ben shahn illustrator (31 resultados)

Hardcover. Condición: Very Good.

Mass Market Paperback. Condición: Very Good. Boston, 1935; brown cloth covered boards; corners slightly scuffed; no dust jacket; 8vo, 7 3/4" to 9 3/4" tall; interior is clean and unmarked; 394 pages.

Paperback. Condición: Very Good. Estado de la sobrecubierta: None. First Edition. A clean, bright, unmarked copy in a Mylar magazine sleeve with archival backing.

Hardcover. Condición: Fine. Estado de la sobrecubierta: None. First Edition. Book is fine, clean and unmarked. Jacket is fine and unclipped with a very small (1/4") chip at the top edge of the spine, protected by a Brodart cover. An attractive copy.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. First Edition. A groundbreaking study of documentary photography in the Great Depression, with plates by the aforementioned and others documenting scenes made famous in such books as THE GRAPES OF WRATH. Book is fine and unmarked save for name stamp of the noted photographer Suchary on bottom foreedge. Jacket has minor edge rubbing and a small corner chip, and is price-clipped, but otherwise whole, clean and bright. Still attractive in its Mylar jacket cover.

Hardcover. Condición: Fine. Estado de la sobrecubierta: None. Hand-written in calligraphy and illustrated by Shahn from the Bible originals. Green cloth with plates. Jacket has a 3/4" gently closed tear to the bottom corner and is price-clipped, else while and fine, and attractive in the Mylar cover. Book is fine and unmarked.

Hardcover. Condición: Brand New. Shahn, Ben Ilustrador. 64 pages. 10.25x7.75x0.50 inches. In Stock.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. A clean, unmarked and unclipped copy.

Hardcover. Condición: Like New. As new slender oblong format hardcover in black slipcase as issued. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Hardcover. Condición: Fine. Estado de la sobrecubierta: None. First Edition. stated first edition. Original white designer cloth in black paper-covered slipcase. A moving poetic tribute on the assassination of President Kennedy. Clean, bright and unmarked.

Hardcover. Condición: Fine. Estado de la sobrecubierta: None. First Edition. In a black clothbound slipcase, near fine. Out of print tribute to the late president by the poet and artist.

HARDCOVER. Condición: FINE IN SLIPCASE. FIRST EDITION. PROFUSELY ILLUSTRATED WITH THE DRAWING OF BEN SHAHN BOOK AND SLIPCASE ARE FINE WITHOUT ANY MARKS TO THE BINDING OR THE TEXT. AN EXCELLENT CLEAN, BRIGHT, UNFADED COPY WITH NO REMAINDER MARK. This book was lettered and illustrated by Ben Shahn Printed at the Meriden Gravure Company, Meriden, Connecticut, on Linweave Early American paper Bound by Haddon Craftsmen, Inc., Scranton Pennsylvania.

Hardcover. Condición: Near Fine. No Jacket. 1st Edition. Near Fine. Ben Shahn (illustrator). Stated First Edition. Unpaginated, b/w and some color illustrations and lettering by Ben Shahn, oblong 4to, tan cloth, black lettering by Shahn front cover. Near fine; no dust jacket as issued, Slight soiling to covers. Poems by Wendell Berry and one of his early books.

Hardcover. First Edition; First Printing. Book condition is Very Good; bound in tan cloth covered boards; housed in a black cloth slipcase. Slight toning, rubbing and edge wear to slipcase. Sunning to spine. Some foxing and edge wear to boards. Text is clean and unmarked. Illustrated with drawings by Ben Shahn. ; Oblong 4to. 7"h x 8 3/4"w. First Edition is stated.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Delacorte Press, 1967; stated first printing (as a book; originally published only in Mademoiselle magazine). Illustrated by Ben Shahn. Binding is tight and sturdy; boards very good; titling remains bright and bold. Tiny stain to front panel, else wear to dust jacket is very minor. Previous owner bookplate to front free endpaper and small inscription to rear endpaper, else free of markings. Ships same or next day from Dinkytown, Minneapolis, Minnesota.

cloth. Condición: Good +. 133 pp inspired work.

Novelty. Condición: Fine. Estado de la sobrecubierta: None. First Edition. Original 1966 framed woodblock print with Image measuring approximately 15" x 19" on 20" x 24¾" on heavy art paper. Signed by Shahn along with his red chop mark, and also signed by printer Stefan Martin. Copy #55 of 300 printed. An important piece of revolutionary art invoking the collaboration between Black and Jewish American social justice activists. Twelve days prior to the publication of the portrait used as the basis for the print, on what is called Bloody Sunday, state troopers in Selma, Alabama, used Billy Clubs and tear gas to attack hundreds of nonviolent protestors marching with Dr, King and future Congressman John Lewis in support of voting rights. Shahn's hand-pulled print is based on his famous ink portrait of Dr. King that subsequently appeared on the cover of Time Magazine on March 19, 1965, the issue covering Bloody Sunday. The print is in fine condition, having been preserved inside the 24x36" wooden glass frame, which is contemporary with the print. The frame, which is in very good condition with a few mild scratches, is of carved teak wood painted a flat rustic grey, and is protected by archival backing. Ships in a special heavy padded box, insured. Signed.

Hardcover. Estado de la sobrecubierta: dj. Octavo, 222 pages. In Good minus condition with a Fair dust jacket. Spine is brown with white print. Dust jacket has edgewear with short tears at spine ends and flap corners, toning to spine, shelf wear. Price unclipped: ?$4.95? Boards in yellow cloth; wear to spine caps and corners, toning to spine. Text block has spotting to top edge, bookplate on front pastedown. Illustrated: ?Thirty drawings by Ben Shahn?? dust jacket. Signed in ink by the illustrator on the front flyleaf. NOTE: Shelved in Netdesk Column BB. 1411331. FP New Rockville Stock. Signed.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Dark olive cloth on boards with gilt illustration of a mandolin on front and titling on spine. Small, square book is tight, sharp-cornered and square with no markings or flaws - Fine. With nicely illustrated endpapers by Shahn. Stated as First Printing on copyright page. Clipped illustrated Dust Jacket is Near Fine due to the clipping and one very small pinhole in the back - very nice collectible copy of this beautiful holiday book.

Hardcover. First Edition, First Printing. Octavo. In Good condition with a Good condition slipcase. Black cloth slipcase with moderate age-toning along the tail edge, mild wear along the head and tail edges, mild fraying along the fore tail corners, and a stain on the spine. Aged cream white spine with black lettering. Boards have mild foxing, mild wear along the edges, and mild age-toning along the spine. Textblock has mild age-toning throughout. Signed flat by Wendell Berry and Ben Shahn on signature page located in the rear page. Shelved Room C. 1386517. Special Collections.

Hardcover. First Edition, First Printing. Octavo. In Good plus condition with a Good condition slipcase. Black cloth slipcase with mild wear along the edges, moderate age-toning along the fore edges, white stains on the rear board, and stains on the head and tail edges. Aged cream white spine with black lettering. Boards have mild wear along the edges, a stain on the rear head edge, and mild age-toning along the spine. Textblock has mild age-toning throughout. Signed flat by Wendell Berry and Ben Shahn on signature page located in the rear page. Shelved Room C. 1386513. Special Collections.

Hardcover. First Edition, First Printing. Octavo. In Good plus condition with a Good condition slipcase. Black cloth slipcase with mild wear along the edges, moderate age-toning along the fore edges, staining on the front board, and stains on the head and tail edges. Aged cream white spine with black lettering. Boards have mild wear along the edges, a stain on the rear head edge, a stain on the spine, and mild age-toning along the spine. Textblock has mild age-toning throughout. Signed flat by Wendell Berry and Ben Shahn on signature page located in the rear page. Shelved Room C. 1386514. Special Collections.

Hardcover. First Edition, First Printing. Octavo. In Good plus condition with a Good condition slipcase. Black cloth slipcase with mild wear along the edges, mild wear along the fore edges, and mild age-toning throughout. Cream white spine with black lettering. Boards have mild wear along the edges, a stain on the rear head edge, a stain on the spine, and mild age-toning along the spine. Textblock has mild age-toning throughout. Signed flat by Wendell Berry and Ben Shahn on signature page located in the rear page. Shelved Room C. 1386515. Special Collections.

Hardcover. Limited Edition. Oblong Octavo, unpaginated. In Very Good condition and housed in publisher's black cloth slip case. Bound in publisher's white cloth with black lettering to spine. Minor general shelf wear. Textblock clean. Signed flat by Wendell and Shahn in rear. Shelved in Case 11. 1383774. Shelved Dupont Bookstore.

Hardcover. Limited Edition. Oblong Octavo, unpaginated. In Very Good condition and housed in publisher's Very Good black slip case. Bound in publisher's white cloth with black lettering to spine. Minor shelf wear. Textblock clean. Signed flat by Wendell and Shahn in rear. Shelved in Case 11. 1377382. Shelved Dupont Bookstore.

Hardcover. First Limited Edition, First Printing. Small Octavo. In Very Good minus condition. Contained in a light yellow-green cloth slipcase with a gilt instrument design on the front cover and mild shelving wear, mild age-toning, and small stains on the front fore edge. Boards are wrapped in publisher's light yellow-green cloth with gilt lettering along the spine, have mild shelving wear, and mild age-toning along the spine. Signed flat by Katherine Anne Porter and Ben Shahn on the publisher's limitation page, limited edition #118/500. Shelved Room C. Contains illustrated frontispiece, end-pages, and pastedowns. 1392960. Special Collections.

Hardcover. Condición: Very Good. LIMITED EDITION. (Norfolk, CT). (1957). Tall 8vo. Limited SIGNED edition 1/150. SIGNED by author and illustrator. T.e.g. Gilt stamping to front cover with gilt stamped spine title. Deckled Edges. Slight edgewear to covers. Rubbing and darkening to spine. Slight rubbing and toning to covers. Contents are clean and bright. Fading to slipcase. Rubbing to slipcase. Edgewear to slipcase. Top edge of slipcase partially separated from covers at rear edge. Abrasion to rear joint of slipcase. VG in VG slipcase. Author & Illustrator.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st Edition. Illustrated by Ben Shahn. Dust jacket is in like-new condition. Book is in excellent to near like-new condition. Inscribed to friends and signed by the author. The names are hard to read, but as close as I can tell, the text reads as: To Arno and Marion / After a long time--all illness and getting better and getting worse three and one-half years, and it is a bore! But to account for silence, absence, distance, and send again my good memories of happy times with you in Ann Arbor-- / Same old affection / Katherine Anne / Christmas, 1967 / Washington D.C. Dust jacket is crisp and clean and has been protected with a stiff plastic cover. Price shows $2.95. Small book shop sticker on the front flap. Book has olive green paper-covered boards with gold lettering on the spine and a gold illustration on the front cover. A little bumping on the bottom board edges. Spine is tight. Pages are clean and crisp. A lovely and warmly signed copy between friends. Inscribed by Author(s).

Condición: Near Fine. Estado de la sobrecubierta: Very Good+. First Edition. First edition. 57, [5] pp. Illustrated boards. Near Fine with slight toning to boards, light shelf wear, in an unclipped dust jacket with toning along top of front panel, wear along spine, which is a little dulled, Very Good+. A nice copy of the acclaimed long poem by the American Confessional poet.

Paris: The Trianon Press, [1966?]. Folio, (23) ff. Full green crushed morocco over boards with slip case. Slipcase is white boards with discolored photograph of the cover illustration glued on, but detaching. Rough photographs and facsimiles of the pages, once glued in place, now mostly detached. Glue stains and discoloration on pages throughout. Scattered pencil notes on scraps of paper loosely inserted. Inscribed at front endpaper "Binding Beautiful, B.S." in pencil, with a loose sheet at front with the word "Wonderful" in pencil. § Ben Shahn's copy of the mock-up of the Trianon Press edition of Ecclesiastes or, The Preacher.