antonio muntadas (28 resultados)

paperback. Condición: Good.

Paperback. Condición: Very Good. G+ Light wear to cover. Clean, tight copy.

Condición: Muy bueno. : Este libro explora la intersección entre la arquitectura y la discapacidad intelectual, presentando experiencias docentes y artículos relacionados. Se destaca la colaboración entre la universidad, la sociedad y la empresa, a través de la Cátedra Bantierra-Fundación ADECCO de la Universidad San Jorge, que ha consolidado una metodología docente de integración social entre colectivos vulnerables y estudiantes universitarios. El objetivo es facilitar compromisos sociales para la convivencia desde la formación universitaria. EAN: 9788494185083 Tipo: Libros Categoría: Otros Título: Arquitectura y discapacidad. Momentos de coincidencia Autor: Antonio Estepa Rubio| Ángel B. Comeras Serrano| María Andeyro García| Elvira Carpintero Molina| Margarita De Luxán García de Diego| Elena López-Rioboo Moreno| Chaime Marcuello Servós| Teresa Muntadas Peiro Editorial: Ediciones Universidad San Jorge Idioma: es-ES Páginas: 184 Formato: tapa blanda.

Rústica ilustrada con Solapa. Condición: Bueno. Signatura.-Zabala.-Periodismo.-Portada, 262 pgs.-Con numerosas ilustraciones.-Muy buen ejemplar.-Envío nacional certificado, sin contra reembolso: 4 euros.

Condición: New. New, unread softcover. No marks or flaws.

First Edition. First edition. Softcover. 99 pages. Includes information about images Sanja Ivekovic, Reese Williamas, John Brumfifeld, Hans Haacke, David Craven, Erika Rothenberg, Kristine Stiles, Les Levine, Dan Graham, Chip Lord, Victor Burgin, General Idea, Hal Fischer, and numerous others. A very near fine copy in wrappers.

Softcover, staple-bound, 16 pages; very good condition; except light creases down length of front cover; no internal marks.

Staplebound. 16pp., illustrations, wraps. 10.75 x 7.75 in. Scuffing to rear cover. Installation by the Spanish multimedia artist of Televangelists' portraits set up in a corporate board room. With an artist?s statement, essay by Ihor Holubizky, and essay by Brian Wallis.

99 pp.; 27.9 x 21.4 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at the Massachusetts Institute of Technology, Cambridge, Massachusetts, 1982. Edited by Antonio Muntadas and Peter D'Agostino. Artists include Sanja Ivekovic, Reese Williams, John Brumfield, Hans Haacke, David Craven, Erika Rothenberg, Kristine Stiles, Les Levine, Dan Graham, Chip Lord, Richard Kriesche, Victor Burgin, General Idea, Robert Morgan, Joan Rabascall, Hal Fischer, Catalina Parra, Jusy Malloy, and Judith Barry. Includes quotations and sources. Very Good / Fine. Light rubbing of cover edge and dusting of covers. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Paperback. Condición: Near Fine. A Near Fine paperback with very minor shelfwear. Signed by both editors. Black and white illustrations throughout. 99 pages. 8.5" x 11". Published in conjunction with an exhibition at MIT's Hayden Corridor Gallery, The Un/Necessary Image (1982) is a collection of essays by artists and critics in which they explore the paradox of art's existence being both dependent on its cultural and historical context and also a generative force behind popular culture. Edited by artists Peter D'Agostino and Antonio Muntadas. .

Condición: Good. 4to. 207 pp. Stapled wraps. Very Good; a few minor scuff marks on cover corners. Color cuts, photographs, illustrations. Features works by Antonia Muntadas. Text in Spanish and English.

Condición: Very Good. ~ This catalogue is finely illustrated in colors with all 155 lots offered for sale ~ Publishers' wrappers ~ 193p ~ 27x21x2cm. ~ In Very Good condition ~ LANGUAGE: Português // We accept PayPal & EU bank transfer in EUROS //.

Softcover, unpaginated; in Spanish, very good condition, light rubbing to covers; small stain to top edge of last few pages; no other internal marks. Foreign shipping may be extra.

In-4 carré ( 280 X 215 mm ) de 24 pages, broché sous couverture illustrée. Illustrations dans et hors-texte. Très bel exemplaire. Beaux-Arts,Avant-Garde.

[2] pp.; 11.4 x 15.9 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Two sided announcement card published in conjunction with show held November 21, 2002 - January 25, 2003. Artists include Bobby Neel Adams, Dennis Adams, Herbert Bayer, Chris Burden, Leandro Erlich, Hans Haacke, Richard Hamilton, Peter Kennard, Antonio Muntadas, and Judi Werthein. Very Good. Rubbing of card edges with light bumping of corners and upper left edge. Otherwise clean and unmarked.

N.pl., Reina Sofia, 1988. 55 pp. Plts. Softcover.

Rústica. Condición: New. Estado de la sobrecubierta: Nuevo. 01. LIBRO.

Condición: Very good.

726 pp.; 27 x 20.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Large-scale exhibition catalogue published in conjunction with show held June 6 - August 29, 1999. Essays by Vicente Todolí, João Fernandes, Miguel Wandschneider, Germano Celant, Robert Pincus-Witten, Antje von Graevenitz, Marita Sturken, Maria José Fazenda. Includes artists:Helena Almeida, Armando Alves, Giovanni Anselmo, António Areal, Richard Artschwager, John Baldessari, Manuel Baptista, Georg Baselitz, Eduardo Batarda, Lothar Baumgarten, Bernd & Hilla Becher, René Bertholo, Joseph Beuys, Mel Bochner, Christian Boltanski, Joaquim Bravo, Marcel Broodthaers, James Lee Byars, Fernando Calhau, Alberto Carneiro, Zulmiro de Carvalho, Manuel Casimiro, Lourdes Castro, António Charrua, Lygia Clark, Noronha Da Costa, José Escada, Öyvind Fahlström, Hans-Peter Feldmann, Robert Filliou, Robert Frank, Hamish Fulton, Gilbert & George, Imi Giese, Luis Gordillo, Dan Graham, José de Guimarães, Hans Haacke, Richard Hamilton, Ana Hartherly, Eva Hesse, Peter Hutchinson, Jörg Immendorff, António Manuel, Jorge Martins, Gordon Matta-Clark, Cildo Meireles, Mario Merz, Robert Morris, Ree Morton, Antonio Muntadas, Bruce Nauman, Rolando Sá Nogueira, Maria Nordman, Hélio Oiticica, Claes Oldenburg, Dennis Oppenheim, Blinky Palermo, António Palolo, Lygia Pape, A.R. Penck [Ralf Winkler], Jorge Pinheiro, Adrian Piper, Michelangelo Pistoletto, Sigmar Polke, Júlio Pomar, Vítor Pomar, Robert Rauschenberg, Paula Rego, Gerhard Richter, José Rodrigues, Joaquim Rodrigo, James Rosenquist, Dieter Roth, Susan Rothenberg, Edward Ruscha, Reiner Ruthenbeck, Julião Sarmento, António Sena, Richard Serra, Joel Shapiro, Nikias Skapinakis, Robert Smithson, Keith Sonnier, Ângelo de Sousa, Salette Tavares, Paul Thek, Francesc Torres, Richard Tuttle, Ana Vieíra, João Vieira, Pires Vieira, Andy Warhol, Lawrence Weiner, Gilberto Zorio, Vito Acconci, Eleanor Antin, David Askevold, Artur Barrio, Lynda Benglis, Chris Burden, Peter Campus, Merce Cunningham, Juan Downey, Valie Export, Hermine Freed, Anna Bella Geiger, Mako Idemitsu, Joan Jonas, Shigeko Kubota, David Lamelas, Paul McCarthy, Ana Mendieta, Susan Mogul, Nam June Paik, Charlemagne Palestine, Yvonne Rainer, Ulrike Rosenbach, Martha Rosler, Miralda Rossell, Gerry Schum, Paul Sharits, Michael Snow, T.R. Uthco, William Wegman, Hannah Wilke. Includes chronology, checklist and biographies for participating artists. Texts in English and Portuguese. Very Good. Light wear to covers and cover corners with light soiling from dust to page edges. Creasing of spine and 8 mm. tear to spine edge. Contents clean and unmarked. Due to very large size and weight additional shipping charges may be required.

Girona, Edit. Papers d'art, 1990. Il lustracions en b/n s/p. Foli. Rústica editorial il lustrada. Molt bon exemplar. Revistes culturals. Art. Pintura. Escultura. Altres. Art contemporani.

142 pp.; 25.5 x 18 cm.; glue bound; black-and-white & color; edition size 3000; unsigned and unnumbered; offset-printed; Next to last issue of File Megazine critiques the art market on the heals of the sale of Vincent van Gogh's masterpiece Sunflowers for a then record price of $39,921,750 on March 30, 1987 at Christie's. From the introduction editorial: "This issue of FILE we present as a commodity and it is a commodity. The artists in this issue use the language of the subject of commodification as the canvas upon which they layer their artworks." Contents include: "Dollar Bills," inside covers by Andy Warhol; "O.T.," endpapers by Rosemarie Trockel; "Misty Two," by Richard Prince; "Editorial," by General Idea; " Capital Pictures," by Marianne Staniszewski; artists' projects by Sylvia Kolbowski, Haim Steinbach, David Buchan and Barbara Kruger; "Generic Still Lifes," by Antonio Muntadas; "Personals," by Alan Belcher; "Anti-Baudrillard," by Group Material; "Ad(veritas)ments;" "Bunny Bleu" by Richard Prince and "Untitled (Cowboys) by Richard Prince on the back cover. References : No. 8708 in "General Idea : Editions 1967 - 1995" by General Idea, Barbara Fischer, AA Bronson, Fern Bayer, Jean-Christophe Ammann, Lionel Bovier, Cathy Busby, Christophe Cherix, Joshua Decter, Diedrich Diederichsen, Mike Kelley, John Miller, Philip Monk, Stephan Trescher. Toronto, Canada : Blackwood Gallery, University of Toronto at Mississauga, 2003, pp. 185. "In Numbers : Serial Publications by Artists Since 1955" by Andrew Roth, Philip Aarons, Victor Brand, Clive Phillpot, Neville Wakefield, Nancy Princenthal, William S. Wilson. Zurich / New York, Switzerland / NY : JRP - Ringier / PPP Editions, 2008, pp. 176. Good. Bumping to top right corner of recto with rubbing of cover and spine edges. 8 mm. of rubbing to first page; 7.8 cm. dog-ear to top left verso corner; 2.9 cm. dog-ear to top right corners of pages 1-10; 7.9 cm. dog-ear to top right corner of pages 141-150. Contents otherwise clean and unmarked.

[8] pp.; 16.3 x 17.8 cm.; accordion; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Accordion fold announcement published in conjunction with show held April 1 - 19, 1980. Exhibition featured three videos by Muntadas in the Video Viewing Room: "Liege 12.9.77," "On Subjectivity: About TV," and "Between the Lines" and an installation "Personal/Public" in the gallery. Very Good. Mailed copy with mailing marks and wear. 3 mm. tear to lower right edge of publication and bumping at center of upper edge. Light additional overall rubbing, otherwise clean and unmarked.

[2] pp.; 13 x 18 cm.; duotone; edition size unknown; unsigned and unnumbered; offset-printed Double-sided postcard / announcement published in conjunction with show held March 2 - March 30, 1985. Artists included Dennis Adams, Douglas Ashford, Rudolph Baranik, Terry Berkowitz, Chris Bratton, Luis Camnitzer, Michael Corris, Eric Darton, Douglas Davis, Juan Downey, Leon Golub, Alfredo Jaar, Jerry Kearns, Margia Kramer, Michael Lebron, Larry List, Despo Magoni, Margot McLean, Rudy Montanez, Antonio Muntadas, Saul Ostrow, David Reynolds, Geno Rodriguez, Tim Rollins, Martha Rosler, Erika Rothenberg, Carolee Schneemann, Greg Sholette, Mimi Smith, Nancy Spero, May Stevens, and Francesc Torres. Good. Hand-addressed mailed copy with mailing marks and mild wear. Short note from sender in ink on verso, otherwise clean and unmarked.

[2] pp.; 12.7 x 17.7 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard / announcement published in conjunction with Antonio Muntadas'' "The Limousine Project," which traveled around New York City from December 8th, 1990 to February 3rd, 1991. Sponsored by the Public Art Fund. "A black stretch limousine has been transformed by Antonio Muntadas (b.1942, Barcelona, Spain) to house four slide projectors. Images are projected from the limousine''s interior onto both right- and left-side passenger windows. These images are visible on exterior windows to passersby as the vehicle is driven throughout New York City. The limousine circles locations associated with those images depicted visually on the windows: Wall Street (economics), United Nations (politics), night clubs (entertainment), and other places. Muntadas perceives The Limousine Project as a city-specific project for New York, where the limousine is an everyday symbol of power and the media in our society. The projections display words and images decontextualized from advertisements, headlines, and political slogans. Muntadas notes that the selection of these words and images is aimed at the reformulation of a current media event: ''Censorship as Obscenity, Media Manipulation as Obscenity, Gentrification as Obscenity?'' Through decontextualization and juxtaposition, the projections invited public dialogue on related issues within contemporary culture." -- publisher''s statement. Good / Very Good. 6 mm. dog-ear to upper left corner of recto with splitting of paper layers; 1 cm. crease to bottom left corner; and light bumping of right side corners. Light rubbing along verso edges, otherwise clean and unmarked.

[2] pp.; 12.7 x 17.7 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard / announcement published in conjunction with Antonio Muntadas'' "The Limousine Project," which traveled around New York City from December 8th, 1990 to February 3rd, 1991. Sponsored by the Public Art Fund. "A black stretch limousine has been transformed by Antonio Muntadas (b.1942, Barcelona, Spain) to house four slide projectors. Images are projected from the limousine''s interior onto both right- and left-side passenger windows. These images are visible on exterior windows to passersby as the vehicle is driven throughout New York City. The limousine circles locations associated with those images depicted visually on the windows: Wall Street (economics), United Nations (politics), night clubs (entertainment), and other places. Muntadas perceives The Limousine Project as a city-specific project for New York, where the limousine is an everyday symbol of power and the media in our society. The projections display words and images decontextualized from advertisements, headlines, and political slogans. Muntadas notes that the selection of these words and images is aimed at the reformulation of a current media event: ''Censorship as Obscenity, Media Manipulation as Obscenity, Gentrification as Obscenity?'' Through decontextualization and juxtaposition, the projections invited public dialogue on related issues within contemporary culture." -- publisher''s statement. Good / Very Good. 1.4 cm. crease to upper left corner and 6 mm. crease to bottom left corner of recto with additional light edge wear including rubbing along edges of verso, otherwise clean and unmarked.

Tapa blanda. Condición: Nuevo. Impresión bajo demanda.

[1] pp.; 21.9 x 31.8 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided folded flyer / poster published in conjunction with video project by Antonio Muntadas held October 8, 9, 10, [1976]. Produced in collaboration with J. L. Carrillo, J. Rodes, M. Smith and Sony. Vey Good. Folded in three as issued. 3.4 cm. dog-ear to lower right corner of recto with additional light bumping at fold edges. 13 cm. narrow line of yellow soiling to verso, otherwise clean and unmarked.

[1] pp.; 29.5 x 21 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Single sided folded flyer / poster published in conjunction with videotape and publication project by Antonio Muntadas held October 5 - November 2, 1976. Produced in collaboration with Sony, Xerox, and Galeria Vandres. Vey Good. Folded in three as issued. 3 mm. tear to lower left corner of recto and a 4.5 cm. dog-ear to corner. Light rubbing and handling wear, otherwise clean and unmarked.