Balcells eugenia (20 resultados)

Softcover exhibition catalog, 96 pages, in Spanish with English at rear; very good condition except: ex-museum library copy with library stamps on first and last page; no other internal marks; first page has light diagonal crease.

Softcover, 120 pages; in English and Spanish; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. No Dust Jacket. 192pp. Color illustrated thru-out. Art installation based on frequencies & vibrations of aluminum bars. Tri-lingual text in English, Spanish, Catalan. Promoting global literacy for over 30 years.

Softcover, 32 pages, in Spanish and English; very good condition; light creases to covers; no internal marks; first page has light diagonal crease.

Soft cover. Condición: Near Fine. Exhibition catalog of this collaboration between Eugenia Balcells and Peter Van Riper. Oversized paperback. Inscribed on the blank facing the title page. Appears to be signed Peter. possible Van Riper? Priced as though it is not authentic. Book.

Condición: Nuevo. No. 1ª. Pág./pages:187 1100 gramos/grams Idioma/Language:Castellano 18 x 32 x 2.

Barcelona, Edit. Nexus, 2003. Nombroses il lustracions en color. 239 p. 4t major. Rústica editorial il lustrada. Molt bon exemplar. Inclou CD d'Estrenes a la Pedrera II amb obres de Agustí Charles i Bernat Vivancos. Revistes culturals. Art. Art contemporani. Pedagogia. Música.

Condición: New. KlappentextArtist Eugenia Balcells explores color and light as an artistic expression. FREQUENCIES is the catalogue that accompanies a new exhibition project by the artist Eugnia Balcells on some perceptive aspects of energy: light and c.

Páginas sin numerar. Ilustrado con fotografías en color. Texto en catalán, castellano e ingles. Encuadernación en tela editorial con estuche. Buen estado de conservación. 21,5x21,5 cm.

349 pp.; 29.6 x 24.1 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Volume 1 of a catalogue raisonné of the work of artists (last names beginning in A - I) held in the Collection of Contemporary Art Fundación "la Caixa," Barcelona. Catalogue concept and essay by Maria de Corral, director. Curated by Nimfa Bisbe. Additional texts by Juan Vicente Aliaga, Juan Antonio Álvarez Reyes, Ferran Barenblit, Fernando Castro Flórez, Miguel Cereceda Sánchez, Manel Clot, Marta Gili, Carles Guerra, Enrique Juncosa, Amparo Lozano, Jorge Luis Marzo, Neus Miró, Armando Montesinos, Frederic Montornés, Clara Muñoz, Mariano Navarro, Santiago B. Olmo, Rosario Peiró, Martí Peran, Gloria Picazo, Pablo Ramírez, Jorge Ribalta, Sílvia Sauquet, Eva Solans, Johannes Stüttgen, and David G. Torres. Artists include Antoni Abad, Sergi Aguilar, Anna Laura Aláez, Adrián Alemán, Frederic Amat, Carl Andre, Giovanni Anselmo, Janine Antoni, Txomin Badiola, Eugènia Balcells, Javier Baldeón, Miroslaw Balka, Jorge Barbi, Miquel Barceló, Judith Barry, Georg Baselitz, Jean-Michel Basquiat, Joseph Beuys, Christian Boltanski, José Manuel Broto, Helena Cabello, Ana Carceller, Patricio Cabrera, Geneviève Cadieux, Sophie Calle, Carmen Calvo, Miguel Àngel Campano, Maggie Cardelús, Joaquim Chanco, Alan Charlton, Daniel Chust Peters, Victoria Civera, Francesco Clemente, James Coleman, Jordi Colomer, Ricardo Cotanda, Tony Cragg, José Pedro Croft, Enzo Cucchi, Walter Dahn, Ian Davenport, Richard Deacon, Tacita Dean, Gerardo Delgado, Jiri Georg Dokoupil, Helmut Dorner, Lili Dujourie, Pepe Espaliú, Günther Förg, Katharina Fritsch, Bernard Frize, Patricia Gadea, Jorge Galindo, Concha Garcia, Ferran García Sevilla, Robert Gober, Susy Gómez, Curro Gonzalez, Luis Gordillo, Xavier Grau, Asta Gröting, José María Guijarro, Josep Guinovart, Andreas Gursky, Frederico Guzmán, Stefan Hablützel, Peter Halley, Joan Hernández-Díez, José Antonio Hernández-Diez, Gary Hill, Craigie Horsfield, Cristina Iglesias, Pello Irazu, and Juan Francisco Isidro. Includes index of artists. Text in English. Very Good. Light dust-soiling of text block edges. Possibly misprinted: four pages are bound in upside down and 12 pages are inserted folded but loose. Does not seem intentional but does seem original to publication. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.…

kart. Condición: Sehr gut. unnumbered, ca. 100 pp. Good copy, cover with small signs of wear. - Rare catalogue, only b/w images without text. Published with motives from the exhibition 'Fin', held at Galeria Ciento, Barcelona. / ,FIN (THE END, 1978/2010) is an installation made up of one hundred black and white photographs taken from a similar number of photo-love stories. Eugènia Balcells' aim with the work was to show what she defined as "soil fertilised with frustrations, particularly in the world of the manipulated working class woman." The work falls within the field of interest of 1970s feminist artists because it criticises the ways that women are represented in art history and the mass media. Photolove stories interest the artist as products of mass society which, mainly targeting the female market, promote stereotypes and gender-related behaviour within a normalised hegemonic model of coupledom. The pictures, which are from the final scene of each photo-story, are predominantly of the main couple kissing and a brief thought-text of a simple, ordinary expression of absolute happiness. The juxtaposition of these images creates parallels and contrasts loading the pre-existent materials with new meanings, while the group as a whole criticises the subtle imposition of a dominant, conservative social model related to the concept of the traditional couple, and the celebration of the loving relationship as an experience of possession and the negation of the self." (Carmen Fernández Aparicio, Museo Raina Sofia) Sprache: Spanisch Gewicht in Gramm: 250.…

Barcelona, Edit Ajunt. Barcelona, 1993. Nombroses il lustracions en color. Catàleg. 96p. 8è major. Rústica editorial il lustrada. Molt bon exemplar. Art. Art contemporani. Instal lacions. Dones.

Barcelona, Edit Ajunt. Lleida, 1995. Nombroses il lustracions en color. Catàleg. s/p. 8è major apaisat. Rústica editorial il lustrada. Molt bon exemplar. Art. Art contemporani. Instal lacions. Dones.

Tarragona, Edit. Ajunt. Tarragona, 1998. Il lustracions en b/n. 39p. Foli. Rústica editorial il lustrada. Text en català i espanyol. Molt bon exemplar. Art. Pintura. Art contemporani. Art conceptual. Dones. Instal lacions.

Encuadernación de tapa dura. Condición: Bien. Museo Extremeño e Iberoamericano de Arte Contemporáneo, 2009. Cartoné editorial, 32x17 cm., 187 pp., abundantes ilustraciones. Buen estado general.

Hardcover. Condición: New. Multilingual Edition; FREQUENCIES is the catalogue that accompanies a new exhibition project by the artist EugÃÂ nia Balcells on some perceptive aspects of energy: light and colour. FREQUENCIES is a book that wants to be faithful to the screens on which the images of the multimedia installations Colour wheel, Labyrinth, Marble and Frequencies are projected. It is a book that allows us to slowly study the flow of the colour spectrum that defines the geometry of everything that exists. FREQUENCIES is both a visual source of knowledge and a collection of reflections on the communicative capacity of art and sciences.…

Sin Encuadernar. Condición: Muy bien. 1ª Edición. Metrònom, Barcelona, [1983]. 1ª Edición. Tarjeta-invitación de la exposición. La música de la video-instalación estuvo a cargo de Peter Van Riper. 10x15.

Sin Encuadernar. Condición: Muy bien. 1ª Edición. Xiris Centre d'Art, Tarragona, 1977. 1ª Edición. Tarjeta-invitación a la exposición dirigida a la Revista Star Producciones Editoriales. Matasellada. 10,5x16.

Barcelona, 1979, 16x21, sin paginar (106 páginas). Numerosas fotografías e ilustraciones. Encuadernación editorial en tapa blanda. OBRA EN EL ALMACÉN, LLAMAR ANTES DE PASAR A RECOGER. (50009460).

Sin Encuadernar. Condición: Muy bien. 1ª Edición. La Sala Vinçon, Barcelona, 1976. 1ª Edición. Cartel de la muestra de 68x51. Adjuntamos la tarjeta-invitación a la exposición.