bak john (104 resultados)

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. Shine Your Light: Powerful Practices for an Extraordinary Life This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Condición: New.

Condición: New. Brand New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Paperback. Condición: New. Revised. For most of his Broadway plays Tennessee Williams composed an essay, most often for The New York Times, to be published just prior to opening-something to whet the theatergoers' appetites and to get the critics thinking. Many of these were collected in the 1978 volume Where I Live, which is now expanded by noted Williams scholar John S. Bak to include all of Williams' theater essays, biographical pieces, introductions and reviews. This volume also includes a few occasional pieces, program notes, and a discreet selection of juvenilia such as his 1927 essay published in Smart Set, which answers the question "Can a good wife be a good sport?"Wonderful and candid stories abound in these essays-from erudite observations on the theater to veneration for great actresses. In "Five Fiery Ladies" Williams describes his fascinated, deep appreciation of Vivien Leigh, Geraldine Page, Anna Magnani, Katharine Hepburn, and Elizabeth Taylor, all of whom created roles in stage or film versions of his plays. There are two tributes to his great friend Carson McCullers; reviews of Cocteau's film Orpheus and of two novels by Paul Bowles; a portrait of Williams' longtime agent Audrey Wood; a salute to Tallulah Bankhead; a political statement from 1972, "We Are Dissenters Now"; some hilarious stories in response to Elia Kazan's frequent admonition, "Tennessee, Never Talk to An Actress"; and Williams' most moving and astute autobiographical essay, "The Man in the Overstuffed Chair."Theater critic and essayist John Lahr has provided a terrific foreword which sheds further light on Tennessee Williams' writing process, always fueled by Williams' self-deprecating humor and his empathy for life's nonconformists.

Paperback. Condición: new. Paperback. For most of his Broadway plays Tennessee Williams composed an essay, most often for The New York Times, to be published just prior to opening-something to whet the theatergoers' appetites and to get the critics thinking. Many of these were collected in the 1978 volume Where I Live, which is now expanded by noted Williams scholar John S. Bak to include all of Williams' theater essays, biographical pieces, introductions and reviews. This volume also includes a few occasional pieces, program notes, and a discreet selection of juvenilia such as his 1927 essay published in Smart Set, which answers the question "Can a good wife be a good sport?" Wonderful and candid stories abound in these essays-from erudite observations on the theater to veneration for great actresses. In "Five Fiery Ladies" Williams describes his fascinated, deep appreciation of Vivien Leigh, Geraldine Page, Anna Magnani, Katharine Hepburn, and Elizabeth Taylor, all of whom created roles in stage or film versions of his plays.There are two tributes to his great friend Carson McCullers; reviews of Cocteau's film Orpheus and of two novels by Paul Bowles; a portrait of Williams' longtime agent Audrey Wood; a salute to Tallulah Bankhead; a political statement from 1972, "We Are Dissenters Now"; some hilarious stories in response to Elia Kazan's frequent admonition, "Tennessee, Never Talk to An Actress"; and Williams' most moving and astute autobiographical essay, "The Man in the Overstuffed Chair." Theater critic and essayist John Lahr has provided a terrific foreword which sheds further light on Tennessee Williams' writing process, always fueled by Williams' self-deprecating humor and his empathy for life's nonconformists. "There isn't a dull or conventional page, or an unlovely sentence in the book."-Scott Eyman, The Palm Beach Post Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Condición: Fine. Octavo, 313 pages, paperback. Fine. Slight bump at bottom of spine.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781558498778.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Condición: New. 2009. Revised. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: New. At the end of the nineteenth century, several countries were developing journalistic traditions similar to what we identify today as literary reportage or literary journalism. Yet throughout most of the twentieth century, in particular after World War I, that tradition was overshadowed and even marginalised by the general perception among democratic states that journalism ought to be either "objective," as in the American tradition, or "polemical," as in the European. Nonetheless, literary journalism would survive and, at times, even thrive. How and why is a story that is unique to each nation. Though largely considered an Anglo-American phenomenon today, literary journalism has had a long and complex international history, one built on a combination of traditions and influences that are sometimes quite specific to a nation and at other times come from the blending of cultures across borders. These essays examine this phenomenon from various international perspectives, documenting literary journalism's rich and diverse heritage and describing its development within a global context. In addition to the editors, contributors include David Abrahamson, Peiqin Chen, Clazina Dingemanse, William Dow, Rutger de Graaf, John Hartsock, Nikki Hessell, Maria Lassila-Merisalo, Edvaldo Pereira Lima, Willa McDonald, Jenny McKay, Sonja Merljak Zdovc, Sonia Parratt, Norman Sims, Isabel Soares, and Soenke Zehle.

Condición: New. Brand New.

Condición: New. 2009. Revised. paperback. . . . . .

Dvd. Condición: Very Good. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. ; A Woman Of Substance / Hold The Dream / To Be The Best; 8 X 5.5 X 2 inches.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9781558498778.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 306 pages. 9.00x6.00x1.00 inches. In Stock.

Condición: New. Essays that place literary journalism in an international context Editor(s): Bak, John S.; Reynolds, Bill. Num Pages: 320 pages, Illustrations. BIC Classification: JFD; KNTJ. Category: (P) Professional & Vocational. Dimension: 157 x 236 x 20. Weight in Grams: 484. . 2011. Paperback. . . . .

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. Essays that place literary journalism in an international context Editor(s): Bak, John S.; Reynolds, Bill. Num Pages: 320 pages, Illustrations. BIC Classification: JFD; KNTJ. Category: (P) Professional & Vocational. Dimension: 157 x 236 x 20. Weight in Grams: 484. . 2011. Paperback. . . . . Books ship from the US and Ireland.

Condición: New.

Condición: Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Paperback. Condición: new. Paperback. For most of his Broadway plays Tennessee Williams composed an essay, most often for The New York Times, to be published just prior to opening-something to whet the theatergoers' appetites and to get the critics thinking. Many of these were collected in the 1978 volume Where I Live, which is now expanded by noted Williams scholar John S. Bak to include all of Williams' theater essays, biographical pieces, introductions and reviews. This volume also includes a few occasional pieces, program notes, and a discreet selection of juvenilia such as his 1927 essay published in Smart Set, which answers the question "Can a good wife be a good sport?" Wonderful and candid stories abound in these essays-from erudite observations on the theater to veneration for great actresses. In "Five Fiery Ladies" Williams describes his fascinated, deep appreciation of Vivien Leigh, Geraldine Page, Anna Magnani, Katharine Hepburn, and Elizabeth Taylor, all of whom created roles in stage or film versions of his plays.There are two tributes to his great friend Carson McCullers; reviews of Cocteau's film Orpheus and of two novels by Paul Bowles; a portrait of Williams' longtime agent Audrey Wood; a salute to Tallulah Bankhead; a political statement from 1972, "We Are Dissenters Now"; some hilarious stories in response to Elia Kazan's frequent admonition, "Tennessee, Never Talk to An Actress"; and Williams' most moving and astute autobiographical essay, "The Man in the Overstuffed Chair." Theater critic and essayist John Lahr has provided a terrific foreword which sheds further light on Tennessee Williams' writing process, always fueled by Williams' self-deprecating humor and his empathy for life's nonconformists. "There isn't a dull or conventional page, or an unlovely sentence in the book."-Scott Eyman, The Palm Beach Post Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Good. Paperback Octavo. wraps, 313 pp, front and back cover lightly creased, agency's sticker and stamp on half title page Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.