Anne monier (51 resultados)

Condición: acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Softcover. Condición: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Paperback. Condición: New. The immense popularity of the teddy bear, now in every child's bedroom, hides a paradox: how did this ferocious, wild animal came to symbolize childhood?The teddy bear was born at the same time in two different places. In 1902, the toy was invented in the United States in reference to Theodore Roosevelt - hence its Anglo-Saxon name, Teddy's bear, which became teddy-bear. In Germany the same year, Margarete Steiff marketed her first teddy bear created from needle cushions. It was a resounding success in Europe and America. The first examples in mohair and wood straw were heavy and rigid. However, the teddy bear has softened and mellowed. It has incorporated bright or pastel colours, in order to become a cuddly toy, the transitional object studied and theorised by pediatrician Donald Winnicott. Thanks to Winnie the Pooh, Michka and Paddington, the bear now reigns over a whole menagerie of stuffed animals as well as children's fiction. More surprisingly, the bear is also a favourite of fashion designers who do not hesitate to revisit him. Today, through the figures of the panda and the polar bear, the bear is the symbol of climate change and endangered species. Through five essays and three thematic notebooks, this catalogue traces the history of the teddy bear, from its first steps to its transformations and successes. It also questions our relationship with bears since Antiquity. Finally, the rich iconography offers a wide range of old and more recent teddy bears, compared with man's representations of bears over the centuries.…

paperback. Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. The immense popularity of the teddy bear, now in every child's bedroom, hides a paradox: how did this ferocious, wild animal came to symbolize childhood?The teddy bear was born at the same time in two different places. In 1902, the toy was invented in the United States in reference to Theodore Roosevelt - hence its Anglo-Saxon name, Teddy's bear, which became teddy-bear. In Germany the same year, Margarete Steiff marketed her first teddy bear created from needle cushions. It was a resounding success in Europe and America. The first examples in mohair and wood straw were heavy and rigid. However, the teddy bear has softened and mellowed. It has incorporated bright or pastel colours, in order to become a cuddly toy, the transitional object studied and theorised by pediatrician Donald Winnicott. Thanks to Winnie the Pooh, Michka and Paddington, the bear now reigns over a whole menagerie of stuffed animals as well as children's fiction. More surprisingly, the bear is also a favourite of fashion designers who do not hesitate to revisit him. Today, through the figures of the panda and the polar bear, the bear is the symbol of climate change and endangered species. Through five essays and three thematic notebooks, this catalogue traces the history of the teddy bear, from its first steps to its transformations and successes. It also questions our relationship with bears since Antiquity. Finally, the rich iconography offers a wide range of old and more recent teddy bears, compared with man's representations of bears over the centuries.…

Paperback. Condición: new. Paperback. The immense popularity of the teddy bear, now in every child's bedroom, hides a paradox: how did this ferocious, wild animal came to symbolize childhood? The teddy bear was born at the same time in two different places. In 1902, the toy was invented in the United States in reference to Theodore Roosevelt hence its Anglo-Saxon name, Teddy's bear, which became teddy-bear. In Germany the same year, Margarete Steiff marketed her first teddy bear created from needle cushions. It was a resounding success in Europe and America. The first examples in mohair and wood straw were heavy and rigid. However, the teddy bear has softened and mellowed. It has incorporated bright or pastel colours, in order to become a cuddly toy, the transitional object studied and theorised by pediatrician Donald Winnicott. Thanks to Winnie the Pooh, Michka and Paddington, the bear now reigns over a whole menagerie of stuffed animals as well as children's fiction. More surprisingly, the bear is also a favourite of fashion designers who do not hesitate to revisit him. Today, through the figures of the panda and the polar bear, the bear is the symbol of climate change and endangered species. Through five essays and three thematic notebooks, this catalogue traces the history of the teddy bear, from its first steps to its transformations and successes. It also questions our relationship with bears since Antiquity. Finally, the rich iconography offers a wide range of old and more recent teddy bears, compared with man's representations of bears over the centuries. AUTHORS: Curator and editor: Anne Monier Vanryb, curator in the Musee des Arts decoratifs, toy collections, modern and contemporary department. Michel Pastoureau, archivist paleographer, historian. Catherine Schwab and Elena Paillet, curators specialising in archaeology. Sophie Lemahieu, curator in the Fashion and Textiles Department, Musee des Arts decoratifs. SELLING POINTS: . Three essays tracing the history of the teddy bear since its creation in 1902 . Two scientific essays by a curator and a historian, specialists in prehistory and bears . Rich iconography featuring a number of full-page teddy bears 120 colour, 5 b/w illustrations Accompanies the exhibition at the Musee des Arts Decoratifs, Paris, 4 December 2024 to 22 June 2025. How did a wild and ferocious animal become the symbol of childhood? This delightful book traces the history of the teddy bear from its creation in 1902 to the present day. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: Neuf.

Paperback. Condición: Brand New. 144 pages. 11.38x8.26x11.42 inches. In Stock.

Condición: New.

Condición: New. In English.

Paperback. Condición: Brand New. 96 pages. French language. 8.90x7.40x0.47 inches. In Stock.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: Neuf.

Softcover. Condición: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Paperback. Condición: Brand New. 288 pages. French language. 8.27x5.91x0.79 inches. In Stock.

Condición: Neuf.

Paperback. Condición: New. The immense popularity of the teddy bear, now in every child's bedroom, hides a paradox: how did this ferocious, wild animal came to symbolize childhood?The teddy bear was born at the same time in two different places. In 1902, the toy was invented in the United States in reference to Theodore Roosevelt - hence its Anglo-Saxon name, Teddy's bear, which became teddy-bear. In Germany the same year, Margarete Steiff marketed her first teddy bear created from needle cushions. It was a resounding success in Europe and America. The first examples in mohair and wood straw were heavy and rigid. However, the teddy bear has softened and mellowed. It has incorporated bright or pastel colours, in order to become a cuddly toy, the transitional object studied and theorised by pediatrician Donald Winnicott. Thanks to Winnie the Pooh, Michka and Paddington, the bear now reigns over a whole menagerie of stuffed animals as well as children's fiction. More surprisingly, the bear is also a favourite of fashion designers who do not hesitate to revisit him. Today, through the figures of the panda and the polar bear, the bear is the symbol of climate change and endangered species. Through five essays and three thematic notebooks, this catalogue traces the history of the teddy bear, from its first steps to its transformations and successes. It also questions our relationship with bears since Antiquity. Finally, the rich iconography offers a wide range of old and more recent teddy bears, compared with man's representations of bears over the centuries.…

Condición: Neuf.

Paperback. Condición: new. Paperback. The immense popularity of the teddy bear, now in every child's bedroom, hides a paradox: how did this ferocious, wild animal came to symbolize childhood? The teddy bear was born at the same time in two different places. In 1902, the toy was invented in the United States in reference to Theodore Roosevelt hence its Anglo-Saxon name, Teddy's bear, which became teddy-bear. In Germany the same year, Margarete Steiff marketed her first teddy bear created from needle cushions. It was a resounding success in Europe and America. The first examples in mohair and wood straw were heavy and rigid. However, the teddy bear has softened and mellowed. It has incorporated bright or pastel colours, in order to become a cuddly toy, the transitional object studied and theorised by pediatrician Donald Winnicott. Thanks to Winnie the Pooh, Michka and Paddington, the bear now reigns over a whole menagerie of stuffed animals as well as children's fiction. More surprisingly, the bear is also a favourite of fashion designers who do not hesitate to revisit him. Today, through the figures of the panda and the polar bear, the bear is the symbol of climate change and endangered species. Through five essays and three thematic notebooks, this catalogue traces the history of the teddy bear, from its first steps to its transformations and successes. It also questions our relationship with bears since Antiquity. Finally, the rich iconography offers a wide range of old and more recent teddy bears, compared with man's representations of bears over the centuries. AUTHORS: Curator and editor: Anne Monier Vanryb, curator in the Musee des Arts decoratifs, toy collections, modern and contemporary department. Michel Pastoureau, archivist paleographer, historian. Catherine Schwab and Elena Paillet, curators specialising in archaeology. Sophie Lemahieu, curator in the Fashion and Textiles Department, Musee des Arts decoratifs. SELLING POINTS: . Three essays tracing the history of the teddy bear since its creation in 1902 . Two scientific essays by a curator and a historian, specialists in prehistory and bears . Rich iconography featuring a number of full-page teddy bears 120 colour, 5 b/w illustrations Accompanies the exhibition at the Musee des Arts Decoratifs, Paris, 4 December 2024 to 22 June 2025. How did a wild and ferocious animal become the symbol of childhood? This delightful book traces the history of the teddy bear from its creation in 1902 to the present day. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Couverture rigide. Condición: bon. RO20274769: 1988. In-8. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 276 PAGES - Exemplaire de bibliotheque avec jaquette découpée et collée sur les plats et le dos (accroc sur le 1er plat), range fichette sur le 2e contreplat + etiquette au dos + divers tampons/annotations sans conséquence sur la lecture ( en page de garde/titre). . . . Classification Dewey : 860-Littératures espagnole et portugaise.…

In-4 ( 280 X 210 mm ) de 345 pages, broché sous couverture illustrée en couleurs. Très nombreuses illustrations, reproductions photographies, fac-similés en couleurs et en noir dans et hors-texte. Très bel exemplaire de ce magnifique travail.«Je n'ai jamais écrit d'histoire plus vraie.» C'est à Antoine de Saint-Exupéry lui-même que nous devons cette saisissante confidence au sujet du Petit Prince. Ainsi, celle de ses oeuvres qui appartient avec le plus d'évidence au domaine de l'imaginaire soutiendrait-elle le plus étroit rapport avec la vérité. Mais le paradoxe n'est qu?apparent. Car tout, dans Le Petit Prince, signifie, exprime, témoigne non à la manière d?un traité de morale ou d'un récit édifiant, mais comme le fruit gorgé des richesses amères d'une vie intensément vécue, ayant trouvé dans la fable sa plus juste et sa plus simple expression. Aller à la rencontre du petit prince, c'est donc essayer de s'approcher de cette vérité en empruntant les multiples chemins de la création, de l'enfance à l'exil. C'est tenter de rendre visible la trame existentielle et morale d?un livre dont le rayonnement universel n'a d'égal que sa très grande authenticité intime.Manuscrits, aquarelles originales, esquisses et études, documents biographiques, souvent inédits ou méconnus, livrent de précieux indices sur la naissance d?un personnage qui, s'étant soulevé de la chair et de l'âme mêmes de son créateur, en devint le double littéraire et le vibrant messager. Car rien ne tenait plus à coeur au pilote et à l'écrivain Antoine de Saint-Exupéry que de sensibiliser ses contemporains, comme les générations futures, à la menace qui pesait sur une humanité trop oublieuse d'elle-même, devenue incapable de saisir l'essentiel de sa condition. Il fallait une histoire comme celle-là pour se le dire, et pour longtemps. Littérature Enfantina.…

English version of the catalogue.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good. 'Architects, sculptors, painters, we all must return to the crafts!' declared the architect Walter Gropius in his Bauhaus manifesto. Founded as an art school in 1919 and forced to close in 1933 by the Nazis, the Bauhaus established itself as a major influence on 20th-century art and design that continues to this day. The Bauhaus opened in Weimar, the progressive heart of Germany's postwar republic. Under its first director, Walter Gropius, students were taught by some of the most celebrated artists of the time, including Paul Klee, Lyonel Feininger and Wassily Kandinsky. The school moved to Dessau in 1922, under its radical new director Hannes Meyer, and to Berlin in 1932 under architect Ludwig Mies van der Rohe. In 1933 the Gestapo forced the Bauhaus to close for the last time. This volume uncovers the sources of inspiration that brought the Bauhaus into existence, from medieval cathedrals of Europe and Hokusai prints to William Morris and Arts and Crafts. Each of the various workshops and courses at the Bauhaus is explored in detail, illustrating the extraordinary wealth of experimentation in every field: ceramics, woodwork, metalwork, textiles, glass-painting, sculpture, mural, printing and binding, typography and publicity, theatre, architecture and photography. This essential and accessible guide to the Bauhaus, its history and turbulent political context, provides the key to understanding why it is recognized as the most durable and influential source of modern ideas about art, design and craft. Copyright © Thames and Hudson Ltd.…

Condición: Neuf.

Condición: Neuf.