Bernard weinberg (118 resultados)

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Condición: Good. Fench poetry book. Some light signs of age to the covers. WE ship fast. Size: Tall.

Wraps (Paperback). Condición: Binding Tight, Pages Bright. Pages clean, unmarked. Mild edgewear.

Cloth. Condición: Very Good Plus. No Jacket. Reprint. Very Good Plus. Light blue cloth w/ dark blue label on spine and gilt lettering. Soil mark on fore-edge. Reprint of edition from 1942.

Paperback. 355pp. Index. Wear extremities, rubbing, soiling.

Pb. Condición: G+. 355 pages, index, cover rubbed at spine, some creasing, corners rubbed and bumped.

Hardcover. Condición: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Pb. Condición: VG. 355 pp., index. Light wear extremities, scratching back, rubbing.

Hardcover. Condición: Good. No Jacket. Underlining & notes to text; binding tight; minor wear to covers; lacks a dustjacket. 430 pages. Examines Baudelaire, Rimbaud, Saint-John Perse, Mallarme, and Valery. Size: 6 1/2" x 9".

paperback. Condición: Good.

Hardbound. Condición: Good. Octavo, blue cloth spine with worn gold lettering, blue paper covered boards, frontispiece, xii, 441 pp., index.

Hardcover. Condición: Very Good. No Dust Jacket. First Edition. Cloth covered boards with slightly bumped spine ends and trace edgewear. Mild soil. Binding sound, text clean. Gift inscription and previous owner names to ffep. No stickers or stamps. ; 8vo 8" - 9" tall; 441 pages.

Hardcover. Condición: Fine / sunned dj. 355pp.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Fair. First Edition. Discoloration of the edges and spine of the DJ. Chipping and edge tears of the DJ. Yellowing inside.

Very Good; Some creasing at the top of the back cover. ; Most books shipped within 24 hours. ; 8vo.; 355 pages. Binding is Paperback; Third Printing.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. University of Chicago Press hardcover, 1966, 1st edition, clean/tight, No marks/stains/foxing or signs of use, price-clipped jacket has light wear (no tears); (Fine/Very Good+). We will add a custom fitted mylar cover, bubble-wrap the book and ship it in a BOX with delivery confirmation/tracking. …

hardcover. no DJ. first edition. 8vo 441pp. published March 1942. Collection of essays on Balzac. #01479. Book G: ex library copy--writing on spine, stamps on endpapers and paste downs, wear to boards and spine, spine sunned, text clean, binding tight.

Condición: good. A former college library book with all the expected stamps, stickers and markings. Some shelf, storage or usage wear present. The binding is tight and all pages are present. Missing dustjacket. The pages appear unmarked. Pictures available upon request. Individually inspected by Scott. Thanks for supporting an independent bookseller.…

hardcover. Condición: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Softcover. 5th impression. vii, 276 p.; 20.5 cm. (Phoenix books ; P15) [Orig. edition 1952; abridged Phoenix editon 1957] VG in lt. edgeworn orig. salmon and green wrapper.

Condición: Good. First American Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. Ex-lib. with edge & endpaper lib. marks; flyleaf replaced; Good HB; text unmarked; DJ-Good.

Condición: Fair. 1963. No Edition Stated. 355 pages. White dust jacket with black lettering over blue cloth. Clean pages with firm binding. Previous owner's name to front endpaper. Minimal foxing to endpapers and page edges. Pages have a distinct odour. Mild wear to spine, board edges and corners, with scuffing and marking to boards. Unclipped dust jacket. Mild wear, tear and chipping to edges and corners. Notable tanning to spine and edges, with soiling to DJ. …

Hardcover. Condición: Very Good. . . . . Reprint of 1942 ed. 8vo, hardcover, blue cloth, no dj. Exterior lightly soiled, sm scuff-mark on rear endpaper, otherwise vg, contents bright & clean. 441 pp.

Hardcover. Condición: Very Good. Studies edited by E Preston Dargon and Bernard Weinberg. Text is clean, binding is strong. Blue cloth cover has a faded spine.

Paperback or Softback. Condición: New. French Poetry of the Renaissance. Book.

Hardcover. Condición: Fine. None. First Edition. Out of print.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Original hardcover in jacket, 430 pages. Older book is solid and square. There is age-toning to the pages; foxing (spotting) to outer page edges. Some rubbing to the jacket; jacket is price-clipped, but jacket is mylar sleeve, which is rubbed. Solid and bright. r2b1. …

Condición: New.

Condición: New. Idioma/Language: Español. Los Estudios de poética clasicista que componen este libro responden en su génesis al interés de Bernard Weinberg, destacado miembro de los ''neoaristotélicos de Chicago'', por el estudio de la tradición clásica en el ámbito de la teoría literaria del Renacimiento. El conjunto de ensayos aquí recogidos -inédito hasta ahora en español- se mueve en torno a este interés común y, aunque de procedencia diversa, configuran un volumen coherente y novedoso por su visión global, al tiempo que un instrumento muy útil que permite comprender la complejidad de pensamiento poético del clasicismo italiano, la variedad y diversidad de sus propuestas teóricas y metodológicas, la presencia-ausencia de la Poética de Aristóteles como elemento definidor de contenidos y como mecanismo de declaración de principios, y las principales aportaciones originales que los grandes autores hacen a la teoría literaria de la época en cuanto a los géneros, la mímesis, etc. La presencia de los nombres más consagrados -Robortello, Escalígero, Minturno, Castelvetro- es obligada por cuanto en ellos aparecen todas las direcciones más o menos ortodoxas que toma la poética clasicista. Otros nombres y otras perspectivas terminarán por marcar nítidamente los perfiles de una disciplina a lo largo de toda un época. La comparación entre todos ellos mostrará, además de los puntos en común, las profundas diferencias conceptuales y metodológicas que lastraron un acuerdo casi siempre imposible con la tradición y con los propios contemporáneos, al tiempo que dará la medida de lo que fue un momento de extraordinaria trascendencia en el estudio del arte poética. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…