Bello patrizia (110 resultados)

paperback. Condición: Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condición: Fine. First Edition UK. fine hardcover; ; SATISFACTION GUARANTEED; Size: 9 x 12". Stephen Cartwright (illustrado) (ilustrador).

Hardcover. Condición: Fine. No Jacket. 1st Edition. 64pp. (Inside rear cover is stamped, '63'; front cover, inside front cover, title page count as pp. 1-3, for first numbered page of text, p. '4'.) Just over 4to, 12+". Learning Italian words from labeled pictures. Extensive dictionary of Italian words not in the pictures, pp. 56-63 (6 columns of words, small print, on each of the large pages), preceded by a pronunciation guide, top, p. 56. Glossy illustrated red-orange boards with large, typically detailed illustration (as if imitating Breughel) on most of front cover. Binding strong, corners sharp; teeny speck of missing color at a single corner, else no wear; spine barely sunned, else As New. Binding strong, corners sharp. No previous owner names. Clean text. Book looks little used. Stephen Cartwright (ilustrador).…

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: Used; Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.…

Hardcover. Condición: Used; Good.

Condición: as new. Hbk 4to 62pp text in Italian [rpfusely illustr color drawings throughout no dj as issued decorated laminated boards slight bump to mid-spine otherwise appears unused and an excellent clean tight unmarked copy as new.

Paperback. Condición: Very Good. The photograph found a home in the book before it won for itself a place on the gallery wall. Only a few years after the birth of photography, the publication of Henry Fox Talbot's "The Pencil of Nature" heralded a new genre in the history of the book, one in which the photograph was the primary vehicle of expression and communication, or stood in equal if sometimes conflicted partnership with the written word. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

hardcover. Condición: near fine. Foreword by Hilary Fraser. Black & white illustrations. xix, 206 pages. 8vo, pictorial boards. New York: Palgrave Macmillan, (2010). Some inked marginalia at the copyright page and table of contents, otherwise internally pristine. A near fine copy. Part of the "Palgrave Studies in Nineteenth-Century Writing and Culture" series.…

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback or Softback. Condición: New. The Photobook: From Talbot to Ruscha and Beyond. Book.

Soft cover. Condición: Very Good. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated. xv, 236 pages, ill. ; 23 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Paperback. Condición: New. The photograph found a home in the book before it won for itself a place on the gallery wall. Only a few years after the birth of photography, the publication of Henry Fox Talbot's "The Pencil of Nature" heralded a new genre in the history of the book, one in which the photograph was the primary vehicle of expression and communication, or stood in equal if sometimes conflicted partnership with the written word. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated.…

Condición: New.

Condición: New.

Condición: New. pp. 288.

Soft cover. Condición: Very Good. Should sight trump the other four senses when experiencing and evaluating art? This book questions whether the authority of the visual in 'visual culture' should be deconstructed, and focuses on the roles of touch, taste, smell, and sound in the materiality of works of art. xxiv, 199 p., ill. ; 23 cm. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Condición: As New. Unread book in perfect condition.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. 288.

Condición: New. In English.

Paperback. Condición: Brand New. 288 pages. 9.25x6.00x0.75 inches. In Stock.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condición: Fine. First Edition. Oblong 4to. 200 pp. Fine.

Condición: New.

Condición: New. Paying attention to the historically specific dimensions of objects such as the photograph, the illustrated magazine and the collection, the contributors to this volume offer new ways of thinking about nineteenth-century practices of reading, viewing, and collecting, revealing new readings of Wordsworth, Shelley, James and Wilde, among others. Editor(s): Di Bello, Patrizia. Series: Palgrave Studies in Nineteenth-Century Writing and Culture. Num Pages: 245 pages, biography. BIC Classification: AB; AF; DSBF; JFC. Category: (G) General (US: Trade). Dimension: 216 x 140. . . 2010. Paperback. . . . .…

Condición: New.