Annika k johnson (22 resultados)

hardcover. Condición: Very Good. Binding is tight and square. Light shelf wear. Large and Heavy. Book was donated to Friends of Omaha Public Library.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condición: As New. Book appears to be unread. Binding is tight and square. Contents are crisp, clean, complete and undamaged. Book was donated to Friends of Omaha Public Library.

Condición: New.

Hardcover. Condición: new. Hardcover. The artists vision of a vibrant Indigenous future, interpreted through his workThis impressive volume offers a dynamic view of new work by acclaimed artist Cannupa Hanska Luger (b. 1979). Born on the Standing Rock Reservation in South Dakota, Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is Mandan, Hidatsa, Arikara, and Lakota. His deep ties to the northern Plains ground his vision for a vibrant Indigenous future, animated by ceramics, video, and repurposed materials. Lugers innovative approach engages The Joslyns renowned collection of watercolors painted by Swiss artist Karl Bodmer during his 183334 journey along the Missouri River. Through monumental ceramics, immersive video projections, and life-size bison dancers called Mideegaadi, the artist reimagines Bodmers depictions of his ancestors and situates these works within landscapes now submerged by colonial damming projects. Dripping Earth invites a shared vision of the future where land, identity, and culture are reclaimed and revitalized. The lead essay contextualizes Lugers project and its revelatory perspective on cultural fluidity. A conversation between Luger and knowledge bearer Michael Barthelemy reveals affinities between Lugers art and Indigenous stories. Throughout the illustrated catalog short interpretive essays provide diverse insights into Lugers multifaceted work. The artists vision of a vibrant Indigenous future, interpreted through his workThis impressive volume offers a dynamic view of new work by acclaimed artist Cannupa Hanska Luger (b. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. A fascinating visual record of nineteenth-century Indigenous communities in the American WestIn the early nineteenth century, Prince Maximilian of Wied traveled the Missouri River to uncover what he called "the natural face of North America"-its landscapes, flora and fauna, and Native inhabitants. Among his small party was artist Karl Bodmer (1809-1893), who would prove to be one of the most accomplished and prolific artists to visit the American frontier. Bodmer and Maximilian traveled more than 2,500 miles together, spending time among the Mandan, Hidatsa, Omaha, Otoe, Pawnee, Yankton, Santee Sioux, Assiniboines, Plains Cree, Blackfeet, Piegans, Bloods, and Gros Ventre. Bodmer's watercolors of the people he met remain among the most compelling visual accounts of the American West, an invaluable record of the Missouri River's Indigenous communities. The first publication to focus on Bodmer as a portraitist, Faces from the Interior includes essays examining his artistic practice, the international dissemination of his images, and the ongoing significance of his work to Indigenous communities. …

hardcover. Condición: New. Special order direct from the distributor.

Hardback. Condición: New. A fascinating visual record of nineteenth-century Indigenous communities in the American WestIn the early nineteenth century, Prince Maximilian of Wied traveled the Missouri River to uncover what he called "the natural face of North America"-its landscapes, flora and fauna, and Native inhabitants. Among his small party was artist Karl Bodmer (1809-1893), who would prove to be one of the most accomplished and prolific artists to visit the American frontier. Bodmer and Maximilian traveled more than 2,500 miles together, spending time among the Mandan, Hidatsa, Omaha, Otoe, Pawnee, Yankton, Santee Sioux, Assiniboines, Plains Cree, Blackfeet, Piegans, Bloods, and Gros Ventre. Bodmer's watercolors of the people he met remain among the most compelling visual accounts of the American West, an invaluable record of the Missouri River's Indigenous communities. The first publication to focus on Bodmer as a portraitist, Faces from the Interior includes essays examining his artistic practice, the international dissemination of his images, and the ongoing significance of his work to Indigenous communities. …

Hardcover. Condición: New.

Buch. Condición: Neu. Neuware - The artist's vision of a vibrant Indigenous future, interpreted through his workThis impressive volume offers a dynamic view of new work by acclaimed artist Cannupa Hanska Luger (b. 1979). Born on the Standing Rock Reservation in South Dakota, Luger is an enrolled member of the Three Affiliated Tribes of Fort Berthold and is Mandan, Hidatsa, Arikara, and Lakota. His deep ties to the northern Plains ground his vision for a vibrant Indigenous future, animated by ceramics, video, and repurposed materials. Luger's innovative approach engages The Joslyn's renowned collection of watercolors painted by Swiss artist Karl Bodmer during his 1833-34 journey along the Missouri River. Through monumental ceramics, immersive video projections, and life-size bison dancers called Midéegaadi, the artist reimagines Bodmer's depictions of his ancestors and situates these works within landscapes now submerged by colonial damming projects. Dripping Earth invites a shared vision of the future where land, identity, and culture are reclaimed and revitalized. The lead essay contextualizes Luger's project and its revelatory perspective on cultural fluidity. A conversation between Luger and knowledge bearer Michael Barthelemy reveals affinities between Luger's art and Indigenous stories. Throughout the illustrated catalog short interpretive essays provide diverse insights into Luger's multifaceted work.…

Condición: New.

Condición: New.

Condición: New.

Hardback. Condición: New. A fascinating visual record of nineteenth-century Indigenous communities in the American WestIn the early nineteenth century, Prince Maximilian of Wied traveled the Missouri River to uncover what he called "the natural face of North America"-its landscapes, flora and fauna, and Native inhabitants. Among his small party was artist Karl Bodmer (1809-1893), who would prove to be one of the most accomplished and prolific artists to visit the American frontier. Bodmer and Maximilian traveled more than 2,500 miles together, spending time among the Mandan, Hidatsa, Omaha, Otoe, Pawnee, Yankton, Santee Sioux, Assiniboines, Plains Cree, Blackfeet, Piegans, Bloods, and Gros Ventre. Bodmer's watercolors of the people he met remain among the most compelling visual accounts of the American West, an invaluable record of the Missouri River's Indigenous communities. The first publication to focus on Bodmer as a portraitist, Faces from the Interior includes essays examining his artistic practice, the international dissemination of his images, and the ongoing significance of his work to Indigenous communities. …

Hardback. Condición: New. A fascinating visual record of nineteenth-century Indigenous communities in the American WestIn the early nineteenth century, Prince Maximilian of Wied traveled the Missouri River to uncover what he called "the natural face of North America"-its landscapes, flora and fauna, and Native inhabitants. Among his small party was artist Karl Bodmer (1809-1893), who would prove to be one of the most accomplished and prolific artists to visit the American frontier. Bodmer and Maximilian traveled more than 2,500 miles together, spending time among the Mandan, Hidatsa, Omaha, Otoe, Pawnee, Yankton, Santee Sioux, Assiniboines, Plains Cree, Blackfeet, Piegans, Bloods, and Gros Ventre. Bodmer's watercolors of the people he met remain among the most compelling visual accounts of the American West, an invaluable record of the Missouri River's Indigenous communities. The first publication to focus on Bodmer as a portraitist, Faces from the Interior includes essays examining his artistic practice, the international dissemination of his images, and the ongoing significance of his work to Indigenous communities. …

Hardcover. Condición: New. First Edition, First Printing. Aperture, 2022. Hardcover in pictorial boards. First Edition, First Printing. Limited SIGNED edition (of only 250 unnumbered copies). 10 x 8 inches. 224 pages packed with numerous illustrations and photographic images throughout. Delegation offers the first comprehensive monograph of Wendy Red Star and her work: a Forward by Alan Govenar, a 10-page interview with Wendy Red Star conducted by Josh T.Franco, insightful scholarly essays by JuliaBryan-Wilson ("Wendy Red Star's Material Conceptualism"), Tiffany Midge ("Satire as a Decolonizing Tool"), Jordan Amirkhani ("Self-Portraits and the Politics of Looking"), and Annika K Johnson ("Reconfiguring the Indigenous Archive"), and poems by Layli Long Soldier. SIGNED by Wendy Red Star on the title page. BOOK CONDITION: Fine/New (still sealed in the publisher's wrap with SIGNED EDITION sticker affixed to outer wrap). SIGNED. Delegation is the first comprehensive monograph by Apsáalooke/Crow artist Wendy Red Star, whose photography recasts historical narratives with wit, candor, and a feminist, Indigenous perspective. Red Star centers Native American life and material culture through imaginative self-portraiture, vivid collages, archival interventions, and site-specific installations. Whether referencing nineteenth-century Crow leaders or 1980s pulp fiction, museum collections or family pictures, she constantly questions the role of the photographer in shaping Indigenous representation. Including a dynamic array of Red Star's lens-based works from 2006 to the present, and a range of essays, stories, and poems, Delegation is a spirited testament to an influential artist's singular vision. Signed.…