Idioma: Inglés
Publicado por University of California Press, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 3,37
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Idioma: Inglés
Publicado por University of California Press, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
EUR 3,59
Cantidad disponible: 3 disponibles
Añadir al carritoPaperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.
Idioma: Inglés
Publicado por CreateSpace Independent Publishi, 2015
ISBN 10: 1507607830 ISBN 13: 9781507607831
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
EUR 6,87
Cantidad disponible: 1 disponibles
Añadir al carritopaperback. Condición: Very Good.
Idioma: Inglés
Publicado por University of Rochester Press, 2004
ISBN 10: 1580461433 ISBN 13: 9781580461436
Librería: The Enigmatic Reader, Los Angeles, CA, Estados Unidos de America
EUR 17,70
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Very Good. No Jacket. Ex-library.
Publicado por American Musiological Society, Philadelphia, 1995
Librería: Cat's Cradle Books, Archdale, NC, Estados Unidos de America
EUR 17,70
Cantidad disponible: 1 disponibles
Añadir al carritoSoftcover. Sound binding. Clean, bright pages. Wrappers have light shelf wear. Contents: van Orden, Sexual discourse in the Parisian chanson: a libidinous aviary. Magee, Revisiting Fletcher Henderson's "Copenhagen." Ashby, On Modell-Typen and Reihenformen: Berrg, Schoenberg, F. H. Klein, and the concept of row derivation. ; 9.25" tall; 168 pages. Very Good in No Dust Jacket dust jacket.
Idioma: Inglés
Publicado por University of California Press, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Librería: GoldBooks, Denver, CO, Estados Unidos de America
EUR 24,76
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. New Copy. Customer Service Guaranteed.
Idioma: Inglés
Publicado por Oxford University Press, 2013
ISBN 10: 0199827354 ISBN 13: 9780199827350
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
EUR 29,84
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
EUR 27,68
Cantidad disponible: 2 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
EUR 28,52
Cantidad disponible: 2 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Rowman & Littlefield Publishers 6/15/2024, 2024
ISBN 10: 153819886X ISBN 13: 9781538198865
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
EUR 30,86
Cantidad disponible: 5 disponibles
Añadir al carritoPaperback or Softback. Condición: New. Experiencing Mahler: A Listener's Companion. Book.
Idioma: Inglés
Publicado por Oxford University Press, 2013
ISBN 10: 0199827354 ISBN 13: 9780199827350
Librería: Prometei Books, New Rochelle, NY, Estados Unidos de America
EUR 26,90
Cantidad disponible: 1 disponibles
Añadir al carritoSoft cover. Condición: New. New book, never read. Pages clean and crisp, spine unbroken. 0223A.
Idioma: Inglés
Publicado por Oxford University Press, Incorporated, 2013
ISBN 10: 0199827354 ISBN 13: 9780199827350
Librería: Better World Books Ltd, Dunfermline, Reino Unido
EUR 25,79
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de America
EUR 38,49
Cantidad disponible: 1 disponibles
Añadir al carritoCondición: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 37,14
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Boydell and Brewer Ltd, 2010
ISBN 10: 1580463754 ISBN 13: 9781580463751
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 39,66
Cantidad disponible: 15 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por University of California Press, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 38,28
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por University of California Press, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 38,42
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por University of California Press 6/7/2010, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de America
EUR 41,74
Cantidad disponible: 5 disponibles
Añadir al carritoPaperback or Softback. Condición: New. Absolute Music, Mechanical Reproduction. Book.
Idioma: Inglés
Publicado por University of California Press, US, 2010
ISBN 10: 0520264800 ISBN 13: 9780520264809
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 41,80
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. Recordings are now the primary way we hear classical music, especially the more abstract styles of 'absolute' instrumental music. In this original, provocative book, Arved Ashby argues that recording technology has transformed our understanding of art music. Contesting the laments of nostalgic critics, Ashby sees recordings as socially progressive and instruments of a musical vernacular, but also finds that recording and absolute music actually involve similar notions of removing sound from context. He takes stock of technology's impact on classical music, addressing the questions at the heart of the issue. This erudite yet concise study reveals how mechanical reproduction has transformed classical musical culture and the very act of listening, breaking down aesthetic and generational barriers and mixing classical music into the soundtrack of everyday life.
Idioma: Inglés
Publicado por Rowman & Littlefield Publishers, 2020
ISBN 10: 1538104865 ISBN 13: 9781538104866
Librería: B-Line Books, Amherst, NS, Canada
EUR 30,10
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: Fine. Stiff unmarked book in illustrated boards; about new. ; 6.37 X 0.99 X 9.34 inches; 272 pages.
Idioma: Inglés
Publicado por Boydell and Brewer Ltd, 2010
ISBN 10: 1580463754 ISBN 13: 9781580463751
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 36,01
Cantidad disponible: 15 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Boydell and Brewer Ltd, US, 2010
ISBN 10: 1580463754 ISBN 13: 9781580463751
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 42,14
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. An exploration of the meaning and reception of "modernist" music.The debate over modernist music has continued for almost a century: from Strauss's Elektra and Webern's Symphony Op.21 to John Cage's renegotiation of musical control, the unusual musical practices of the Velvet Underground, and Stanley Kubrick's use of Ligeti's Lux Aeterna in the epic film 2001. The composers discussed in these pages -- including Bartók, Stockhausen, Bernard Herrmann, Steve Reich, and many others -- are modernists inthat they are defined by their individualism, whether covert or overt, and share a basic urge toward redesigning musical discourse. The aim of this volume is to negotiate a varied and open middle ground between polemical extremes of reception. The contributors sketch out the possible significance of a repertory that in past discussions has been deemed either meaningless or beyond describable meaning. With an emphasis on recent aesthetics and contexts-- including film music, sexuality, metaphor, and ideas of a listening grammar -- they trace the meanings that such works and composers have held for listeners of different kinds. None of them takes up the usual mandate of "educated listening" to modernist works: the notion that a person can appreciate "difficult" music if given enough time and schooling. Instead the book defines novel but meaningful avenues of significance for modernist music, avenues beyond those deemed appropriate or acceptable by the academy. While some contributors offer new listening strategies, most interpret the listening premise more loosely: as a metaphor for any manner of personal and immediate connection with music. In addition to a previously untranslated article by Pierre Boulez, the volume contains articles (all but one previously unpublished) by twelve distinctive and prominent composers, music critics, and music theorists from America, Europe, Australia, and South Africa: Arved Ashby, Amy Bauer, William Bolcom, Jonathan Bernard, Judy Lochhead, Fred Maus, Andrew Mead, Greg Sandow, Martin Scherzinger, Jeremy Tambling, Richard Toop, and Lloyd Whitesell. Arved Ashby is Associate Professor of Music at the Ohio State University.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 40,01
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 28,80
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New. In.
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 36,72
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: new.
EUR 28,78
Cantidad disponible: 2 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Oxford University Press, 2013
ISBN 10: 0199827354 ISBN 13: 9780199827350
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 45,46
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Oxford University Press Inc, US, 2013
ISBN 10: 0199827354 ISBN 13: 9780199827350
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 48,09
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. Illustrated. Movies have never been the same since MTV. While the classic symphonic film score promised direct insight into a character's mind, the expanded role of popular music has made more ambiguous the question of when, if ever, we are allowed to see or share a character's emotions. As a result, the potential for irony and ambiguity has multiplied exponentially, and characterization and narrative capacities have fragmented. At the most basic level, this new aesthetic has required filmgoers to renegotiate some of their most basic instinctual connections with the human voice and with any sense of a filmmaking self. Music videos widened the creative vocabulary of filmmaking: they increased speeds of event in cinema and deflecting filmmakers from narrative, characterization, and storytelling toward a concentration on situation, feeling, mood, and time. Popular Music and the New Auteur charts the impact of music videos on seven visionary directors: Martin Scorsese, Sofia Coppola, David Lynch, Wong Kar-Wai, the Coen brothers, Quentin Tarantino, and Wes Anderson. Ashby and his contributors define these filmmakers' relation to the soundtrack as their key authorial gesture. These filmmakers demonstrate a fresh kind of cinematic musicality by writing against music rather than against script, and allowing pop songs a determining role in narrative and imagery. Featuring important new theoretical work by some of the most stimulating and provocative writers in the area today, Popular Music and the New Auteur will be required reading for all who study film music and sound. It will also be particularly relevant for readers in popular music studies, and its intervention in the ongoing debate on auteurism will make it necessary reading in film studies.
EUR 30,71
Cantidad disponible: 2 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Oxford University Press, 2013
ISBN 10: 0199827354 ISBN 13: 9780199827350
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 46,73
Cantidad disponible: Más de 20 disponibles
Añadir al carritoCondición: As New. Unread book in perfect condition.