Betye saar (99 resultados)

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. A very clean and well preserved copy. Inscribed by Author.

Condición: New.

Hardcover. Condición: new. Hardcover. Luminous and tranquil, Saars newest installation uses natural objects and materials to take the viewer on a spiritual journeyThis volume features the Huntington Library and Museums commissioned site-specific installation Drifting toward Twilight (2023) by Betye Saar (born 1926). A solitary canoe drifts on a bed of brambles, illuminated by a cool neon glow. Inside, three passengers are transported to a mystical destination by two otherworldly beings. Guided by the dawn, the dusk and the phases of the moon, they transition from one cosmic reality to another. Part dreamscape and part altar, Drifting toward Twilight conjures journeys and the constant cycles of the natural world. Like cards pulled from a tarot deck, each object inside takes on a symbolic power: a monumental canoe, birdcages, antlers and plant material harvested from the Huntingtons grounds. This richly illustrated companion book includes a preface and a 1973 interview with the artist by author and longtime friend Ishmael Reed. Other contributions include a profile by Hilton Als and a new interview with the artist by Sola Saar Agustsson, her granddaughter. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Soft cover. Condición: New. NEW FIRST EDITION.

softcover. Condición: Used; Very Good. First Edition; First Printing. Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. ; Numerous full-page color plates. Essay by Arlene Raven. Published on the occasion of the exhibition held at the Michael Rosenfeld Gallery, New York, September 10 - October 31, 1998; Greenville County Museum of Art, Greenville, SC, November 18, 1998 - January 17, 1999, and at the Detroit Institute of Arts, February 21 - April 1, 1999.…

Paperback. Condición: New. Special order direct from the distributor.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good.

Paperback. Condición: New.

hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket Issued. First Edition. Huntington Library, 2025; first printing, with no additional indicated; 103pp. Illustrated in full color, black-and-white when original, with accompanying interviews with Saar and essays by Hilton Als, Tiffany E. Barber, and Ishmael Reed. No dust jacket, as issued. Binding is tight, sturdy, and square. Light wear only to blue gradient cloth boards; silver titling remains bright and bold. Lime green stamped text block remains bright. Interior is free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota. …

Soft Cover. Condición: Very Good. First Edition. soft cover, as issued., one small nick and one corner crease to cover. no other flaws. clean. no markings. sturdy binding., 1000 unnumbered copies printed., 40pp., 8 large color plates and 16 b/w illustrations. catalogue and reference section. essay. interview with the artist. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue. …

Condición: New.

hardcover. Condición: New. Special order direct from the distributor.

Soft cover. Condición: Near Fine. 4to. 68 pp. Illustrated paper boards. Minor rubbing and shelf-wear. Near Fine.

Condición: New.

spiral_bound. Condición: Very Good. Spiral-boundLooks almost new, tight and solid. Very clean with no markings or writing. 100% Money Back Guarantee on all Items. We believe in providing accurate grading on used books and excellent customer service.

Hardcover. Condición: Brand New. 96 pages. 11.00x9.25x11.00 inches. In Stock.

Hardcover. Condición: new. Hardcover. From theatrical costumes to leather accessories and jewelry, Saars early wearable artworks are as transformative as her assemblagesOrganized around Betye Saars early work in costume and jewelry design during the 1960s and 1970s, Lets Get It On explores how this formative period profoundly shaped her pioneering work in assemblage and installation. Through original drawings, essays, archival materials and installation images, the book traces Saars evolution from designer to artist, revealing the enduring connections between her wearable creations and her broader visual language. It features newly commissioned scholarship alongside rare photographs, sketches, jewelry, garments and ephemera from Saars personal archives, offering fresh insight into the artists lifelong engagement with materials, memory and Black cultural expression. The book also includes a custom-designed sewing pattern by Betye Saar, inspired by her studio practice. This set features comprehensive instructions, precision-cut pattern pieces and an exclusive artist-designed iron-on: everything you need to spark your own creative journey. Lets Get It On provides an invaluable resource for understanding the full scope of Saars creative practice and her influence across generations.Betye Saar (born 1926) is renowned for pioneering Black feminism and West Coast assemblage in her visionary artistic practice, through dense, complexly referential objects. For over seven decades, Saars work has led dialogues on race and gender, reflecting changing cultural and political contexts. Most recently, solo presentations have been hosted by the Museum of Modern Art, New York, and the Los Angeles County Museum of Art. Saars work was prominently featured in We Wanted a Revolution: Black Radical Women, 196585 at the Brooklyn Museum and in Soul of a Nation: Art in the Age of Black Power at Tate Modern. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: Fine. Original light blue pictorial covers, 6 7/8 x 9 ½ inches, 36 pp, illustrated with various color depictions of Aunt Jemima on washboards. Softcover, fine: tight, clean, paper crisp, unmarked and apparently never read. Art; exhibition catalogue (catalog) ; African-American; 0 pages. …

Softcover with metal spiral binding, 86 pages; very good condition, owner's name and date stamp; no other internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardcover. Condición: new. Hardcover. An investigation into Saar's lifelong interest in Black dolls, with new watercolors, historic assemblages, sketchbooks and a selection of Black dolls from the artists collectionThis volume features new watercolor works on paper and assemblages by Betye Saar (born 1926) that incorporate the artists personal collection of Black dolls. These watercolors showcase the artists experimentation with vivid color and layered techniques, and her new interest in flat shapes. While Saar has previously used painting in her mixed-media collages, this is the first publication to focus on her watercolor works on paper.Watercolor is something that children use, so I decided, maybe Ill paint something about children, maybe Ill paint the dolls, Saar says. Referencing the underrepresented history of Black dolls through Saars artistic lens, this catalog distills several intersecting themes, imagery and objects in Saars oeuvre, highlighting her prominent usage and reinvention of Black imagery. It contains 90 color images, including early assemblage works that feature Black dolls, such as Gris-Gris Box (1972) and Mti (1973), plus early sketchbooks and a curated selection of Saars Black doll collection. It also includes original essays by Rachel Federman, Associate Curator of Modern and Contemporary Drawings at the Morgan Library & Museum, and Katherine Jentleson, Merrie and Dan Boone Curator of Folk and Self-Taught Art at the High Museum of Art, and an interview with the artist by her granddaughter, Maddy Inez Leeser. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…