Benjamin halking (50 resultados)
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Paperback or Softback. Condición: New. Sigmund Freud's "The Uncanny" in Alfred Hitchcock's "Psycho" and Darren Aronofsky's "Black Swan". Book.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2014 in the subject English Language and Literature Studies - Other, grade: 2,0, University of Cologne, language: English, abstract: Many native speakers of the English language come to a point at which they are not sure… how to form a word composed out of a verb and a suffix. They struggle when it comes to putting the stress correctly or deciding whether a vowel stays the same or whether it is shortened or lengthened.This term paper deals with Latin suffixes attached to Latin-based words and the phonological changes that go along with them.For this matter, the historical background of phonological changes will be given. This also includes how Latin suffixes found their way into the English language. In addition, a distinction between different kinds, i.e. different origins, of vocabulary will be given. When talking about stress and its movement as well as suffixes that cause them, lexical strata cannot be left out of consideration. Therefore, I will give an overview over how strata work and what has to be paid attention to when using them.The model of lexical strata is of great importance when the theory of Latin suffixes is focused on. The various aspects of lexical strata will be explained. Resulting from that, this paper will deal with where the differences between neutral and non-neutral suffixes lie and how they can be distinguished and categorized.Furthermore and as the main point of this paper, Latin suffixes will be focused on. This includes how suffixes affect the verb they are attached to and which suffix is attached to which form of the verb. Is there a rule for this all or is it rather arbitrary Do all the verbs and their suffixes have to be stored in the mental lexicon Do people who know the Latin language have an ¿advantage¿ over those learning the suffixes by heart Why is it that native speakers struggle and, more often than not, choose the ¿easiest¿ way to form words composed out of a verb and a Latin suffix These are questions that this paper will attempt to answer and clarify. The paper will also try to set a new approach to explaining a regularity and constancy in forming adjectives that derive from Latin verbs.
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2014 in the subject English Language and Literature Studies - Other, grade: 2,7, University of Cologne, language: English, abstract: This paper will put its focus on tense and aspect and how the German-speaking writer Fr…anz Kafka availed himself of these particular functions to achieve his goals he pursued with his texts: to puzzle the reader and to leave him wondering about what to believe is the reality they are living in.The first section of this paper will be dealing with the general terminology and briefly explain the terms tense and aspect which will be crucial and essential to the understanding. Tense will then again be split up into past tense and the (historical) present tense.After that, there will be a short depiction of Franz Kafkäs life and work, followed by rough summaries of his works ¿A Country Doctor¿ as well as ¿The Burrow¿ on which the focus will be put to demonstrate how tense and aspect are used in order to achieve his goals with the reader.The main part of this paper will be on the usage of said focus on tense and aspect in Kafkäs work. The terminology out of section (2) will be picked up and be put into connection and context with the two stories of Kafkäs to demonstrate how Kafkäs world works and what makes it so difficult to tell his (fictional) world apart from the one that the reader knows as reality.The key question shall be what the peculiar usage of tense and aspect is which is a distinct feature of Kafkäs texts affects the reader, and how they make the reader think about what he is reading or if he even realizes what is going on as far as tense and aspect is concerned. Is he able to process this flood of information that is headed his way We will see that there is plenty to think about, plenty to take into account when reading both The Burrow and A Country Doctor.
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2014 in the subject English Language and Literature Studies - Other, grade: 2,0, University of Cologne, language: English, abstract: Countless people have seen movies like Psycho or The Birds by the Master of Suspense Al…fred Hitchcock. And they would see it time and again since films like these do not grow old. But what is it about these films that make them worth watching over and over Is it the great acting performance Most definitely! But I dare say that it is the suspense and the way these movies play with your mind. Certainly one would have a hard time finding a person who is not given the chills when Vera Miles goes down into the basement of that Victorian house up on the hill looking for Mrs. Bates only to find her mummified. There must be something to this atmosphere, to this very setting of the house and the house itself that make us feel uncomfortable and at unease.What goes for Psycho would have to go for The Birds, too. This cozy and inviting house in Bodega Bay, right across the bay, grows more and more hostile and aggravating in the course of action. This cannot just be coincidence, can it Moreover, the Overlook Hotel from The Shining plays an important role in the row of scary and menacing houses in American movie history. Even though it is a place where people spend their holidays it becomes a place where nightmares come to life.This paper will revolve around the influence of the houses on people living there, and what it is what makes them a threat to their inhabitants. Furthermore, the role and the influence of the mother with focus on the Hitchcock movies will be dealt with. Is the concept of the mother the same in all the Hitchcock movies Is there a resemblance or do they differ in various aspects Are the mothers as threatening as the houses or maybe even more As a framework, the idea of Sigmund Freud¿s Heimlich/Unheimlich as well as the idea of the Id, Ego and Super-Ego will be taken into consideration.
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Bachelor Thesis from the year 2016 in the subject English Language and Literature Studies - Other, grade: 1,7, University of Cologne, language: English, abstract: This paper will revolve around Sigmund Freud¿s The Uncanny and the momentum of suspen…se it can cause. Furthermore, an interview of Alfred Hitchcock will be looked at in excerpts, where he discusses the momentum of suspense. Subsequently, the theory of The Uncanny will be applied to Alfred Hitchcock¿s 1960 movie Psycho and later to Darren Aronofsky¿s 2010 movie Black Swan. Psycho sets an example of the suspense and is inevitably connected to the name of Alfred Hitchcock. Why is Psycho the embodiment of suspense and the uncanny Opposed to Hitchcock¿s masterpiece, the 2010 movie Black Swan will be looked at in terms of the uncanny. As this movie is considered to be ¿an uncanny representation of light and color¿, it is supposed to form the counterpart to Hitchcock¿s Psycho in terms of uncanny elements and the idea of suspense. These seemingly very diverse genres (the titles themselves give off different expectations already) shall be examined regarding the use of uncanny elements. It will be analyzed how these elements are used and what the degree and frequency of the uncanny does to both the movie and the viewer. This paper aims to correlate the amount, the frequency and the intensity of uncanny elements with the suspense that is built throughout both of the movies. Does the amount of uncanny do any harm to the idea of suspense Is this idea following the principle of ¿the more the better¿ or rather ¿less is more¿ The current status of research on this very matter is very scarce. Aside from the interview of Truffaut with Alfred Hitchcock himself, there appears to be no hard evidence that this matter has been dealt with. Only Hitchcock goes into this topic and explains what he fathoms by suspense and how to build it (through uncanny elements).
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Master's Thesis from the year 2019 in the subject Film Science, grade: 2,7, University of Cologne, language: English, abstract: This thesis gives an analysis of technical as well as contextual items that Tarantino uses time and again in order to pr…oduce violent movies and give them his very personal touch. Doing that, he makes use of two basic elements: humor and an abundant amount of violence. It would sound like humor and violence do not go well together. The author argues that Tarantino accomplishes this feat with a seeming effortlessness which could just as well be an elaborate plan to criticize the use of violence and advocate a life free of crime. In order to do that, two scenes from different stages of Tarantinös career were chosen, both personally and cinematically. The first scene that is analyzed is taken from his 1994 independent movie 'Pulp Fiction'. The second scene analyzed is from 'Inglourious Basterds' from 2009. The two films in focus are different in various aspects such as the scenery and setting, the cultural and historical context or sociocultural circumstances at the time of their release, to name a few. This is why they make an excellent contrast to show the differences but also the similarities in Tarantinös work to deduct a development from the comparison. The first focus of the thesis lies on the concept of violence. It gives a brief history both diachronically as well as synchronically. After that, the concept of humor is addressed, and with that why something is perceived as being funny (or maybe not). The idea of alienation between what the viewer or listener expects and what they are actually provided with plays an important role here. A conclusion to this thesis deals with why Tarantino chooses the depiction of (graphic) violence that he is known and famous for. Tarantino changes his modus operandi over the years when it comes to the representation of brutality in his movies. But he stays true to himself in the very core of the kind of violence he implicates in his films, using the techniques and stylistic devices he is known and loved for. Quentin Tarantino is often synonymous with making ultraviolent movies. Just as often, he is celebrated for his distinctive way of making movies which made him one of the most famous filmmakers in Hollywood. The fact that he has been in the business for almost 30 years proves that he does many things right even when critique of his representation of brutality arises with almost each of his films.
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studienarbeit aus dem Jahr 2012 im Fachbereich Latein, Note: 1,7, Universität zu Köln (Institut für Altertumskunde), Sprache: Deutsch, Abstract: Inwieweit hat Cicero die Stilmittel, die er in seinen Anfängen verwendet, aufrechterhalten oder sogar v…erfeinert oder hat er sie für gar unnötig und übertrieben angesehen und sind sie deshalb im Laufe seiner Anwaltskarriere auf der Strecke geblieben Wie sehr hat er die stilistischen Mittel in seinen Reden genutzt Ist er starr bei diesem System, das ihn seine griechischen Vorbilder gelehrt haben, geblieben oder hat er gar einen eigenen Stil entwickelt Zunächst soll die Entwicklung der Kunstprosa, die Cicero sowohl in seinen Gerichtsreden als auch in seinen philosophischen Schriften durchweg genutzt hat, zum einen geschildert und zum anderen in Bezug zu Gorgias von Leontini gesetzt werden, der als griechischer Begründer ebendieses Schreibstils angesehen wird.Im weiteren Verlauf soll auf verschiedene sog. Gorgianische Figuren, ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿, eingegangen werden, welche Cicero in seinen Reden zur Anwendung kommen lässt. Hierzu werden die Einleitungskapitel der o.g. Reden Pro Sex. Roscio Amerino und Pro Archia poeta näher betrachtet. Weiterhin soll die Entwicklung, die Cicero in der Verwendung dieser stilistischen Mittel beabsichtigt, dargelegt werden.
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studienarbeit aus dem Jahr 2011 im Fachbereich Latein, Note: 2,0, Universität zu Köln (Institut für Altertumskunde), Sprache: Deutsch, Abstract: Diese Hausarbeit beschäftigt sich mit dem Thema ¿Lebensweisheiten des Martial¿. Sie werden u.a. in den…Epigrammen II-32, V-20, VII-47 sowie X-47 dargelegt.Die Epigramme V-20 und X-47 besitzen denselben Grundgedanken. Martial schreibt an seinen langjährigen Freund Iulius Martialis, wie er sich ein besseres Leben vorstellt und was beide zusammen unternehmen könnten, wenn sie in der Lage wären, sich von ihren Verpflichtungen loszusagen.In Epigramm VII-47 schreibt Martial an seinen Freund den späteren Konsuln Licinius Sura, der sich von einer schweren Krankheit erholt hat, und gibt ihm zu verstehen, dass Licinius das Leben als wertvoll und kostbar ansehen, ausnutzen und genießen soll.Epigramm II-32 beschreibt die Enttäuschung und den Vorwurf Martials, die er Ponticus entgegenbringt, weil dieser ihn als sein Patron nicht in Rechtsstreitigkeiten unterstützt hat.Zusammenfassend drehen sich die genannten Epigramme um Freundschaft, Vertrauen und Verlass aufeinander und den Ansatz, sein Leben besser zu gestalten.Abschließend werde ich mich der Frage stellen, ob Martials Lebensweisheiten an seine Zeit und dessen Lebensumstände gebunden waren oder ob diese Weisheiten sich auch noch auf seine Nachwelt und sogar bis in die heutige Zeit übertragen lassen.
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studienarbeit aus dem Jahr 2017 im Fachbereich Latein, Note: 2,3, Universität zu Köln (Institut für Altertumskunde), Sprache: Deutsch, Abstract: Diese Arbeit soll sich mit dem Carmen VII aus dem vierten Odenbuch des Horaz beschäftigen. Es sollen au…f Grundlage einer zuvor gegebenen Übersetzung sowohl inhaltliche als auch sprachlich-stilistische Mittel herausgegriffen und am Aufbau des Gedichts entlang analysiert werden. In der Forschung umstrittene Textpassagen sollen hierbei besondere Aufmerksamkeit finden und tiefer diskutiert werden. Im Anschluss daran wird eine Zusammenfassung des Gedichts gegeben und in Relation zu seinem ¿Vorbild¿, der vierten Ode des ersten Gedichtbandes, gesetzt. In diesem Rahmen sollen sowohl die Gemeinsamkeiten des Carmen IV,7 zu I,4 als auch deren Unterschiede dargelegt und diskutiert werden.Ziel der Arbeit ist eine Analyse des Carmen VII aus Horaz¿ vierter Odensammlung unter den oben erwähnten Aspekten und die Gegenüberstellung zu einer seiner frühesten Oden in I,4. In diesem Rahmen und an diesem Odenpaar, das so ähnlich ist wie kein zweites Odenpaar der Horazischen Dichtung, soll beispielhaft herausgestellt werden, ob und inwiefern Horaz die vierte Ode seines ersten Bandes nur an einen anderen Adressaten gerichtet hat oder ob er sich in den Jahren, die zwischen beiden Gedichten lag, so ¿ auch auf sein Leben und seine Lebenserfahrung bezogen ¿ weiterentwickelt hat, dass die siebte Ode des vierten Buches nicht nur eine bloße ¿Kopie¿ ihres Pendants ist.
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Studienarbeit aus dem Jahr 2016 im Fachbereich Latein, Note: 2,3, Universität zu Köln (Institut für Altertumskunde), Sprache: Deutsch, Abstract: In dieser Arbeit soll die 8. Ekloge aus Vergils Gedichtband herausgegriffen und analysiert werden. Hier…bei soll es um inhaltliche, aber auch sprachliche und formale Aspekte gehen, derer sich Vergil bedient. Dazu wird zunächst eine Übersetzung der in 3 Abschnitte ¿ Einführungssequenz sowie zwei Gesänge ¿ aufgeteilten Ekloge gegeben, worauf sich eine Analyse nach oben genannten Gesichtspunkten aufbaut. Denjenigen Passagen, die in der Forschung diskutiert werden und bei denen entweder die Bedeutung oder der Bezug nicht gänzlich klar ist, kommt dabei gesonderte Aufmerksamkeit zu. Nach den drei Abschnitten, in denen unterschiedliche Sprecher agieren, soll sowohl eine Zusammenfassung gegeben als auch das Zusammenspiel der einzelnen Auftritte der Sprecher erläutert werden. Hierauf folgt ein Bezug zum griechischen Dichter Theokrit, der auf eine gewisse Weise als Muse Vergils bei der Schöpfung der Bucolica gedient zu haben scheint, was sich nicht nur in der zu behandelnden Ekloge niederschlägt, sondern sich wie ein roter Faden durch die Gedichtsammlung zieht. Ziel der Arbeit ist eine ganzheitliche Analyse der 8. Ekloge aus Vergils Bucolica unter oben genannten Aspekten und die Herstellung einer Verbindung zwischen Vergils griechischem Vorbild und seinem eigenen Werk. In diesem Rahmen und an dieser Ekloge soll beispielhaft herausgestellt werden, ob Vergil von seinem griechischen Vorbild lediglich übernimmt oder ob er sich zwar von Theokrit inspirieren lässt, aber letzten Endes doch seinem Gedicht seine eigene Note verleiht.
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2014 in the subject English Language and Literature Studies - Other, grade: 2,7, University of Cologne, language: English, abstract: This paper will put its focus on tense and aspect and how the German-sp…eaking writer Franz Kafka availed himself of these particular functions to achieve his goals he pursued with his texts: to puzzle the reader and to leave him wondering about what to believe is the reality they are living in.The first section of this paper will be dealing with the general terminology and briefly explain the terms tense and aspect which will be crucial and essential to the understanding. Tense will then again be split up into past tense and the (historical) present tense.After that, there will be a short depiction of Franz Kafkäs life and work, followed by rough summaries of his works ¿A Country Doctor¿ as well as ¿The Burrow¿ on which the focus will be put to demonstrate how tense and aspect are used in order to achieve his goals with the reader.The main part of this paper will be on the usage of said focus on tense and aspect in Kafkäs work. The terminology out of section (2) will be picked up and be put into connection and context with the two stories of Kafkäs to demonstrate how Kafkäs world works and what makes it so difficult to tell his (fictional) world apart from the one that the reader knows as reality.The key question shall be what the peculiar usage of tense and aspect is which is a distinct feature of Kafkäs texts affects the reader, and how they make the reader think about what he is reading or if he even realizes what is going on as far as tense and aspect is concerned. Is he able to process this flood of information that is headed his way We will see that there is plenty to think about, plenty to take into account when reading both The Burrow and A Country Doctor. 24 pp. Englisch.
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2014 in the subject English Language and Literature Studies - Other, grade: 2,0, University of Cologne, language: English, abstract: Many native speakers of the English language come to a point at which t…hey are not sure how to form a word composed out of a verb and a suffix. They struggle when it comes to putting the stress correctly or deciding whether a vowel stays the same or whether it is shortened or lengthened.This term paper deals with Latin suffixes attached to Latin-based words and the phonological changes that go along with them.For this matter, the historical background of phonological changes will be given. This also includes how Latin suffixes found their way into the English language. In addition, a distinction between different kinds, i.e. different origins, of vocabulary will be given. When talking about stress and its movement as well as suffixes that cause them, lexical strata cannot be left out of consideration. Therefore, I will give an overview over how strata work and what has to be paid attention to when using them.The model of lexical strata is of great importance when the theory of Latin suffixes is focused on. The various aspects of lexical strata will be explained. Resulting from that, this paper will deal with where the differences between neutral and non-neutral suffixes lie and how they can be distinguished and categorized.Furthermore and as the main point of this paper, Latin suffixes will be focused on. This includes how suffixes affect the verb they are attached to and which suffix is attached to which form of the verb. Is there a rule for this all or is it rather arbitrary Do all the verbs and their suffixes have to be stored in the mental lexicon Do people who know the Latin language have an ¿advantage¿ over those learning the suffixes by heart Why is it that native speakers struggle and, more often than not, choose the ¿easiest¿ way to form words composed out of a verb and a Latin suffix These are questions that this paper will attempt to answer and clarify. The paper will also try to set a new approach to explaining a regularity and constancy in forming adjectives that derive from Latin verbs. 24 pp. Englisch.
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Seminar paper from the year 2014 in the subject English Language and Literature Studies - Other, grade: 2,0, University of Cologne, language: English, abstract: Countless people have seen movies like Psycho or The Birds by the Maste…r of Suspense Alfred Hitchcock. And they would see it time and again since films like these do not grow old. But what is it about these films that make them worth watching over and over Is it the great acting performance Most definitely! But I dare say that it is the suspense and the way these movies play with your mind. Certainly one would have a hard time finding a person who is not given the chills when Vera Miles goes down into the basement of that Victorian house up on the hill looking for Mrs. Bates only to find her mummified. There must be something to this atmosphere, to this very setting of the house and the house itself that make us feel uncomfortable and at unease.What goes for Psycho would have to go for The Birds, too. This cozy and inviting house in Bodega Bay, right across the bay, grows more and more hostile and aggravating in the course of action. This cannot just be coincidence, can it Moreover, the Overlook Hotel from The Shining plays an important role in the row of scary and menacing houses in American movie history. Even though it is a place where people spend their holidays it becomes a place where nightmares come to life.This paper will revolve around the influence of the houses on people living there, and what it is what makes them a threat to their inhabitants. Furthermore, the role and the influence of the mother with focus on the Hitchcock movies will be dealt with. Is the concept of the mother the same in all the Hitchcock movies Is there a resemblance or do they differ in various aspects Are the mothers as threatening as the houses or maybe even more As a framework, the idea of Sigmund Freud¿s Heimlich/Unheimlich as well as the idea of the Id, Ego and Super-Ego will be taken into consideration. 28 pp. Englisch.
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Bachelor Thesis from the year 2016 in the subject English Language and Literature Studies - Other, grade: 1,7, University of Cologne, language: English, abstract: This paper will revolve around Sigmund Freud¿s The Uncanny and the mo…mentum of suspense it can cause. Furthermore, an interview of Alfred Hitchcock will be looked at in excerpts, where he discusses the momentum of suspense. Subsequently, the theory of The Uncanny will be applied to Alfred Hitchcock¿s 1960 movie Psycho and later to Darren Aronofsky¿s 2010 movie Black Swan. Psycho sets an example of the suspense and is inevitably connected to the name of Alfred Hitchcock. Why is Psycho the embodiment of suspense and the uncanny Opposed to Hitchcock¿s masterpiece, the 2010 movie Black Swan will be looked at in terms of the uncanny. As this movie is considered to be ¿an uncanny representation of light and color¿, it is supposed to form the counterpart to Hitchcock¿s Psycho in terms of uncanny elements and the idea of suspense. These seemingly very diverse genres (the titles themselves give off different expectations already) shall be examined regarding the use of uncanny elements. It will be analyzed how these elements are used and what the degree and frequency of the uncanny does to both the movie and the viewer. This paper aims to correlate the amount, the frequency and the intensity of uncanny elements with the suspense that is built throughout both of the movies. Does the amount of uncanny do any harm to the idea of suspense Is this idea following the principle of ¿the more the better¿ or rather ¿less is more¿ The current status of research on this very matter is very scarce. Aside from the interview of Truffaut with Alfred Hitchcock himself, there appears to be no hard evidence that this matter has been dealt with. Only Hitchcock goes into this topic and explains what he fathoms by suspense and how to build it (through uncanny elements). 48 pp. Englisch.
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Master's Thesis from the year 2019 in the subject Film Science, grade: 2,7, University of Cologne, language: English, abstract: This thesis gives an analysis of technical as well as contextual items that Tarantino uses time and agai…n in order to produce violent movies and give them his very personal touch. Doing that, he makes use of two basic elements: humor and an abundant amount of violence. It would sound like humor and violence do not go well together. The author argues that Tarantino accomplishes this feat with a seeming effortlessness which could just as well be an elaborate plan to criticize the use of violence and advocate a life free of crime. In order to do that, two scenes from different stages of Tarantinös career were chosen, both personally and cinematically. The first scene that is analyzed is taken from his 1994 independent movie 'Pulp Fiction'. The second scene analyzed is from 'Inglourious Basterds' from 2009. The two films in focus are different in various aspects such as the scenery and setting, the cultural and historical context or sociocultural circumstances at the time of their release, to name a few. This is why they make an excellent contrast to show the differences but also the similarities in Tarantinös work to deduct a development from the comparison. The first focus of the thesis lies on the concept of violence. It gives a brief history both diachronically as well as synchronically. After that, the concept of humor is addressed, and with that why something is perceived as being funny (or maybe not). The idea of alienation between what the viewer or listener expects and what they are actually provided with plays an important role here. A conclusion to this thesis deals with why Tarantino chooses the depiction of (graphic) violence that he is known and famous for. Tarantino changes his modus operandi over the years when it comes to the representation of brutality in his movies. But he stays true to himself in the very core of the kind of violence he implicates in his films, using the techniques and stylistic devices he is known and loved for. Quentin Tarantino is often synonymous with making ultraviolent movies. Just as often, he is celebrated for his distinctive way of making movies which made him one of the most famous filmmakers in Hollywood. The fact that he has been in the business for almost 30 years proves that he does many things right even when critique of his representation of brutality arises with almost each of his films. 60 pp. Englisch.
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Studienarbeit aus dem Jahr 2011 im Fachbereich Latein, Note: 2,0, Universität zu Köln (Institut für Altertumskunde), Sprache: Deutsch, Abstract: Diese Hausarbeit beschäftigt sich mit dem Thema ¿Lebensweisheiten des Martial¿. Sie wer…den u.a. in den Epigrammen II-32, V-20, VII-47 sowie X-47 dargelegt.Die Epigramme V-20 und X-47 besitzen denselben Grundgedanken. Martial schreibt an seinen langjährigen Freund Iulius Martialis, wie er sich ein besseres Leben vorstellt und was beide zusammen unternehmen könnten, wenn sie in der Lage wären, sich von ihren Verpflichtungen loszusagen.In Epigramm VII-47 schreibt Martial an seinen Freund den späteren Konsuln Licinius Sura, der sich von einer schweren Krankheit erholt hat, und gibt ihm zu verstehen, dass Licinius das Leben als wertvoll und kostbar ansehen, ausnutzen und genießen soll.Epigramm II-32 beschreibt die Enttäuschung und den Vorwurf Martials, die er Ponticus entgegenbringt, weil dieser ihn als sein Patron nicht in Rechtsstreitigkeiten unterstützt hat.Zusammenfassend drehen sich die genannten Epigramme um Freundschaft, Vertrauen und Verlass aufeinander und den Ansatz, sein Leben besser zu gestalten.Abschließend werde ich mich der Frage stellen, ob Martials Lebensweisheiten an seine Zeit und dessen Lebensumstände gebunden waren oder ob diese Weisheiten sich auch noch auf seine Nachwelt und sogar bis in die heutige Zeit übertragen lassen. 24 pp. Deutsch.
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Studienarbeit aus dem Jahr 2012 im Fachbereich Latein, Note: 1,7, Universität zu Köln (Institut für Altertumskunde), Sprache: Deutsch, Abstract: Inwieweit hat Cicero die Stilmittel, die er in seinen Anfängen verwendet, aufrechterhal…ten oder sogar verfeinert oder hat er sie für gar unnötig und übertrieben angesehen und sind sie deshalb im Laufe seiner Anwaltskarriere auf der Strecke geblieben Wie sehr hat er die stilistischen Mittel in seinen Reden genutzt Ist er starr bei diesem System, das ihn seine griechischen Vorbilder gelehrt haben, geblieben oder hat er gar einen eigenen Stil entwickelt Zunächst soll die Entwicklung der Kunstprosa, die Cicero sowohl in seinen Gerichtsreden als auch in seinen philosophischen Schriften durchweg genutzt hat, zum einen geschildert und zum anderen in Bezug zu Gorgias von Leontini gesetzt werden, der als griechischer Begründer ebendieses Schreibstils angesehen wird.Im weiteren Verlauf soll auf verschiedene sog. Gorgianische Figuren, ¿¿¿¿¿¿¿ ¿¿¿¿¿¿¿¿, eingegangen werden, welche Cicero in seinen Reden zur Anwendung kommen lässt. Hierzu werden die Einleitungskapitel der o.g. Reden Pro Sex. Roscio Amerino und Pro Archia poeta näher betrachtet. Weiterhin soll die Entwicklung, die Cicero in der Verwendung dieser stilistischen Mittel beabsichtigt, dargelegt werden. 20 pp. Deutsch.
