Bartolini robert (17 resultados)

Soft cover. Condición: Good. No Jacket. Edition Unknown. Book is in Good condition. Cover is clean with minor marking, shows general shelf wear. Binding is tight, edges are square, corners are slightly bumped. Pages are clean with no writing or high lighting. Pictures are all in Good condition. An Awesome Book! A Great Buy. None.…

Hardcover. Condición: Acceptable. General wear, a good reading copy. shelf wear. bumped edges. worn spine Hardcover.

Hardcover. Condición: Good. Jumbo-sized. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD.

Condición: Good. illustrated edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: VG/VG+. Grey cloth with color illustrated glossy dustjacket. 176 pp., profusely illustrated with 46 color and 341 bw plates. "A comprehensive picture of the world of the Etruscans encompassing the history and the art of the first great culture on the western Mediterranean shores." This is the first English edition of this book. Lovely. Contents as follows: Outline of Etruscan history: The origins and language of the Etruscans ; Etruscan inscriptions and their scripts ; Religion and mythology ; Etruscan society ; The city-states ; History of Etruscan research -- Development and characteristics of Etruscan art: Chronology of styles ; Protohistoric and Villanovan periods ; Archaic period I ; Archaic period II ; Classical period ; Late period and Hellenism -- The artistic creations: Architecture ; Sculpture ; Decorative work ; Painting -- Plates -- Documentary catalogue of the plates -- Appendices: Chronology of Etruscan history ; The gods ; The twelve cities.…

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hard Cover. Condición: Very Good -. No Jacket. (2001), 476pp, illus, includes CD in rear pocket, slight rubbing & shelfwear to cover, one rear blank pg w/ foxing, no dj, contents clean & unmarked, very heavy - may require extra shipping charge.

perfect. Condición: Befriedigend. 254 Seiten; R. Bartolini - 1. Auf. 1953 : Roberto Bartolini - tb - 9-32-5-L5 Z2-PI6B-QEN4 Sprache: Deutsch Gewicht in Gramm: 500.

Hardcover. Condición: Good. No Jacket. In a hardcover with black titles to spine and front and a colour illustration to front. 476 pp., extensively illustrated, mainly in colour. The book is in good condition. There is very minor shelf-wear to the extremities of the cover and the spine is creased. The binding is slack. The pages are clean and unmarked. The book weighs 2.9 kg., additional postage will be required. …

31 x 24,5 cm. Condición: Gut. 176 Pages ; With 387 Illustrations, including 46 plates in color and 1 Map Original Cloth binding in very good condition, inside and outside. Dust jacket little rubbed. In English. Please note our pictures PG-089 Sprache: Englisch Gewicht in Gramm: 2600.

copertina morbida. Condición: buone. Estado de la sobrecubierta: buone. La freccia nera (The Black Arrow) è un romanzo storico avventuroso scritto da Robert Louis Stevenson nel 1883. La prima pubblicazione fu in diciassette puntate settimanali sulla rivista Young Folks, un periodico rivolto ai giovani. Il romanzo uscirà in volume soltanto nel 1888. Il romanzo è ambientato nell'Inghilterra del XV secolo, durante la Guerra delle Due Rose e sotto il regno di Enrico VI. Trama « In quanto al rischio, se voi foste un brutto gobbo che i ragazzi deridono per la strada, attribuireste un minor valore al vostro corpo, e capireste che un'ora di gloria vale una vita » (Il duca di Gloucester a Dick) A Tunstall, immaginaria località del Suffolk inglese, la campana della Moat House chiama a raccolta gli uomini di lord Daniel Brackley, in vista dell'imminente battaglia di Risingham. Subito dopo il vecchio Nicholas Appleyard viene trafitto da una freccia nera e il delitto rivendicato da John "Aggiustatutto", che promette di riservare lo stesso trattamento a Bennet Hatch, a sir Daniel e al sacerdote Oliver Oates. Il giovane Richard Shelton (detto Dick) viene così inviato a Kettley, dove il suo padrone è acquartierato, per informarlo. Durante il tragitto di ritorno si imbatte in un ragazzo, John Matcham, che lo prega di aiutarlo a scappare da lord Daniel, il quale ha mandato alcuni uomini al suo inseguimento. Ancora ignaro della reale identità di John e dei motivi che lo inducono alla fuga, Dick accetta. Dopo una serie di peripezie, i due riescono a scongiurare il rischio di finire sia nelle mani di sir Daniel che in quelle di Ellis Duckworth, il quale non è altri che John Aggiustatutto, il capo della compagnia di fuorilegge della Freccia Nera, abitanti nella foresta di Tunstall. Poco dopo i ragazzi si imbattono però in un finto lebbroso, da cui John viene catturato. Sotto il travestimento si cela sir Daniel, così camuffatosi per non essere riconosciuto dai nemici, dal momento che la battaglia di Risingham si è rivelata una disfatta. Sir Brackley ordina a Dick e John di raggiungerlo alla Moat House. Qui, dove Dick è stato allevato da sir Daniel, il giovane scopre che proprio quest'ultimo è responsabile della morte di suo padre Harry. Il lord decide allora di farlo uccidere, ma Dick fugge, aiutato da John Matcham, che si rivela in realtà essere una ragazza, Joanna Sedley, ricca ereditiera contesa tra Brackley e lord Foxham, ormai innamorata di Dick, l'uomo a cui sir Daniel voleva darla in sposa. Shelton, a sua volta innamorato della donzella, si unisce allora ai fuorilegge di Ellis Duckworth, un tempo amico del padre di Dick e ingiustamente accusato del suo omicidio. La Freccia nera ha l'obiettivo di liberare il territorio dall'oppressione dei tiranni che per troppo tempo hanno angariato con le loro malefatte gli abitanti di Tunstall, e in particolare di vendicarsi di Brackley. Dick cerca di vendicare suo padre e, al contempo, di salvare Joanna, rimasta in mano a sir Daniel e promessa a lord Shoreby. Quando Shelton scopre in quale casa, nella località di Shoreby, la fanciulla venga tenuta prigioniera, lancia nella notte un assalto contro di essa, combattendo contro uomini creduti ostili ma in realtà al soldo di lord Foxham, cui il giovane risparmia la vita dopo averlo vinto in battaglia. Assieme a Foxham e agli uomini della Freccia Nera pianifica allora un nuovo attacco: aiutato dal pirata Will "Senzalegge" ruba la nave "Buona Speranza" al capitano Arblaster, utilizzandola per la spedizione. L'impresa non riesce, l'esercito di Dick viene respinto, molti suoi uomini muoiono e la stessa "Buona Speranza", tornata al largo, si salva a stento dal naufragio. Dick e "Senzalegge" si travestono allora da frati per entrare nella dimora di sir Brackley. Così, Shelton rivede Joanna, ma apprende da lei che l'indomani dovrà convolare a nozze con lord Shoreby. Con il pretesto di pregare sulla tomba di un nano, una spia che lo stesso Dick ha ucciso poco prima, il giovane si introduce nell'abbazia adiacente, dove alcune ore dopo dovrà aver luogo il matrimonio. In chiesa si imbatte nel reverendo Oliver, che accetta di salvarlo purché non trami in alcun modo per impedire la celebrazione. Quando gli sposi fanno il loro ingresso, alcuni uomini al servizio di Ellis Duckworth, ben nascosti, scoccano delle frecce nere, uccidendo Shoreby. Dick viene smascherato dal prete e arrestato insieme a "Senzalegge". Portato innanzi al duca di Risingham, partigiano dei Lancaster, Shelton gli mostra una lettera segreta di Brackley che ne testimonia il tradimento. Indignato, il duca lascia andare i due prigionieri Dick finisce nelle mani di Arblaster e dei suoi uomini, ma riesce a fuggire nella notte, imbattendosi di mattina nel duca di Gloucester Richard Crookback, futuro re d'Inghilterra come Riccardo III. Dopo averlo aiutato a sgominare una banda di aggressori lancasteriani, Shelton contribuisce al suo trionfo nella battaglia di Shoreby, venendo nominato cavaliere da Richard Crookback sul campo. Il neo cavaliere si mette quindi all'inseguimento dei fuggitivi superstiti dell'esercito di Brackley, perché Joanna è con loro, e riesce a farla fuggire. Prima di sposarla, vede sir Daniel cadere in disgrazia con la disfatta del suo esercito. Malgrado l'occasione di vendicarsi sia finalmente arrivata, Dick decide di risparmiarlo e lasciarlo fuggire, ma una freccia nera scoccata da Ellis Duckworth segna la resa dei conti e la morte del tiranno. È poi lo stesso Duckworth a sciogliere per sempre la Freccia Nera, ritenendo ormai ristabilita la pace a Tunstall. Dick si unisce in matrimonio con Joanna Sedley, rinunciando alla carriera militare, preferendo le gioie del focolare domestico a una vita in cui sente di non potersi più riconoscere perché lo ha portato, inevitabilmente, a causare morte e lutti. Arblaster - che Richard Crookback stava per giustiziare se Dick non ne avesse impetrato la grazia -, e "Senzalegge", ritiratisi a vita privata, trascorrono serenamente il resto dei loro giorni a Tunstall. BOROLI PIETRO BARTOLINI ROSELLA (ilustrador).…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 2016 OUP hardcover edition. Light reading wear else very good condition. Contents: Policy Consequences of Happiness Research, Is Happiness a Matter for Governments? A Millian Perspective on Richard Layard's 'New Science', Comment on Sugden and Teng, Happiness, Habits, and High Rank: Comparisons in Economic and Social Life, Adaptation amidst Prosperity and Adversity: Insights from Happiness Studies from around the World, Materialistic Values and Well-being: Problems and Policy, Life Satisfaction and Quality of Development, Social Capital Predicts Happiness Over Time: World-Wide Evidence from Time Series, Promoting Trust through Institutional Design, Why Policies for Children, Early Education, and Culture? Drawing on Scitovsky's Thought, Civil Economy: The Paradigm and its Historical Roots, Public Happiness and Relational Goods: That Crucial Link that Economics and Policy Often Forget. …

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Good. 1.2 cm., 2 cm., 6 mm. of soiling to recto; 7 mm. and 8 mm. tears to top edge of recto; 8 mm. and 9 mm. tears to bottom edge of recto; tears to spine edge measuring 7 mm., 1 cm. (x 2), 3.1 cm., and 7 mm. tears. Yellowing of covers and pages. Contents clean and unmarked. …

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Fair / Good. 9.6 cm. loss to bottom left corner of verso with multiple areas of tearing and loss along length of spine. Light yellowing of covers and contents. Contents clean and unmarked. …

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Poor / Fair / Good. Yellowed brittle pages with multiple tears and areas of loss to covers including 6.5 cm. 3.5 cm., and 2.9 cm. losses. Light chipping and folding of pages, contents otherwise clean and unmarked. Sold "as-is.". …

79 pp.; 26.4 x 19 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue number 14 of Art-Rite, the artists' books issue, edited by Walter Robinson and Edith deAk. Contents include: "Market Research," statements about artists' books by Kathy Acker, John Baldessari, Luciano Bartonlini, Roberta Allen, Ulises Carrion, Daniel Buren, Robert Delford, Brown, Robert Cumming, Ted Castle, Agnes Denes, Peter Downsbrough, Mary Fish, Jon Gibson, Peter Grass, George Griffin, Judith A. Hoffberg, Douglas Huebler, Alan Kaprow, Richard Kostelanetz, Sharon Kulik, Robert Leverant, Sol LeWitt, Lucy Lippard, Christof Kohlhofer, Jane Logemann, Paul McMahon, Robert Morgan, Mauritio Nannuci, Richard Nonas, Adrian Piper, Lucian Pozzi, Marcia Resnick, The Roseprint Detective Club, Carolee Schneemann, John Shaw, Bob Smith, Pat Steir, Ellen Sragow, Ted Stamm, Peter Stansbury, Richard Tuttle, Fred Truck, Lawrence Weiner, Robert Winters, Rachel Youdelman; "Catalog of Books"; "A Syntax of Self," by John Howell; "Between Covers," by David Salle; "Self Hipnosis," by Al Moore; "The Complete Works of Connie DeJong," by Al Moore; "Performing Burden, and the Legendary Bruce McLean, Piece," by Rosalie Goldberg; "The Fall," Lawrence Alloway; "Samples: Publications by Italian Artists," by Peggy Gale; "The Rise and Fall of the Peanut Party," by A.A. Bronson; "Some Notes on Art Books," by Naomi Spector; "But Can You Wrap Fish In It," by Eve Sonneman; "JAAP Rietman and the Art Business," Irena Von Zahn "Confessions of a Professional Bookie," by Peter Frank. Cover: Carl Andre. References : No. 328 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 178. "Artist / Author : Contemporary Artists' Books" by Cornelia Lauf, Clive Phillpot, Glenn O'Brien, Jane Rolo, Brian Wallis, Martha Wilson, Thomas Padon. New York, NY : Distributed Art Publishers / The American Federation of Arts, 1998, pp. 122, 128. No. 5.5 and 5.6 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 136, 138, 239. Very Good. 6 mm. tear and 1 mm. loss to bottom edge of recto. Tearing along staple binding at spine measuring 6 mm., 5 mm., 1.3 cm., 1.1 cm. tears. Light yellowing of covers and pages. Contents clean and unmarked. …

Condición: New. PRINT ON DEMAND pp. 664.