Beau rutland (25 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: New. Num Pages: 124 pages, 40 color illus. BIC Classification: ACXJ; AFKB; AGB. Category: (G) General (US: Trade). Dimension: 229 x 301 x 14. Weight in Grams: 812. . 2015. paperback. Not a first edition copy. . . . Books ship from the US and Ireland.

Condición: New. Num Pages: 124 pages, 40 color illus. BIC Classification: ACXJ; AFKB; AGB. Category: (G) General (US: Trade). Dimension: 229 x 301 x 14. Weight in Grams: 812. . 2015. paperback. Not a first edition copy. . . .

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Paperback. Condición: Very Good. With Powell's sticker on front Very Good paperback with light shelfwear - NICE! Oversized.

Paperback. Condición: New. New copy.

Paperback. Condición: New in Shrink-Wrap. SHRINK-WRAPPED. 4to, 79 pp, new in gilt-stamped wraps. Illustrated throughout in b&w, a few in color. Includes a checklist of the exhibition.

Soft cover. Condición: As New. 1st Edition. Cleveland: The Cleveland Museum of Art, 2015. Softcover exhibition catalog; 127 pages: illustrations (chiefly color.) Contents: Make her mine / Beau Rutland; Heir fresheners / Rachel Harrison; Say you say me / Johanna Burton; Conversation / Amy Adler and Rachel Harrison; Checklist of the exhibition. Condition: As New.…

paperback. Condición: Fine. A sharp copy still in shrinkwrap.

Softcover, 64 + pages; as new condition; clean and crisp. Foreign shipping may be extra.

Paperback. Condición: Near Fine. Book has mild rubbing to edges of spine. otherwise book is in excellent condition with a clean cover, bright pages, and a strong binding.

paperback. Condición: Like New. First Edition. Publisher: Cleveland Mus. of Art/Yale Univ Press, 2015. FINE softcover in illustrated/pictorial wraps, as issued. First Softcover Edition, First Printing. As new. Pristine.

Hardcover. Condición: New. 1st Edition. This is the first comprehensive monograph on Peter Cain, who first achieved fame in the early-1990s for his paintings of distorted automobiles. Rendered with precision, their gleaming surfaces intensified the seductiveness of the advertisements on which they were based, leading one critic at the time to call them "literal and figurative icons of autoeroticism." In 1995, in a departure from the car paintings, Cain began a new series of paintings. Each composition part figure study, part landscape depicts his boyfriend Sean's reclining head and shoulders on a beach. These new works signaled, in the words of critic Peter Schjeldahl, "the creation of a new high style able intelligently to capture intimate nuances of contemporary Eros on a public scale." The following year Cain took up another new subject: gas stations and strip malls around Los Angeles. In January 1997, less than a month before their first exhibition, he died tragically from a cerebral hemorrhage. He was thirty-seven years old. Illustrated with more than eighty full-color plates, this book features paintings, drawings, and photographs made between 1987 and 1997. Beau Rutland's essay provides a comprehensive overview of Cain's work and its unique place in the New York art world of the 1980s and 1990s, while Collier Schorr offers a meditation on desire and power inspired by Cain's car paintings. Richard Meyer's essay examines the Sean paintings, which suspend their subject "between intimacy and abstraction." Accompanying these essays are source images, preparatory collages, and historical photos of the artist and his studio, all published here for the first time. Clothbound with jacket. 164 pages, 133 images. 11½ × 10 inches; 29 × 25 cm.…

Soft cover. Condición: As New. 1st Edition. Cleveland: Cleveland Museum of Art, 2014. Slim staple-bound exhibition catalog to a show of three large scale wall paintings by Jennifer Bartlett. 28 pages, illustrated in color. Texts include a transcript from an interview held with the artist and Lynda Benglis. Condition: Like New, with no flaws or defects.…

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condición: Near Fine. Near Fine. New York: Matthew Marks Gallery, 2017. First Edition. Quarto (30x26x2cm); 162pp, including list of exhibitions and bibliography. Color images of Cain's work throughout, with additional background, personal, and studio photographs. Photographic dustjacket. Black boards with blacker lettering on spine and front panel. Both jacket and volume pristine. This is the first major monograph on the paintings of dysmorphic, impossible, but still appealingly sexy cars by Peter Cain (1959-1997)who knew how to compress sizzling cars and sizzling boyfriends into tightly delimited spaces.…

Soft cover. Condición: Very Good. Staple-bound paperback in folding wrapper as issued. The bulk of the staple-bound pages except for the front end paper are staples as issued but laid in to the cardboard.

Wrappers. Condición: New. 79 pages 62 illustrations 50 in color. Still in the publisher's shrink-wrap. Published on the occasion of the exhibition from the Cleveland Museum of Art, Cleveland OH September 10-December 31, 2016. Also of Interest. Book.

Paperback. Condición: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Paperback. Condición: Brand New. 79 pages. 12.00x8.50x0.25 inches. In Stock.

paperback. Condición: new.

Paperback. Condición: New.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Passages: Achim Hochdörfer on Leo Steinberg," by Achim Hochdörfer; "Film: Amy Taubin on Lars von Trier's 'Melancholia,'" by Amy Taubin; "Fashion: Nick Mauss on Madame Grès at the Musée Bourdelle," by Nick Mauss; "Slant: Daniel Birnbaum on 'Atlas - How to Carry the World on One's Back?" by Daniel Birnbaum; "Music: Alan Licht on Van Dyke's Parks," by Alan Licht; "On Site: Nils Norman on the Copenhagen Free University," by Nils Norman; "On Site: Alex Farquharson on the Piccadilly Community Centre," by Alex Farquharson; "Top Ten," by Patti Smith; "Art in Los Angeles: Introduction," by Michelle Kuo; "Then and There: The Art of Chris Burden," by Anne M. Wagner; "Objects of Interest," a project by Chris Burden; "Close-Up: Bennett Simpson on an Untitled 2010 Work by Rodney McMillian," by Bennett Simpson; "L.A. Stories: A Roundtable," by John Baldessari, Thomas Crow, Harry Gamboa Jr., Liz Larner, Andrew Perchuk, Ali Subotnick, Maurice Tuchman, and Helene Winer moderated by Richard Meyer and Michelle Kuo; "Reality Effects: The Art of Robert Heinecken," by Matthew Biro; "Close-Up: Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan; "Tomorrow is the Question: The Art of Ilene Segalove," by John Miller; "Close-Up: James Merle Thomas on an Untitled 1979 work by Maria Nordman," by James Merle Thomas; "In Search of.: The Art of John McCracken," by Linda Norden; "Close-Up: Julia Bryan-Wilson on Asco's 'Asshole Mural,'" by Julia Bryan-Wilson; "Differential Equations: The Art of Charles Gaines," by Michael Ned Holte; "Lens on Los Angeles: Alternative Cinema and Video in L.A.," by David E. James; "School of Life: The L.A. Rebellion," by Kara Keeling; "Portfolio," by Raymond Pettibon; "Artists on L.A.," by Eleanor Antin, Kerry Tribe, Billy Al Bengston, Simone Forti, Kaari Upson, Jim Shaw, Charles Ray, Liz Glynn, Paul McCarthy, Morgan Fisher, Piero Golia, Larry Bell, James Welling, Martin Kersels, Robert Kinmont, Fred Lonidier, and Ed Ruscha. Reviews by Briony Fer, Joan Kee, Anna Lovatt, Chanchal Dadlani, David Frankel, Lisa Turvey, Jeffrey Kastner, Robert Pincus-Witten, Eva Díaz, Alexander Scrimgeour, Beau Rutland, Frances Richard, Suzanne Hudson, Emily Hall, Lloyd Wise, Michael Wilson, Donald Kuspit, Francine Koslow Miller, Sylvia Lavin, Michelle Grabner, Phyllis Tuchman, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Michael Ned Holte, Barry Schwabsky, Zehra Jumabhoy, Giorgio Verzotti, Marek Bartelik, Nuit Banai, Jurriaan Benschop, Margaret Ewing, Jens Asthoff, Astrid Wege, Sandra Smallenburg, Catrin Lorch, Julia Friedman, Marco Tagliafierro, Francesco Stocchi, Sylwia Serafinowicz-Wesolowska, Christian Rattemeyer, Pablo Llorca, Javier Hontoria. Cover: Asco.…

Encuadernación de tapa blanda. Condición: Muy bien. Estado de la sobrecubierta: Muy bien. Essays "Passages: Achim Hochdörfer on Leo Steinberg," by Achim Hochdörfer; "Film: Amy Taubin on Lars von Trier's 'Melancholia,'" by Amy Taubin; "Fashion: Nick Mauss on Madame Grès at the Musée Bourdelle," by Nick Mauss; "Slant: Daniel Birnbaum on 'Atlas - How to Carry the World on One's Back?" by Daniel Birnbaum; "Music: Alan Licht on Van Dyke's Parks," by Alan Licht; "On Site: Nils Norman on the Copenhagen Free University," by Nils Norman; "On Site: Alex Farquharson on the Piccadilly Community Centre," by Alex Farquharson; "Top Ten," by Patti Smith; "Art in Los Angeles: Introduction," by Michelle Kuo; "Then and There: The Art of Chris Burden," by Anne M. Wagner; "Objects of Interest," a project by Chris Burden; "Close-Up: Bennett Simpson on an Untitled 2010 Work by Rodney McMillian," by Bennett Simpson; "L.A. Stories: A Roundtable," by John Baldessari, Thomas Crow, Harry Gamboa Jr., Liz Larner, Andrew Perchuk, Ali Subotnick, Maurice Tuchman, and Helene Winer moderated by Richard Meyer and Michelle Kuo; "Reality Effects: The Art of Robert Heinecken," by Matthew Biro; "Close-Up: Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan on John Divola's 'Zuma,'" by Elizabeth Schambelan; "Tomorrow is the Question: The Art of Ilene Segalove," by John Miller; "Close-Up: James Merle Thomas on an Untitled 1979 work by Maria Nordman," by James Merle Thomas; "In Search of.: The Art of John McCracken," by Linda Norden; "Close-Up: Julia Bryan-Wilson on Asco's 'Asshole Mural,'" by Julia Bryan-Wilson; "Differential Equations: The Art of Charles Gaines," by Michael Ned Holte; "Lens on Los Angeles: Alternative Cinema and Video in L.A.," by David E. James; "School of Life: The L.A. Rebellion," by Kara Keeling; "Portfolio," by Raymond Pettibon; "Artists on L.A.," by Eleanor Antin, Kerry Tribe, Billy Al Bengston, Simone Forti, Kaari Upson, Jim Shaw, Charles Ray, Liz Glynn, Paul McCarthy, Morgan Fisher, Piero Golia, Larry Bell, James Welling, Martin Kersels, Robert Kinmont, Fred Lonidier, and Ed Ruscha. Reviews by Briony Fer, Joan Kee, Anna Lovatt, Chanchal Dadlani, David Frankel, Lisa Turvey, Jeffrey Kastner, Robert Pincus-Witten, Eva Díaz, Alexander Scrimgeour, Beau Rutland, Frances Richard, Suzanne Hudson, Emily Hall, Lloyd Wise, Michael Wilson, Donald Kuspit, Francine Koslow Miller, Sylvia Lavin, Michelle Grabner, Phyllis Tuchman, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Michael Ned Holte, Barry Schwabsky, Zehra Jumabhoy, Giorgio Verzotti, Marek Bartelik, Nuit Banai, Jurriaan Benschop, Margaret Ewing, Jens Asthoff, Astrid Wege, Sandra Smallenburg, Catrin Lorch, Julia Friedman, Marco Tagliafierro, Francesco Stocchi, Sylwia Serafinowicz-Wesolowska, Christian Rattemeyer, Pablo Llorca, Javier Hontoria. Cover: Asco.…