation to art, when the commitment becomes one of the wallet and not just the mind and words. "It has affected the way I look at art," he writes. "On the one hand, if I am unwilling to part with my hard-earned money, how worthy can the art really be? On the other, there are certainly works far above my humble means . . . . For this project, I have had to pay to have my say." Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. PAPERBACK.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: Brand New. new title edition. 64 pages. French language. 6.50x4.25x0.25 inches. In Stock.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

paperback. Condición: Like New. May have light shelf wear and/or a remainder mark. Complete. Clean pages.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condición: VG. Text free of underlining, writing and highlighting. Very nice clean copy. BOB NICKAS THE PAINTED WORLD: PLANS FOR IMAGINARY STRUCTURES In a gallery, the floor below your feet is exactly where you expect it to be. The walls on which the works of art are hung are usually flat, painted white, and well-lit. Galleries, lit by artificial means, are often window-less,1 for a few brief moments, the outside world disappears, and the work, untouched by the light of day, need not compete with any outer reality. A gallery is a seemingly neutral space that conforms to the basic shape of a cube, with walls, ceiling, and floor all at right angles to one another. People viewing the works give scale to both the room and to the works on view, providing human perspective. You more readily grasp the scale of an object when a body is present: the gallery, like a stage set, is animated by bodies in space. The paintings here in this gallery, however, display a range of spatial dislocations that turn our expectations in on themselves, presenting us with a parallel world that resembles, and yet confounds, our own. 42 pages.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Edging to dust jacket (shelf wear to edges).

Softcover, 96 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.