Bearor karen a (31 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. Artist Irene Rice Pereira was a significant figure in the New York art world of the 1930s and 1940s, who shared an interest in Jungianism with the better-known Abstract Expressionists and with various women artists and writers seeking archetypal imagery. Yet her artistic philosophy and innovative imagery elude easy classification with her artistic contemporaries. In consequence, her work is rarely included in studies of the period and is almost unknown to the general public. This first intellectual history of the artist and her work seeks to change that. Karen A. Bearor thoroughly re-creates the artistic and philosophical milieu that nourished Pereira's work. She examines the options available to Pereira as a woman artist in the first half of the twentieth century and explores how she used those options to contribute to the development of modernism in the United States. Bearor traces Pereira's interest in the ideas of major thinkers of the period--among them, Spengler, Jung, Einstein, Cassirer, and Dewey--and shows how Pereira incorporated their ideas into her art. And she demonstrates how Pereira's quest to understand something of the nature of ultimate reality led her from an early utopianism to a later interest in spiritualism and the occult. This lively intellectual history amplifies our knowledge of a time of creative ferment in American art and society. It will appeal to a wide range of readers interested in the modernist period.…

Paperback. Condición: Good. Artist Irene Rice Pereira was a significant figure in the New York art world of the 1930s and 1940s, who shared an interest in Jungianism with the better-known Abstract Expressionists and with various women artists and writers seeking archetypal imagery. Yet her artistic philosophy and innovative imagery elude easy classification with her artistic contemporaries. In consequence, her work is rarely included in studies of the period and is almost unknown to the general public. This first intellectual history of the artist and her work seeks to change that. Karen A. Bearor thoroughly re-creates the artistic and philosophical milieu that nourished Pereira's work. She examines the options available to Pereira as a woman artist in the first half of the twentieth century and explores how she used those options to contribute to the development of modernism in the United States. Bearor traces Pereira's interest in the ideas of major thinkers of the period--among them, Spengler, Jung, Einstein, Cassirer, and Dewey--and shows how Pereira incorporated their ideas into her art. And she demonstrates how Pereira's quest to understand something of the nature of ultimate reality led her from an early utopianism to a later interest in spiritualism and the occult. This lively intellectual history amplifies our knowledge of a time of creative ferment in American art and society. It will appeal to a wide range of readers interested in the modernist period.…

Condición: As New. Unread book in perfect condition.

Cloth. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. (2010), 196pp, illus., black cloth, light rubbing & shelfwear to cover, light rubbing to dj, contents clean & unmarked.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Clean pages. Very good dust jacket in a new, clear, protective mylar wrapper. Ships in sturdy cardboard packaging. Booksellers since 1997. [s5].

Condición: New.

Paperback or Softback. Condición: New. Irene Rice Pereira: Her Paintings and Philosophy. Book.

Paperback. Condición: New. Artist Irene Rice Pereira was a significant figure in the New York art world of the 1930s and 1940s, who shared an interest in Jungianism with the better-known Abstract Expressionists and with various women artists and writers seeking "archetypal" imagery. Yet her artistic philosophy and innovative imagery elude easy classification with her artistic contemporaries. In consequence, her work is rarely included in studies of the period and is almost unknown to the general public. This first intellectual history of the artist and her work seeks to change that.Karen A. Bearor thoroughly re-creates the artistic and philosophical milieu that nourished Pereira's work. She examines the options available to Pereira as a woman artist in the first half of the twentieth century and explores how she used those options to contribute to the development of modernism in the United States. Bearor traces Pereira's interest in the ideas of major thinkers of the period-among them, Spengler, Jung, Einstein, Cassirer, and Dewey-and shows how Pereira incorporated their ideas into her art. And she demonstrates how Pereira's quest to understand something of the nature of ultimate reality led her from an early utopianism to a later interest in spiritualism and the occult.This lively intellectual history amplifies our knowledge of a time of creative ferment in American art and society. It will appeal to a wide range of readers interested in the modernist period.…

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Condición: New. 2011. Paperback. . . . . .

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 3 working days.

Condición: New. 2011. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Good. Estado de la sobrecubierta: Fine. 1st Edition. 324 pages. Hardcover. Texts in English. [SIGNED] Inscribed by the author to the previous owner, with an extensive gift inscription on the front free endpaper. There are numerous light pencil notes and underlinings throughout. Else, the binding is tight, the jacket bright and unblemished, and the edges of the boards sharp. Inscribed by Author(s). Book. …

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. cloth, hardcover in dust jacket., no flaws or wear. clean. no markings. no tears, chips, clip. tight binding. a pristine, unused copy.; english text.; xviii-324pp., 2 color plates and 44 b/w illustrations. critical biography of the artist. Size: 8vo - over 7¾" - 9¾" tall.…

Paperback. Condición: Brand New. 344 pages. 8.98x6.57x0.91 inches. In Stock.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First printing. 8vo. 324 pp. Red cloth. Near Fine in Near Fine dust jacket. Subtle shelfwear to extremities of boards. Slightest rubbing to jacket.

Hardcover. Condición: New.

First Edition. Oblong softcover, quite good with wear at edges. Illustrated.

Paperback. Condición: New. Artist Irene Rice Pereira was a significant figure in the New York art world of the 1930s and 1940s, who shared an interest in Jungianism with the better-known Abstract Expressionists and with various women artists and writers seeking "archetypal" imagery. Yet her artistic philosophy and innovative imagery elude easy classification with her artistic contemporaries. In consequence, her work is rarely included in studies of the period and is almost unknown to the general public. This first intellectual history of the artist and her work seeks to change that.Karen A. Bearor thoroughly re-creates the artistic and philosophical milieu that nourished Pereira's work. She examines the options available to Pereira as a woman artist in the first half of the twentieth century and explores how she used those options to contribute to the development of modernism in the United States. Bearor traces Pereira's interest in the ideas of major thinkers of the period-among them, Spengler, Jung, Einstein, Cassirer, and Dewey-and shows how Pereira incorporated their ideas into her art. And she demonstrates how Pereira's quest to understand something of the nature of ultimate reality led her from an early utopianism to a later interest in spiritualism and the occult.This lively intellectual history amplifies our knowledge of a time of creative ferment in American art and society. It will appeal to a wide range of readers interested in the modernist period.…

Paperback. Condición: Very Good. Very nice copy. Very light wear to upper edge of spine. Binding is tight. Spine is straight. Pages are unmarked.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: New. The first survey of Pan-American geometric abstraction between the 1920s and 1950s, Constructive Spirit: Abstract Art in South and North America, 1920s-50s provides a fresh and innovative look at this dynamic and cosmopolitan period of Modernism in the Americas.In the first half of the twentieth century, South American and US artists infused the hard-edge lines and geometric shapes of abstract art with new perspectives. This richly illustrated book examines the connections, both conceptual and personal, among abstract artists from Argentina, Brazil, the United States, Uruguay, and Venezuela, suggesting parallels that cut across time, national borders, and a range of media. It begins with the arrival of Torres-Garcia in New York City in 1920, and culminates in the 1950s, as North and South American abstract artists converged in the international arena in such exhibition venues as the Bienal de Sao Paulo.Released in conjunction with the traveling exhibition organized by the Newark Museum, Constructive Spirit presents more than ninety rarely seen paintings, sculptures, prints, photographs, drawings, and films, from private and public collections across both continents. The sixty-eight featured artists include the renowned--Alexander Calder, Joaquin Torres-Garcia, Jesus Rafael Soto, and Arshile Gorky, for example--as well as those who deserve much wider recognition, such as Charmion von Wiegand, Geraldo de Barros, Alfredo Hlito, and many others.Essayists Karen A. Bearor, Tricia Laughlin Bloom, Aliza Edelman, Adele Nelson, Mary Kate O Hare, and Cecilia de Torres offer new insights as they investigate the ideas and influences that informed South and North American artists transformation of abstraction into a language of their own.Exhibition catalog edited by Mary Kate O Hare. 192 pages featuring the work of 68 artists, with more than 90 full-color illustrations. Size: 8.5 x 10 inches. Smyth-sewn casebound book with jacket.…

Paperback. Condición: Brand New. 344 pages. 8.98x6.57x0.91 inches. In Stock. This item is printed on demand.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Artist Irene Rice Pereira was a significant figure in the New York art world of the 1930s and 1940s, who shared an interest in Jungianism with the better-known Abstract Expressionists and with various women artists and writers seeking 'archetypal' imagery. Yet her artistic philosophy and innovative imagery elude easy classification with her artistic contemporaries. In consequence, her work is rarely included in studies of the period and is almost unknown to the general public. This first intellectual history of the artist and her work seeks to change that. Karen A. Bearor thoroughly re-creates the artistic and philosophical milieu that nourished Pereira's work. She examines the options available to Pereira as a woman artist in the first half of the twentieth century and explores how she used those options to contribute to the development of modernism in the United States. Bearor traces Pereira's interest in the ideas of major thinkers of the period-among them, Spengler, Jung, Einstein, Cassirer, and Dewey-and shows how Pereira incorporated their ideas into her art. And she demonstrates how Pereira's quest to understand something of the nature of ultimate reality led her from an early utopianism to a later interest in spiritualism and the occult. This lively intellectual history amplifies our knowledge of a time of creative ferment in American art and society. It will appeal to a wide range of readers interested in the modernist period.…

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The first intellectual history of a significant figure in the New York art world of the 1930s and 1940s, who shared an interest in Jungianism with the better-known Abstract Expressionists and with various women artists and writers seeking archetypal ima.…