April m watson (53 resultados)

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Condición: Very Good. With dust jacket. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

First edition Fine and bright strong heavy wrap cover, almost a hardcover in endurance. Beautifully illustrated with a variety of photographs and art work and deeply realized text.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Stiff softbound. First Impression. Demy folio, [28.125cm/11.25inches], full pictorial boards sans dust jacket, pp. 312, indexed. Illustrated with b-w halftones, colour plates, &tc. Please feel free to ask for particulars and/or additional photographs. The January 2014 number of Art History News noted: " A groundbreaking exhibition of mid-19th century French painting and photography opens at The Nelson-Atkins Museum of Art in Kansas City Oct. 19, 2013 where it will be on view through Feb. 9, 2014 and at The Saint Louis Art Museum from March 16 through July 6, 2104. Featuring approximately 125 works, Impressionist France: Visions of Nation from Le Gray to Monet takes visitors on a vicarious journey through the spectacular French landscape, emphasizing connections between photography, painting and the emerging Impressionist artists during a period in which France was being fundamentally transformed and modernized (1850-1880). Key paintings by well-known artists such as Claude Monet and Camille Pissarro, as well as important photographs by influential photographers like Gustave Le Gray and Édouard Baldus will be featured. This exhibition will include important works from 42 museums and private collections, including The Metropolitan Museum of Art, The J. Paul Getty Museum, The Art Institute of Chicago, the National Gallery of Art, Washington, D.C., the Museum of Fine Arts, Houston, the Victoria and Albert Museum, and the Musées nationaux du Palais de Compiègne, among many others. It will also be the first major exhibition to feature significant and important new acquisitions by the Nelson-Atkins in 19th-century French photography". In exceptionally good condition.…

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Cloth. Condición: Fine. Estado de la sobrecubierta: No Dust Jacket As Issued. A nice, bright copy. ; Duotones; 11.2 X 0.8 X 11.2 inches; 120 pages.

Condición: As New. Unread book in perfect condition.

Softcover. White & color illus. wraps, maps on flyleaves, 312 pp., many BW & color illus. Issued in conjunction with several 2013-2014 exhibitions. "Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and photographs made during this period, examining and illustrating in particular the works of key artists such as Édouard Baldus, Gustave Le Gray, the Bisson Frères, Édouard Manet, Jean-François Millet, Claude Monet, Charles Nègre, and Camille Pissarro." (publisher) With essays by Simon Kelly, April M. Watson, Neil McWilliam, and Maura Couglin, and a substantial catalogue. A great introduction to impressionism. VG (Corners slightly bumped, otherwise As New.).…

Soft cover. Condición: Very Good. Limited Edition. Oblong softcover, 86 pgs. 9 x 7 in. 37 color plates. Signed and numbered by the artist (#47/170). Includes typed, signed letter to gallerist erry Etherton laid in. Text by Roy Flukinger, Senior Research Curator, Harry Ransom Center, The University of Texas at Austin and April M. Watson Ph.D., Photography Curator The Nelson-Atkins Museum of Art. Moderate rubbing to cover, else fine.…

Condición: New. pp. 312 359 Illus. (Col.).

Condición: New.

Hardcover. Condición: Fine. Book.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: New.

Condición: New.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st Edition. First Edition. 13 x 11.75 inches. 251 pp. b/w and color plates throughout. Maroon cloth lettered in light blue gilt at spine. Light shelf-wear. Photographic jacket. Near Fine in Fine dust jacket. In mylar wrapper.

Hardcover. Condición: New. No Jacket. 1st Edition. New Haven, 2022. First edition. First printing. Hardbound. Very Fine/issued without jacket. A clean tight copy, unread, still in original shrink-wrap. issued with Nelson-Atkins Museum of Art (author), Jim Dow (photographer), April M. Watson (writer of added text). A nice, bright copy. Duotones; 11.2 X 0.8 X 11.2 inches; 120 pages.…

Hardback. Condición: New. How Hofer used the photobook form to chronicle American and European cities in an era of postwar transformationPublished with High Museum of Art and The Nelson-Atkins Museum of Art.Evelyn Hofer was a highly innovative photographer whose prolific career spanned five decades. Despite her extraordinary output, she was underrecognized during her lifetime and was notably referred to by New York Times art critic Hilton Kramer as "the most famous unknown photographer in America." She made her greatest impact through a series of photobooks, published throughout the 1960s, devoted to European and American cities, including Florence, London, New York, Washington and Dublin, and a book focused on the country of Spain.Comprising more than 100 photographs in both black and white and color, Eyes on the City accompanies the artist's first major museum exhibition in the United States in over 50 years and is organized around her photobooks. The photographs feature landscapes and architectural views combined with portraiture, conveying the unique character and personality of these urban capitals during a period of intense structural, social and economic transformations after World War II.Evelyn Hofer (1922-2009) was born in Germany and moved to New York in 1946. She was an early adopter of color photography and published assignments for many major magazines including Vogue and Harper's Bazaar. Hofer collaborated with authors such as Mary McCarthy and V.S. Pritchett on several books, including The Stones of Florence (1959), London Perceived (1962) and Dublin: A Portrait (1967). She died in Mexico City. …

Paperback. Condición: New. A novel look at the relationship between Impressionist painting and photography and the forging of a national identity in France between 1850 and 1880 Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and photographs made during this period, examining and illustrating in particular the works of key artists such as Édouard Baldus, Gustave Le Gray, the Bisson Frères, Édouard Manet, Jean-François Millet, Claude Monet, Charles Nègre, and Camille Pissarro. This ambitious premise focuses on the whole of France, exploring the relationship between landscape art and the notion of French nationhood across the country's varied and spectacular landscapes in seven geographical sections and four scholarly essays, which provide new information regarding the production and impact of French Impressionism.Distributed for the Nelson-Atkins Museum of Art and the Saint Louis Museum of ArtExhibition Schedule:Nelson-Atkins Museum of Art(10/19/13-02/09/14)Saint Louis Art Museum(03/16/14-07/06/14).…

Condición: New.

Paperback. Condición: Brand New. 1st edition. 312 pages. 11.25x10.00x1.00 inches. In Stock.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.