Berger maurice ed (21 resultados)

Condición: New.

Condición: As New. Unread book in perfect condition.

Softcover, 272 pages; as new condition; clean and crisp; no internal marks.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. 1st Edition. First edition w/complete number line, hardcover, has a minor lean to the binding, a touch of shelfwear to the spine ends and cover corners, and a hint of faint smudging to the edges of the text block. Otherwise, this is a solid, tight, sharp Very Good+ copy in a Very Good dust jacket, which has mild bumps to the spine ends and corners with tiny tears to the upper corners, slight rubbing with some smudging to the covers, and a touch of edge wear with a small ding to the rear fold. …

Softcover. Condición: Very Good with no dust jacket. Sound binding. Clean, bright pages. Wrappers have light handling wear. Contents: Bloom, Tales from an American shtetl, part II. Lightman, Born on Lincoln's birthday, part II: college, war, career, and family. Goldstein, Ordinary people, turbulent times, part II. Kessler, My life and career as a Zionist, part I: Israel's birth and infancy. Glicksman, A scientist collects stamps about scientists. Foster, Those who served: Korean War stories, part I. Weiner, Jules Cohen: a courtly champion. Fun, fun, fun: Fred Kelman's photos of the Jewish Community Center. Logowitz, My hometown: three vignettes. Long before e-mail: Marcia & Sherri. Simmons, Providence mythscapes. Fink, In the land of the jonnycake: my Roger Williams. Paul Berger and colleagues, The fate of the Washington letter. Gitlitz and Davidson, The Ambassador John J. Loeb Jr. Visitors Center in Newport. Goodwin, The New Jewish Museum and Independence Mall. Remembering Bruce Sundlun (Sheldon Whitehouse, Jack Reed, M. Charles Bakst, Mark Patinkin, Goodwin). 57th annual meeting of the association. In Memoria. Funds and bequests. Life members of the association. 9.0" tall; 194 pages.…

Condición: As New. Unread book in perfect condition.

Softcover, 236 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

Softcover, 340 pages; very good condition; clean and crisp; no internal marks. Does not have the clear plastic dustjacket that came with copies of the 2002 edition. Foreign shipping may be extra.

Softcover with plastic dustjacket, 340 pages; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: very good. New York : New Press, 1998, Paperback. 192p. ; 22cm. From the Publisher : Not long ago, the fate of a film or Broadway show rested in the hands of the critics. Producers and directors could be found in Sardis opening night waiting nervously for the reviews in the late edition papers. A film would fail with a pan from Pauline Kael. An artist's work would instantly increase in value if celebrated by the right papers. But what is the purpose of the critic today? Are they the legislators of cultural tastes, or a conduit for the public's understanding of art? Why are these people entitled to dictate what is good or bad, and who is listening anymore? Maurice Berger assembles the top critics in each field to address the problematic nature of the critic's authority and responsibilities. Contributors include Richard Martin, bell hooks, Jim Hoberman, Arlene Croce, Wayne Koestenbaum, and others. 1565844173 Condition : very good copy. Keywords : PHILOSOPHY, art.…

hardcover. Condición: fine. With color images throughout. 80 pages. Slim 4to, pictorial boards. Chicago: Museum of Contemporary Art, (2002). A fine copy. Signed by the artist. Gary Simmons (ilustrador).

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. 'The Brides (flower) Stripped Bare by Her Bachelors, Even,'" by Seigow Matsuoka; "Modern Life: History is Still Bunk," by Carter Ratcliff; "Like Art: Station Breaks. The Electronic Vaudeville Circuit," by Glenn O'Brien; "Mass Culture: All the News that's Fit to Snapshoot," by Shinichiro Kurimoto; "Speaker to Speaker: Beyond the Grave, Rock Critic Theodor Adorno meets the Mekons," by Greil Marcus; "The World in a Drop of Water," by Kenneth Baker; "Beauty Action," by Annelie Pohlen; "The Land of Cuckoonebulopolis and After," by Sergio Polano and Pierpaulo Vetta; "Siah Armajani's Constitution," by Patricia C. Phillips; "Stations on a Journey," by Germano Celant; "Target Jasper Johns," by John Yau. Book reviews by Alexandra Anderson, Maurice Berger, Sarah Bodine, Suzaan Boettger, Greil Marcus, Herbert Muschamp, Carter Ratcliff, and Amy Baker Sandback. Reviews by Charles Hagen, Jean Fisher, Thomas McEvilley, Jeanne Silverthorne, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, John Yau, Glenn O'Brien, Colin Gardner, Melinda Wortz, Linda Burnham, Bill Berkson, Suzaan Boettger, Ed Hill, Suzanne Bloom, Pier Luigi Tazzi, Barbara Maestri, Denys Zacharopoulos, Max Wechsler, Annelie Pohlen, Lars Nittve, Stuart Morgan, Bruce W. Ferguson, and M.P.L. Green. Cover: Solonevich.…