Beverley ellis (107 resultados)

Condición: As New. Unread book in perfect condition. Batsheva, Daniella (ilustrador).

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Batsheva, Daniella (ilustrador).

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UNK. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Batsheva, Daniella (ilustrador).

Paperback. Condición: new. Paperback. (String Method). As with sport, daily exercises are also important for the cello in order to familiarise yourself with the instrument and develop your technique. Lee's Daily Exercises offer ideal material for concentrated practising. 40 short etudes in simple major and minor keys from 3b to 3# mostly comprise around 16 to 32 bars and deal with topics such as dynamics, string changes, arpeggios, bowing technique and mixed stroke types, double stops, octaves, chromaticism, trills, grace notes and much more. Sounds very technical, but it is musically appealing and fun! Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Condición: new. Lee, one of the outstanding cellists and cello pedagogues of the 19th century, did not compose purely technical etudes in his Opus 100, but rather musically appealing performance pieces. These are romantic character pieces with poetic titles such as Unrest - Souvenir - The Thunderstorm - The Gondolier etc. The carefully edited text follows the first edition of 1864 with the original fingerings and bowings. Includes practice tips. Besetzung:cello, piano ad lib. op. 100 Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

UNK. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 170 pages. 5.00x0.39x8.00 inches. In Stock. Batsheva, Daniella (ilustrador).

Condición: New. In English. Batsheva, Daniella (ilustrador).

Condición: new. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condición: New. Batsheva, Daniella (ilustrador).

sheet_music. Condición: New.

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Condición: As New. Unread book in perfect condition. Batsheva, Daniella (ilustrador).

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Notenblatt. Condición: Neu. Neuware -Barbara Heller composed Inner Dialogue with a tonal material consisting of several series of intervals that are put together like a dialog. The composer focuses on upward and downward movements. Barbara Heller writes about this:'I was particularly emotionally attached to one series of intervals, which can be found at the beginning of the 2nd part (Lento) and the 5th part (Calmo): major sixth, minor second, fourth, major second and tritone. This falling sixth triggered in me the attempt to come back up again with a rising fourth after the semitone step downwards, and then back down again with the whole tone and the tritone - this resulted in an expression that did not let go of me and touched me deeply inside. It was like a trap that I couldn't get out of. And so, in the course of working on the cello piece, it became an inner dialog: with the back and forth downwards and upwards again, a kind of variation-like music that was always - with small changes - a self-questioning, an attempt to free myself from this motif, which I did not succeed in doing.In this edition, editor Beverley Ellis provides important notes on interpretation.Instrumentation:cello; Barbara Heller komponierte Innerer Dialog mit einem Tonmaterial aus mehreren Intervallreihen, die dialogartig zusammengesetzt sind. In den Mittelpunkt stellt die Komponistin Auf- und Abwärtsbewegungen. Barbara Heller schreibt dazu:'Mit einer Intervallreihe war ich besonders emotional verbunden, sie findet sich am Beginn des 2. Teils (Lento) und des 5. Teils (Calmo): große Sexte, kleine Sekunde, Quarte, große Sekunde und Tritonus. Diese fallende Sexte löste in mir den Versuch aus, nach dem Halbtonschritt abwärts mit einer steigenden Quarte wieder nach oben zu kommen, und dann wieder nach unten mit dem Ganzton und dem Tritonus - das ergab einen Ausdruck, der mich nicht losließ und innerlich stark berührte. Es war wie eine Falle, aus der ich nicht herauskam. Und so wurde es im Verlauf der Arbeit am Cellostück ein innerer Dialog: mit dem Hin und Her nach unten und wieder nach oben, quasi eine variationsartige Musik, die immer wieder - mit kleinen Änderungen - eine Selbstbefragung war, ein Versuch, mich von diesem 'Motiv' zu erlösen, was mir nicht gelungen ist.'Die Herausgeberin Beverley Ellis gibt in dieser Ausgabe wichtige Hinweise zur Interpretation.Schwierigkeitsgrad: 4-5 12 pp. Nicht zu entscheiden.…