Barbara claire freeman (44 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good in Wrappers. No Jacket. Richmond. 2015. October 2015. Omnidawn Publishing. Advance Uncorrected Proof. Very Good in Wrappers. 9781632430113. Introduction by Charles Altieri. 6 x 9. 96 pages. paperback. keywords: American Literature Poetry. DESCRIPTION - Lyric experiments that probe the paradoxes of language and inquiry. Every Day But Tuesday is a book of lyric experiments amassed from a space beyond ordinary time, reverberating both as precursor and postscript to the apocalypse. The extraordinary world of these poems, coming from the sea, forests, islands, mountains, and rivers, form an utterly new logic of sound patterning and sense-making, colliding gorgeous associations with a suite of prepositions forever reconfiguring. Every Day But Tuesday offers the intricate suggestiveness of Symboliste poetry in the straightforward musical language of objectivists like Lorine Neidecker. The result is a sensual volubility treating as a cause of satisfaction the realization that objects cannot satisfy the hungers of mind. - Charles Altieri, Rachel Stageberg Anderson Chair, University of California, author of Wallace Stevens and the Demands of Modernity: Toward a Phenomenology of Value. inventory #44206.…

Paperback. Condición: New. Every Day But Tuesday is a book of lyric experiments amassed from a space beyond ordinary time, where "this is tomorrow and the sun" stands, reverberating both as precursor and postscript to the apocalypse. The extraordinary world of these poems, coming from the sea, forests, islands, mountains, and rivers, form an utterly new logic of sound patterning and metric sense-making, colliding a series of gorgeous associations with a suite of prepositions forever reconfiguring. …

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Includes dust jacket.

Condición: new.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good. Hardback w/ jacket; some pencil marginalia; jacket fine.

Paperback. Condición: Brand New. 82 pages. 8.75x6.00x0.25 inches. In Stock.

Hardcover. Condición: New. Brand new. Clean, unmarked pages. Fine binding and cover. Hardcover. ix, 202 pages, 24 cm.

Condición: New. Num Pages: 96 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Weight in Grams: 181. . 2015. Paperback. . . . .

Paperback. Condición: New.

Condición: New. Num Pages: 96 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Weight in Grams: 181. . 2015. Paperback. . . . . Books ship from the US and Ireland.

Condición: New.

Paperback. Condición: New. "The Feminine Sublime" provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of 'the feminine.' Taking this as her starting point, Freeman suggests that the 'other sublime' that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime. Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction.Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called 'the sublime.'.…

Paperback. Condición: New. "The Feminine Sublime" provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of 'the feminine.' Taking this as her starting point, Freeman suggests that the 'other sublime' that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime. Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction.Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called 'the sublime.'.…

Condición: New. In English.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Fine. Unused. Minor shelf wear otherwise fine.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. Offers an insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. This book argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of 'the feminine.' Num Pages: 205 pages, black & white illustrations. BIC Classification: DSBD; DSBF; DSBH; DSK; JFSJ1. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 18. Weight in Grams: 59. . 1997. Paperback. . . . .…

Condición: As New.

Condición: New.

Condición: Fine. Unused, some outer pages have marks from shelf wear, book content is in like new condition.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.