Barbara berrie (54 resultados)

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. A concise illustrated history of one of art's most important and elusive elementsOver the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments-the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.…

Condición: New. 2024. paperback. . . . . .

Condición: new.

Paperback. Condición: New. A concise illustrated history of one of art's most important and elusive elementsOver the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments-the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. 319 Pp. Red Cloth, Gilt. First Printing. Fine Studies Of De La Tour, Accompanying The 1996-1997 Exhibition With Much New Material. Much Higher International Or Priority Shipping Than Standard Rate Quoted Here.

Paperback. Condición: new. Paperback. Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colours outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create colour and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of colour opens new perspectives on visual culture and the history of art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Condición: New. 2024. paperback. . . . . . Books ship from the US and Ireland.

Condición: New.

Paperback. Condición: New.

Condición: New. In English.

Paperback. Condición: Brand New. 176 pages. 9.00x7.00x0.60 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 176 pages. 9.00x7.00x0.60 inches. In Stock.

Oversize Hardback. Condición: Fine. Estado de la sobrecubierta: Near Fine. A clean, unmarked book with a tight binding. 9 3/4"w x 12 1/2"h. Full red cloth boards. 320 pages. Many color This exhibition catalog examines Georges de La Tour's distinctive candlelit paintings and chiaroscuro technique within the context of 17th century French Baroque art, featuring his religious subjects, genre scenes of card sharps and fortune tellers, and his relationship to Caravaggio and other European contemporaries. Keywords: Candlelight Scenes, Chiaroscuro Master, French Baroque, Lorraine Artist, Religious Subjects, Caravaggio Influence, Magdalen Paintings, Fortune Teller, Card Sharps, Nocturnal Works, Exhibition Catalog, 17th Century 2.…

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. , . Author: Barbara H. Berrie Format: Paperback Number of Pages: 176 Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colours outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create colour and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments - the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created. From cave paintings to contemporary art, Pigments demonstrates how a material understanding of colour opens new perspectives on visual culture and the history of art. Paperback.…

Condición: New.

Condición: NEW.

Paperback. Condición: New. A concise illustrated history of one of art's most important and elusive elementsOver the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments-the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.…

Condición: New. &Uumlber den AutorBarbara H. Berrie is senior conservation scientist and head of the Department of Scientific Research at the National Gallery of Art in Washington, DC. Caroline Fowler is Starr Director of the Research and.

Paperback. Condición: new. Paperback. Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colours outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create colour and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of colour opens new perspectives on visual culture and the history of art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: Very Good. Well-illustrated reference work designed to reach a wide audience as the ultimate authority on artists' colorants. xiii, 233 pages : illustrations ; 25 cm. Slight fading to spine, from the library of Jilleen Nadolny with her signature on title page, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Paperback. Condición: New. A concise illustrated history of one of art's most important and elusive elementsOver the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments-the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.…

Condición: As New. Unread book in perfect condition.

Taschenbuch. Condición: Neu. Pigments | Barbara H. Berrie (u. a.) | Taschenbuch | ART/WORK | Einband - flex.(Paperback) | Englisch | 2024 | Princeton University Press | EAN 9780691223711 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Hardcover. Condición: Fine. Near Fine. First Edition. First printing. 4to. 336 pp. Green cloth. Fine in Near Fine dust jacket. Small spot of wear to jacket at head of spine.