Batschmann oskar (445 resultados)

Softcover. Condición: Fine. Near Fine. B/w illustrations.; tall 8vo 9" - 10" tall; 336 pp.

Condición: Very Good. Estado de la sobrecubierta: 21914330. 1779444275. Profusely Illustrated (ilustrador). 5/22/2026 10:04:35 AM.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine Dust Jacket. 336 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Near fine dust jacket.

Soft cover. Condición: Very Good. Oversize. Second printing. Light shelf wear. Top right tip of front cover slightly creased.

Paperback. Condición: Very Good. 255 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding.…

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:0948462965. Profusely Illustrated (ilustrador). …

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition . 1st printing. A FINE Hardcover and Dustjacket.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Size: 8.25" x 11", 255pp, profusely illustrated. Near new condition, covers bright, text clean and binding tight.

Soft cover. Condición: Fine. Folio - over 12 - 15" tall. 255pp. Pristine softcover. Extensively illustrated in black and white.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine.

Paperback. Condición: NF. Paperback in Near Fine condition. 8.5 X 1 X 11 inches. 256 pages. Quick shipping, excellent customer service. All books carefully packaged in boxes and ship with tracking information.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Light wear to dust jacket. Otherwise, very clean, sound, copy. INCLUDES 5 PENCIL DRAWINGS (BY AUTHOR?) IN BEGINNING PAGES OF BOOK. 336 pgs.

Condición: New.

Paperback. Condición: Near Fine. 255 pages, illustrations (some colour); 29 cm. Near fine. Firm binding, clean inside copy. Age toning. Profusely illustrated. *** "Hans Holbein the Younger (1497/8-1543), one of the most versatile and admired painters of the Northern Renaissance, trained under his father in Augsburg and then worked for leading patrons in Switzerland before settling in England as Court Painter to Henry VIII. To commemorate the five-hundredth anniversary of the artist's birth, Oskar Batschmann and Pascal Griener offer this richly illustrated book--the first comprehensive monograph on the artist to appear in more than forty years--which is a major advance in our understanding of Holbein's contribution to European art. The authors reexamine every aspect of a remarkable career, and further illuminate the artistic and cultural influences that affected the artist. Holbein was a hugely ambitious artist, and even during his formative years in Lucerne and Basel, made designs for jewelry, stained glass, and woodcuts, and painted major altarpieces and portraits. He also carried out several monumental decorative schemes for private houses and civic buildings. In his commissions, Holbein sought to rival the greatest masters of Germany and Italy, most notably Durer and Mantegna, and by the time of his visit to France in 1524 he was determined to secure a position as Court Painter. However, Holbein soon found himself in a precarious situation as a result of the Reformation's increasing hostility toward religious works, and he left for England in 1532. While in England, in addition to decorative schemes and Triumphs, he both drew and painted numerous unrivaled likenesses of leading courtiers, merchants, and diplomats, among which is his celebrated double portrait, The Ambassadors. This book offers both a remarkable range of extant visual evidence and a rewarding and scholarly account of Holbein's oeuvre in its full historical and artistic contexts." - Publisher. *** CONTENTS: Artistic competition and self-definition; Figure and movement, invention and narration; Monumental decorative works; Religious works: the making of Erasmian art; Italian and Northern art; The Portrait, Time and Death; Holbein's fame. Size: 4to.…

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Condición: Very Good. includes dust-jacket. DETAILS: near fine dust-jacket, with only slightest wear, attractive copy, near fine large and heavy brown cloth, glossy paper which is very slightly wavy as often the case with glossy paper, mnimal issue. BÄTSCHMANN, OSKAR. Hans Holbein. Oskar Bätschmann and Pascal Griener. Translation by Cecilia Hurley and Pascal Griener. Princeton, NJ: Princeton University Press, 1997, 1st printing number line ending in 1, 255pp., . First published in the UK by Reaktion Books. - Holbein was a hugely ambitious artist, and even during his formative years in Lucerne and Basle undertook to make designs for jewelry, stained glass and woodcuts as well as to paint major altarpieces and portraits. He also carried out several monumental decorative schemes for private houses and civic buildings. This book offers both a remarkable range of extant visual evidence and a rewarding and scholarly account of Holbein's oeuvre in its full historical and artistic contexts. In addition, the authors include a reappraisal of the high reputation in which Holbein was held during the centuries following his death, as illustrated by the opinion expressed by the Elizabethan miniaturist Nicholas Hilliard and the searches undertaken by the French collector Charles Patin, and by the remarks and exertions of the wealthy eighteenth-century dilettante Horace Walpole. - CONTENTS: Artistic competition and self-definition -- Figure and movement, invention and narration -- Monumental decorative works -- Religious works: the making of Erasmian art -- Italian and Northern art -- The Portrait, Time and Death -- Holbein's fame. 9780691017433 ISBN 0691017433.…

Softcover, 256 pages; very good condition, clean and crisp; no internal marks, Foreign shipping may be extra.

hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

Paperback. Condición: Very Good. NEW EU 3 EURO CHARGE FOR IMPORTS IS INCLUDED IN OUR SHIPPING PRICE. ALL ITEMS ARE DISPATCHED FROM THE UK, ALL OVERSEAS ORDERS SENT BY TRACKABLE AIR MAIL. IF YOU ARE LOCATED OUTSIDE THE UK PLEASE ASK US FOR A POSTAGE QUOTE FOR MULTI VOLUME SETS BEFORE ORDERING.

Hardcover. First Edition. Demy folio, [27.75cm/11inches], full gilt-embossed chocolate-colured cloth with mylar-protected dust jacket, pp. 255, indexed. Illustrated with b-w halftones, colour plates &ct. Please feel free to ask for particulars and/or additional photographs. . The publisher's blurb noted: "Hans Holbein the Younger (1497/8-1543), one of the most versatile and admired painters of the Northern Renaissance, trained under his father in Augsburg and then worked for leading patrons in Switzerland before settling in England as Court Painter to Henry VIII. To commemorate the five-hundredth anniversary of the artist's birth, Oskar Bätschmann and Pascal Griener offer this richly illustrated book the first comprehensive monograph on the artist to appear in more than forty years which is a major advance in our understanding of Holbein's contribution to European art. The authors reexamine every aspect of a remarkable career, and further illuminate the artistic and cultural influences that affected the artist." In exceptionally good condition In exceptionally good condition.…

Wraps. Condición: Very Good. Color illustrated wraps. Quarto. 255 pp. Color and black and white illustrations throughout. A monograph on the life and art of Hans Holbein the Younger, examining artistic and cultural influences, as well as his friendships with humanists such as Erasmus and Sir Thomas More. VERY GOOD condition. Minor rubbing and edgewear. Previous owner's date and numeric code in ink on the first endpaper.…

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. First Edition. VG+/VG+ 8vo DJ 293pp Series: Ars Helvetica, VI. Size: 8vo - over 7¾" - 9¾" tall. Illustrated by B&w and color illus. (ilustrador). Book.

Condición: New.

Paperback. Condición: Fine. Color and black and white illustrations throughout. Second paperback printing. Fine in oversize illustrated wraps.

Large illustrated soft cover minor shelf wear overall excellent fully illustrated with Holbeins work. Excellent reference. Priced to go.

Soft cover. Condición: As New. No Jacket. 2nd Edition. SOFT COVER No dj; AS NEW. No markings., 255pp. LOCATION OS OVERFLOW Please email w/questions or to request picture(s); refer to our book inventory number. Free media mail shipping.

Hardback. Condición: New. Although the idea of a collective audience for art - an 'art public' - is highly significant in the art world, this is the first book to enquire into the actual history of the art public. The book explores both written and pictorial evidence of its behaviour, and disentangles the connections between art production, the expectations of the audience and a work's reception.Two aspects shape the narrative: first, the transformation of the audience from passive recipient to active agent; and second, the mockery of the audience by satirists such as George Cruikshank, Thomas Rowlandson, Honoré Daumier and many others. This sweeping account moves from the Greek artist Apelles to Leon Battista Alberti and Leonardo da Vinci, and from Oscar Wilde to film stars, art tourists and leading art museums and galleries worldwide.…