Beauvarlet jacques (38 resultados)

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Loose Leaf. Condición: New. Reproduction. None. No.

Loose Leaf. Condición: New. Reproduction. Original title: Reading mayor in his study room German: Lesebürgermeister in seinem Arbeitszimmer French: Lecture du maire dans sa salle d'étude Spanish: Leyendo alcalde en su sala de estudio High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1741). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Fruit saleswoman German: Obstverkäuferin French: Vendeuse de fruits Spanish: Vendedora de frutas High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1741). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Old couple at a table German: Altes Paar an einem Tisch French: Un vieux couple à table Spanish: Pareja vieja en una mesa High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1741). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No. …

Loose Leaf. Condición: New. Reproduction. Original title: Play blind man German: Blinder Mann spielen French: Joue l'aveugle Spanish: Juega a ser ciego High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1741). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. None. No.

Loose Leaf. Condición: New. Reproduction. None. No.

Loose Leaf. Condición: New. Reproduction. None. No.

Loose Leaf. Condición: New. Reproduction. None. No.

Loose Leaf. Condición: New. Reproduction. Original title: Portrait of Balthazar Georges Sage German: Porträt von Balthazar Georges Sage French: Portrait de Balthazar Georges Sage Spanish: Retrato de Balthazar Georges Sage High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1741). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Loose Leaf. Condición: New. Reproduction. Original title: Caught girl and man in a dark wine cellar German: Gefangen Mädchen und Mann in einem dunklen Weinkeller French: Pris fille et homme dans une cave à vin sombre Spanish: Atrapado chica y hombre en una bodega oscura High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 18th century (1741). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

Quer-4°. OBrosch. [ca. 70 S.] Sprache: Französisch Gewicht in Gramm: 600.

Quart (30,7 x 223,3 cm), 27, (1) Seiten, 1977,Roter illustr. Original-Karton . , (VNr. 97.5404), 150 Gramm1734-1794. - Erstausgabe nach einer Vorlage im Britischen Museum in London. - Mit Registrier-Vorschlägen. - Druckfrisch.

Collection of 130 vintage black-and-white still photographs and 3 medium-format negatives for the 1957 French-Italian film. The collection consists of two unique but complimentary pieces, one being a set housed in the original paper box with "Crumiere / Paris" paper label, and annotations on the box top in manuscript ink noting French film title and "B. Bardot," the other being nearly 100 smaller photographs elegantly presented mounted on thick stock in a "Lavis aquarelle" brand spiral bound notebook with maroon faux leather front wrapper, and an affixed paper title label featuring the film's poster art of Bardot. Several photographs with series number on the verso in manuscript pencil, a few with rubber-stamps crediting film title and starring actors, and photos in notebook numbered at the edges prior to being printed. Bardot is seen in nearly every image, highlighting an array of hairstyles and costumes, scenes in the pilot's cockpit, snacking between takes, dancing, being curious at galas. Contact sheets, glamour portraits of Madeleine Lebeau, action sequences of bar fights, and on-the-set images are equally prominent. Negatives show costume design illustrations for men in military uniforms. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Photographs in large quarto notebook 4 x 5 inches to 8 x 10.5 inches, mounted on thick stock. Boxed photographs 4.75 x 7 inches to 9.25 x 11.75 inches, with 3 medium-format negatives, 3.5 x 4.5 inches. Photographs Near Fine overall, light curling, a handful with short creases, negatives Very Good, notebook Very Good plus, box Very Good.…

Partition manuscrite in-folio brochée (26 x 35 cm) de 16 pp. à 12 portées par page à l'encre brune. Paroles et musique manuscrites copiées à l'époque de sa composition de la "Bataille d'Austerlitz" écrite pour "forte piano" - le terme désigna les premiers pianos fabriqués avant 1830 devenus piano-forte puis piano - et précédée d'un avis de l'auteur : Bataille d'Austerlitz, donnée le II frimaire an 14 (2 décembre 1805). Jour à jamais mémorable où l'Empereur Napoléon et la grande armée composée de 80 000 combattants au plus se sont couverts d'une gloire immortelle, en détruisant en moins de 4 heures de tems une grande partie des armées Russe et Autrichienne fortes de 105 000 hommes, dont 30 000 furent faits prisonniers. Les empereurs d'Autriche et de Russie durent leur salut à une prompte fuite. La nuit que précéda cette fameuse batailles, la grande armée célébra par un mouvement spontané l'anniversaire de couronnement de notre invincible et inimitable Empereur qui bivouaquait au milieu d'elle : des feux de joie et une illumination subite brilla à chaque bayonnette ; pendant quelques instans, toute la contrée fut éclairée, et les ennemis furent témoins de l'enthousiasme de nos braves guerriers.Fils du plus grand organiste français de la fin du XVIIIe siècle, Jean-Jacques Beauvarlet-Charpentier, Jacques-Marie Beauvarlet Charpentier (1766-1834) commença sa carrière comme organiste à Saint-Paul dans le Marais. Avec la fermeture des églises pendant la Révolution, il joua pour les Théophilanthropes et aussi au Temple de la Reconnaissance. Après le 18 Brumaire, il flatta le régime en composant non seulement la Bataille d'Austerlitz mais aussi une Cérémonie du couronnement de sa majesté l'empereur (1804). Il fut aussi marchand d'instruments et éditeur de musique, mais cette activité s'arrêta en 1821. Il composa 50 chansons et romances, dix grandes oeuvres programmatiques, de la musique d'église et un opéra court Gervais ou Le Jeune Aveugle qui fut représenté en 1802 au Théâtre des Jeunes Artistes pendant sept mois (napoleon.org).Ex-libris manuscrit à l'encre du temps « appartenant à Melle Adelle Adam ».…

Pas de couverture. Condición: Très bon. BEAUVARLET-CHARPENTIER Jacques-Marie. Amour à la plus belle, Honneur au plus vaillant ! Fantaisie guerrière sur un air favori dont les quatre couplets sont mis en action, pour le Forte-Piano avec accompagnement de violon et basse ad-libitum. A Paris, chez l'Auteur, [1810]. In-folio. 11 pp. Broché. Titre un peu sali.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1828 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 30 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: zxx.…

Pas de couverture. Condición: Très bon. BEAUVARLET-CHARPENTIER Jacques-Marie. Bataille d'Austerlitz, surnommée la journée des trois Empereurs. Pièce militaire et historique pour le Forte-Piano Avec Accompagnement de Violon. Précédée des Réjouissances du Camp Français pour l'Anniversaire du Couronnement de S.M. l'Empereur Napoléon. Dédiée à la Grande Armée. A Paris, Chez l'Auteur, Marchands de Musique (étiquette de Janet), sans date (c.1805-1806). In-folio, broché. Partie Pf (14 pp.). RISM A/I n° B1504; BB1504. Bon exemplaire de la première édition.…

Two original uncut Japanese stamp sheets for the 1957 French-Italian film. Bardot is amply represented in red and green variants, 10 stamps per sheet, also with an image of the Eiffel Tower. Produced by the Towa Corporation (Japan) with "BB" and film titles in Japanese represented. The film was released in Japan in December, about one week after the French premiere. Scarce and cool Bardot ephemera, and a unique Japan-France collaboration, circa 1957-1958. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Sheets 4.5 x 8 inches, stamps 1.25 x 1.75 inches. Very Good plus overall, with a little light handling and toning.…

Acquaforte, dimensioni alla battuta mm. 365x265. Scena fiamminga raffigurante alcuni uomini che giocano al tric-trac. Dedicatoria e stamma incisi al marg. inf.

Original engraving on paper. Inscribed in the plate "A. Ostade Pinx." and "J. Beauvarlet Sculp." Matted and unframed. Matte 11 x 14 in.; Sheet 7.5 x 10 in. Protected in plastic wrap. In Very Good condition with age toning, scattered foxing, and mild edge wear. 1417592. Special Collections - Upstairs. …

Dimension extérieur 43,5 x 31,5 cm, cuvette 38 x 28 cm. Très belle eau forte du XVIII ème siècle, peinte par François Boucher (1703-1770) et gravée par Jacques Firmin Beauvarlet. Dans un très bel état, on peut simplement observer quelques tâches très légères (voir photos). Cette gravure nous offre un aperçu idéal des costumes de l'époque. Français François Boucher, peintre français du XVIII ème siècle, est un fervant adepte du style rococo, un mélange du style rocaille et baroque de la fin du 18 ème. Jacques Firmin Beauvarlet était un graveur français principalement réputé pour ses portraits.…

Condición: Good. Engraving. 47 x 59 cm (sheet). Good, light speck of foxing throughout, losses to face of sitter on far left, surface soiling.

'LA MAMAN / [.] A PARIS CHEZ BEAUVARLET RUE SAINT JACQUES VIS-A-VIS CELLE DES MATHURINS'Domestic scene with a mother feeding two young children who quarrel over a spoonful; rustic interior, cat on table at right. Made by Jacques Firmin Beauvarlet after Jean-Baptiste Greuze.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 38.2 x 50.1 cm (15.04 x 19.72 inch). Image size: 33.3 x 44.2 cm. (13.11 x 17.4 inch).JEAN-BAPTISTE GREUZE, JACQUES FIRMIN BEAUVARLET, FRENCH ENGRAVING, GENRE SCENE, 18TH CENTURY, SENTIMENTAL ART, MOTHERHOOD | PCO-EXPO (FRENCH)BACKGROUND INFORMATIONPublished in Paris by Beauvarlet, Rue Saint Jacques. Based on a drawing in the Damery Collection.Reference: IFF 50; Smith 155; Louvre inv. 6367 LR; BM 1917,1208.1287.Biography engraver: Jacques Firmin Beauvarlet (17311797) was a French engraver known for his elegant and expressive reproductive engravings. He frequently collaborated with painters like Greuze and Boucher, and also published prints.Biography artist: Jean-Baptiste Greuze (17251805) was a French painter and draughtsman known for his moralizing genre scenes and sentimental depictions of family life. He was a major figure in pre-Revolutionary academic art. Condition: very good, given age. Light age toning and foxing; strong impression. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Jean-Baptiste Greuze (ilustrador).…

Archive of 224 vintage borderless single weight keybook contact sheets and film stills, amounting to nearly 2000 numbered images, for the 1962 French-Italian film, here under the original French title. The entire film is represented in minute detail, along with test shots, set design shots, and many candid off-camera shots from the set. Brief cropping and numerical annotations in pencil throughout. Housed in original mailing envelope, noting on the front in manuscript red ink, "Cinedis" and "C.Hesse," the film distributor and still photographer, and "A refreuda" in manuscript red pencil. 153 photographs are keybook contact sheets, nearly all with 12 images per photograph (several with 36), each image with a series number, and photos crediting at the top the photo laboratory Tele-Photo, production studio France Cinema, film title, and photographer (Hesse, Beauvarlet). Remaining photographs are borderless film stills. Both photographers are credited on the keybook photos but went uncredited at the film's release. The archive also extensively features actress Dany Saval, in film scenes answering the phone, in heated moments with male cast members (including some stunningly low-lit images that echo film noir themes), showcasing the variety of hair and clothing styles seen on Saval throughout the film. Based on Annette Wademant's screenplay, one of twelve written by Wademant for director Boisrond. Bernard (Poiret) is a new publisher who falls in love with Sophie (Saval), but their foolish love nearly destroys them and his job. Keybook photos range from 8.25 x 10.75 to 9.25 x 11.75 inches, three slightly smaller, all but ten are 2-hole punched; film stills 7 x 9.25 inches. Very Good overall, with moderate curling, light edgewear, a handful with slight discoloration.…

Collection of 150 vintage black-and-white keybook contact sheet photographs and 8 loose photographs for the 1957 French-Italian film. The film is represented in test shots, set design shots, and many candid moments from the set, including dramatic high-contrast images of starring actors, Bardot amply represented in the collection and seen in nearly every image, off-camera with the cast and crew, spinning records on a portable player, and traveling by plane and train. Most keybook photos with 12 images per sheet, and a few have been trimmed to only a few images per sheet, amounting to over 1700 images captured. Nearly all images with series number bordering the image, but unlike similar examples from France, all sheets lack credits for the photo laboratory, film studio, film title, and often, the photographer. A few with layout annotations in manuscript pencil on the image, a few with brief annotations on the verso in manuscript ink, and two loose photographs with ditto-style mimeo snipes on the verso, crediting original title, Boyer, Vidal, Bardot, and Boisrond. Housed in a blue paper 2-ring binder with French title mounted on the front with cello tape. Boisrond's fourth directorial credit is a comedy starring Bardot as the flirtatious daughter of the prime minister of France who marries a member of the cabinet (Vidal), who happens to be a womanizer. Taking control of the situation, she has an weekend affair with a prince (Boyer), and ultimately reunites with her husband after somewhat passive apologies. Most keybook contact sheets and 3 loose photos 7 x 9.25 inches, binder slightly larger, and 5 loose photos 5 x 7 inches. A few contact sheets are cropped slightly smaller, and all are 2-hole punched. Very Good Plus overall, keybook photos rubbed.…

'LA CHASSE / TIRE DU CABINET DE MONSIEUR VASSAL DE ST HUBERT / APARIS, CHES BEAUVARLET, RUE DU PETIT BOURBON, ATTENANT LA FOIRE ST GERMAIN'A playful hunting scene where a young man and two women hide in the bushes near a trap, waiting for birds to gather. Set in a lush forest, with a statue of putti above. Rococo-style composition.Made by Jacques Firmin Beauvarlet after Francois Boucher.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 37 x 50.8 cm (14.57 x 20 inch). Image size: 37 x 50.8 cm. (14.57 x 20 inch).ROCOCO, HUNTING, GENRE SCENE, BOUCHER, BEAUVARLET, 18TH CENTURY FRENCH PRINT, PASTORAL, LA CHASSE | PCO-B2-40BACKGROUND INFORMATIONAfter a 1766 painting by Francois Boucher. Companion piece to 'La Peche'. Originally in the collection of Vassal de Saint-Hubert.Reference: Jean-Richard 1978, no. 292; IFF (Inventaire du Fonds Français) no. 80.Biography engraver: Jacques Firmin Beauvarlet (1731-1797) was a French engraver known for reproductive engravings of Rococo paintings. He often collaborated with artists like Boucher and Van Loo.Biography artist: Francois Boucher (1703-1770) was a major French Rococo painter known for pastoral and mythological subjects. He served as First Painter to Louis XV and was admired for his ornate, playful style. Condition: very good, given age. Light foxing, creasing and soiling. . General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Francois Boucher (ilustrador).…

'"FRAGONARD PINX."; "BEAUVARLET SCULP."; "LE COLIN-MAILLARD."; ADDITIONAL TEXT IN FRENCH BELOW.'Depicts a romantic playful scene where a blindfolded young woman, likely engaging in a game, is guided by a man. Children are also involved in the scene, surrounded by a lush garden.Made by Jacques Firmin Beauvarlet after Jean Honore Fragonard.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 29.8 x 44 cm (11.73 x 17.32 inch). Image size: 27 x 40 cm. (10.63 x 15.75 inch).BEAUVARLET, FRAGONARD, ETCHING, ENGRAVING, LE COLIN-MAILLARD, FRENCH ART, ROCOCO. | PCO-B8-08BACKGROUND INFORMATIONPublished in Paris by Beauvarlet, Rue St. Jacques, opposite Rue des Mathurins, late 18th.c.Reference: Portalis 43; 1988 Rosenberg 5.Biography engraver: Jacques Firmin Beauvarlet (1731-1797) was a prominent French engraver, known for his finely detailed reproductions of popular paintings, particularly those of the Rococo period. He collaborated with many leading artists of his time, engraving works that often depicted light-hearted, romantic, or domestic scenes typical of the 18th-century French artistic style.Biography artist: Jean Honore Fragonard (1732-1806) was one of the most famous painters of the French Rococo era, known for his exuberant and romantic style. His works often feature playful, light-hearted scenes of love and flirtation, with a mastery of color and light. Condition: very good, given age. Light creasing and soiling. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Jean Honore Fragonard (ilustrador).…

2. Paris, Chez Beauvarlet-Charpentier, professeur, Boulevard Possonnière, (address printed on tipped-on label) s.d. (ca. 1815) , format 32 x 24 cm, title + 9 pp of engraved music. Plate Number 26.