baker hal (53 resultados)

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: Very Good. 1777024879. 4/24/2026 10:01:19 AM.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condición: Good. Ex-library copy with the usual markings/stickers/stamping present, including stamping on the page edges. Book shows some shelf & handling wear. Pages are lightly worn on their edges, but remain intact with unmarked text & pictures. A good reading copy.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: Very Good. Very Good Condition. Five star seller - Buy with confidence!

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 150 pages. 9.61x6.69x0.34 inches. In Stock.

Soft cover. Condición: Fine.

Trade Paperback. Condición: Used - Good. Light red pen markings throughout book.otherwise, very clean pages and tight binding.

Condición: New. In.

Condición: NEAR FINE. Book club edition. One of the best and most significant anthologies of modern science fiction, with works by established prize-winning writers and newcomers to the field. SIGNED by THREE authors at their stories: Karl Schroeder at "The Dragon of Pripyap" and Resnick at his story "Hothouse Flowers." and Ben Bova at his story "Mount Olympus." Included in this volume are stories by Michael Swanwick, Mike Resnick, Hal Clement, Alastair Reynolds, Kage Baker, Ben Bova, Robert Silverberg, Frederik Pohl, Kim Stanley Robinson, Tanith Lee and others, along with the editor's annual summary of the year - 1999 - and his list of Honorable Mentions. Cover advertises'more than 250,000 words of fantastic fiction'. lxii, 766 pp. Very near fine in a near fine dustjacket.

Printed Wrappers. Condición: Fine. First Edition. 152pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Roundtable: The Global Before Globalization - Barry Flood, David Joselit, Alexander Nagel, Alessandra Russo, Eugene Wang, Christopher Wood, and Mimi Yiengpruksawan, Wake, Vestige, Survival: Sustainability and the Politics of the Trace in Allora and Calzadilla's Land Mark - Yates McKee, A Spectral Universality: Mona Hatoum's Biopolitics of Abstraction - Jaleh Mansoor, Wild Shanghai Grass - Molly Nesbit, Maison Tropicale: A Conversation with Manthia Diawara - Judith Rodenbeck, The Objective Case: A Review of Objectivity - D. Graham Burnett, and Index: Numbers 130-133 (Fall 2009-Summer 2010). A most handsome example. Journal.

Printed Wrappers. Condición: Fine. First Edition. 166pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Drawing Blanks: Notes on Andy Warhol's Late Works - Benjamin H.D. Buchloh, Flou: Rayographs and the Dada Automatic - Susan Laxton, Speak, Painting: Word and Device in Early Johns - Harry Cooper, From Abstraction to Model: George Brecht's Events and the Conceptual Turn in Art of the 1960s - Julia Robinson, "It has to do with the theater": Bruce Conner's Ratbastards - Kevin Hatch, Remarks on Abstraction - Hubert Damisch, and In Memory of Robert Rauschenberg (1925-2008) - Rosalind Krauss. A most handsome example. Journal.

Printed Wrappers. Condición: Fine. First Edition. 154pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Hiroshima After Iraq: A Study in Art and War - Rosalyn Deutsche, Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film - Michael Cowan, Cinema by Other Means - Pavle Levi, "Big, Middle-Class Modernism" - Richard Meyer, and Leather and Lace - George Baker. A most handsome example. Journal.

Printed Wrappers. Condición: Fine. First Edition. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: The Anthropology of Exit: Bataille on Heidegger and Fascism - Stefanos Geroulanos, Critique of Heidegger - Georges Bataille, Company - Daniel Heller-Roazen, The Gap and the Frame - Branden W. Joseph, How to Make Analogies in a Digital Age - Whitney Davis, and Suspicious Packages - Yates McKee. A most handsome copy. Journal.

Printed Wrappers. Condición: Very Good. First Edition. 138pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: From The Neutral: Session of March 11, 1978 - Roland Barthes, Translated by Rosalind Krauss, Roland Barthes's Novel Antoine Compagnon, Translated by Rosalind Krauss, Notes (on the Index Card) - Denis Hollier, On Duchamp - Michel Leiris, Translated by Rosalind Krauss, Leiris / Nerval: A Few File Cards - Richard Sieburth, "These are not exercises in style": Le Chant du Styrène - Edward Dimendberg, Material Remains: Night and Fog - Emma Wilson, and Artists as Filmmakers in Los Angeles - David E. James. A handsome example showing a slight dent to the crown of the spine. Journal.

Printed Wrappers. Condición: Near Fine. First Edition. 103pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: An Allegory of Criticism - David Joselit; The Material of Film and the Idea of Cinema: Contrasting Practices in Sixties and Seventies Avant-Garde Film - Jonathan Walley; Solecisms of Sight: Specular Speculations - Robert Morris; Line Describing a Cone and Related Films - Anthony McCall; Other Voices for a Second Sight - Vito Acconci. A handsome example. Journal.

Printed Wrappers. Condición: Fine. First Edition. 162pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Girl Love - Kaja Silverman; Reanimations (I) - George Baker; The Projected Image in Contemporary Art - Round Table featuring Malcolm Turvey, Hal Foster, Chrissie Iles, George Baker, Matthew Buckingham, Anthony McCall; The Revolutionary Energy of the Outmoded - Christian Thorne; Beauty and the Status of Contemporary Criticism - Suzanne Perling Hudson; The Jesse Helms Theory of Art - Richard Meyer; Eva Hesse Retrospective: A Note on Milieu - Mignon Nixon; Letters and Responses: Juan Ignacio Vidarte and Allan Sekula. A most handsome copy. Journal.

Printed Wrappers. Condición: Very Good. First Edition. 126pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Notes on Love and Photography - Eduardo Cadava and Paola Cortes-Rocca, Paper Tigress - Yve-Alain Bois, Two Moments from the Post-Medium Condition - Rosalind Krauss, Dream Dust - Mignon Nixon, The Caves of Gallizio and Hirschhorn: Excavations of the Present - Frances Stracey, and Doctor Hypnison and the Case of Written Cinema - Pavle Levi. A handsome example showing a slight dent to the lower foredge corner. Journal.

Printed Wrappers. Condición: Fine. First Edition. 134pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Introduction - Mignon Nixon, A Conversation with Juliet Mitchell - Tamar Garb & Mignon Nixon, Theory as an Object - Juliet Mitchell, On the Couch - Mignon Nixon, An Interview with Thomas Hirschhorn - Benjamin H. D. Buchloh, and Another Geometry: Gego's Reticulárea, 1969-1982 - Mónica Amor. A most handsome copy. Journal.

Printed Wrappers. Condición: Fine. First Edition. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue that is heavily focused on Canadian filmaker/photographer/musician Michael Snow include: Touching to See - Jean Arnaud, Keaton and Snow - Erik Bullot, The Child in the Machine: On the Use of CGI in Michael Snow's Corpus Callosum - Malcolm Turvey, The Sound of Music: A Conversation with Michael Snow - Annette Michelson, The Art of Darkness: On Steve McQueen - T. J. Demos, Photography Found and Lost: On Tacita Dean's Floh - Mark Godfrey, and Photography's Expanded Field - George Baker. A most handsome copy. Journal.

Printed Wrappers. Condición: Fine. First Edition. 150pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue featuring a special section on filmmaker Hollis Frampton include: Room-for-Play: Benjamin's Gamble with Cinema - Miriam Bratu ; They Might Be Giants: Carleton Watkins, Galen Clark, and the Big Tree - Elizabeth Hutchinson; The Invention Without a Future - Hollis Frampton; Words into Film: Toward a Genealogical Understanding of Hollis Frampton's Theory and Practice - Federico Windhausen; Hidden Noise: Strategies of Sound Montage in the Films of Hollis Frampton - Melissa Ragona; History and Ambivalence in Hollis Frampton's "Magellan" - Michael Zryd; The Music of His Music: Edward Said, 1936-2003 - Michael Wood. A most handsome example. Journal.

Printed Wrappers. Condición: Near Fine. First Edition. 115pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: On Two Paintings by Barnett Newman - Yve-Alain Bois; Barnett Newman's Stations and the Memory of the Holocaust - Mark Godfrey; Jean Fautrier's Jolies Juives - Rachel Perry; Of the Public Born: Raymond Hains and La France déchirée - Hannah Feldman; Eichmann in New York: The New York Intellectuals and the Hannah Arendt Controversy - Anson Rabinbach; Stan Brakhage (1933-2003) - Annette Michelson. A handsome copy. Journal.

Printed Wrappers. Condición: Near Fine. First Edition. 111pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this issue include: Round Table: Tate Modern - Briony Fer, Antony Hudek, Mignon Nixon, Alex Potts and Julian Stallabrass; Bridget Riley's Eye/Body Problem - Pamela M. Lee; Filming Israel: A Conversation - Amos Gitai and Annette Michelson; Chabrol and the Execution of the Deed - Jean-Claude Polack and Annette Michelson; From Screen to Site: Television's Material Culture, and Its Place - Anna McCarthy. A handsome copy. Journal.

Hardcover. Condición: Very Good(+). Green-cloth large octavo, gilt to spine and front board, 96,160 pages, b&w illustrations; 25 cm. Volume 5, Number 19. Scarce. Includes "The Labyrinth" by Anais Nin. DJ protected by archival mylar sleeve. Lesbianism -- Literary collections, Sexuality. Contents: Why Celine / by Hal Zucker -- Hobohemians / by Philip Owens -- The tongue of spring and other poems / by Beatrice Baron [decorations by Picasso] -- Five poems / by Shearman Ray -- The labyrinth / by Anais Nin -- Was it will be / by John Lee Weldon -- Tennis anyone? (a photographic study) -- Married misery / by Harry Roskolenko -- Edge of the nest / by Eugene Armfield -- London Aphrodite / edited by Denys Val Baker. Mild wear to spine head and foot, extremely gentle rubbing to rear corners, very minor bumping to top corners, faint musty odor, light soiling to DJ, else Very good(+) in Very good(+) DJ. First edition (presumed; no earlier dates stated).

Paperback. Condición: Brand New. German language. 8.39x6.46x0.59 inches. In Stock.

Printed Wrappers. Condición: Fine. First Edition. 170pp, illustrated in b&w. At the forefront of contemporary arts theory and criticism, "October" has for over thirty-five years focused critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, photography, performance, sculpture, literature. Contributions to this special Benjamin H.D. Buchloh-edited thematic issue devoted to Andy Warhol include: Introduction - Benjamin H.D. Buchloh, Spacious - Douglas Crimp, Warhol's Subject? A Response to Douglas Crimp - Ewa Lajer-Burcharth, Test Subjects - Hal Foster, "That Screen Magnetism": Warhol's Glamour - Brigitte Weingart, Like: Collecting and Collectivity - Jonathan Flatley, When Life Goes to Work: Andy Warhol - Isabelle Graw, 1962 - Branden W. Joseph, and Wonder Waif Meets Super Neuter - Catherine Lord. A brand new, most handsome example. Journal.