Anne mcmanus (87 resultados)
New AQA GCSE Mathematics Unit 2 Higher
Winters, Paul; Prior, H; Burns, S; Procter-Green, Shaun; Pritchard, David; Fisher, Tony; Thornton, Margaret; Haworth, Anne; Haighton, June; Ridgway, David; Manning, Andrew; McManus, Gina; Hewlett, Gill
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New AQA GCSE Mathematics Unit 1 Higher
Winters, Paul; Prior, H; Burns, S; Procter-Green, Shaun; Pritchard, David; Fisher, Tony; Haighton, June; Haworth, Anne; Thornton, Margaret; Ridgway, David; Manning, Andrew; McManus, Gina; Hewlett, Gill
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Paperback. Condición: Very Good. New AQA GCSE Mathematics Foundation (Linear) Book 2 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and lo…oked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .
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Hardcover. Condición: Fine. 1st Edition. Hardcover, large quarto. 319 pages.Chronology, bibliography. Profusely illustrated, including color illustrations. The authors curated the exhibition at the Smithsonian Institution. A truly comprehensive sourcebook and beautifully illustrated.
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Inventing Marcel Duchamp: The Dynamics of Portraiture
Duchamp, Marcel; Goodyear, Anne Collins, and McManus, James W. (Edited by)
Idioma: Inglés
Editorial: National Portrait Gallery, Smithsonian Institution; MIT Press, Washington D.C. and Cambridge, MA, 2009
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Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de AmericaLEFT COAST BOOKS
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EUR 26,08
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Hardcover. Condición: Fine. 1st. Pictorial boards, 319 pages, illustrations (some colour), portraits; 32 cm. Exhibition held at the National Portrait Gallery, Smithsonian Institution, Washington, D.C., March 27, 2009 to August 2, 2009. Firm binding, clean inside copy. A massive coffee-table book. Richly illustrated with colour p…lates. *** "One of the most influential artists of the twentieth century, Marcel Duchamp was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. This book showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boi^te-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art" - Publisher. *** CONTENTS: Inventing Marcel Duchamp: the dynamics of portraiture, by Anne Collins Goodyear and James W. McManus; The recurrent, haunting ghost: depictions of Marcel Duchamp by his contemporaries and ours, by Francis M. Naumann; Bachelorettes, by Janine A. Mileaf; Not seen and/or less seen: hiding in front of the camera, by James W. McManus; Constructing a "made-up history": self-portrayal and the legacy of Marcel Duchamp, by Anne Collins Goodyear; Marcel Duchamp and portraiture, by Michael R. Taylor. Size: Folio. Collectible.
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Librería: Ammareal, Morangis, FranciaAmmareal
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EUR 3,50
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Softcover. Condición: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.
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Librería: Ammareal, Morangis, FranciaAmmareal
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EUR 3,50
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Softcover. Condición: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.
Editorial: The M.I.T. Press, 2009
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Librería: Structure, Verses, Agency Books, Spray, OR, Estados Unidos de AmericaStructure, Verses, Agency Books
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EUR 11,05
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Añadir al carritoHardcover. Condición: Fine. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear to the glossy pictorial covers; not ex-library, with neither underlining nor highlighting anywhere. Volume contains scholarly apparatus in the form of, e.g., notes,… index, and bibliography. The publisher's blurb has it that "An old genre is given a new look, as portraits and self-portraits of Marcel Duchamp invent and cover up as much as they reveal and portray. One of the most influential artists of the twentieth century, Marcel Duchamp (1887-1968) was a master of self-invention who carefully regulated the image he projected through self-portraiture and through his collaboration with those who portrayed him. During his long career, Duchamp recast accepted modes for assembling and describing identity, indelibly altering the terrain of portraiture. This groundbreaking book (which accompanies a major exhibition at the Smithsonian Institution's National Portrait Gallery) demonstrates the ways in which Duchamp willfully manipulated the techniques of portraiture both to secure his reputation as an iconoclast and to establish himself as a major figure in the art world. Although scholars have explored Duchamp's use of aliases, little attention has been paid to how this work played into, and against, existing portrait conventions. Nor has any study yet compared these explicitly self-constructed projects with the large body of portraits of Duchamp by others. Inventing Marcel Duchamp showcases approximately one hundred never-before-assembled portraits and self-portraits of Duchamp. The (broadly defined) self-portraits and self-representations include the famous autobiographical suitcase Boite-en-Valise and Self-Portrait in Profile, a torn silhouette that became very influential for future generations of artists. The portraits by other artists include works by Duchamp's contemporaries Man Ray, Alfred Stieglitz, Francis Picabia, Beatrice Wood, and Florine Stettheimer as well as portraits by more recent generations of artists, including Andy Warhol, Jasper Johns, Sturtevant, Yasumasa Morimura, David Hammons, and Douglas Gordon. Since the mid-twentieth century, as abstraction assumed a position of dominance in fine art, portraiture has been often derided as an art form; the images and essays in Inventing Marcel Duchamp counter this, and invite us to rethink the role of portraiture in modern and contemporary art." 319 pp., including a chronology of his professional career, and a full index.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.
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- Primera edición
Librería: MW Books Ltd., Galway, IrlandaMW Books Ltd.
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EUR 12,95
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First Edition. Near fine paperback copy; edges very slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Physical description: vi, 186p. Subject: English poetry. 1 Kg.
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Librería: Ammareal, Morangis, FranciaAmmareal
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EUR 3,50
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Softcover. Condición: Très bon. Edition France Loisirs. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. France Loisirs Edition. Ammareal gives back up to 15% of this item's net price to charity organizations.
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Librería: Ammareal, Morangis, FranciaAmmareal
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EUR 3,50
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Softcover. Condición: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.
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Librería: Ammareal, Morangis, FranciaAmmareal
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EUR 3,50
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Softcover. Condición: Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.
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Librería: Ammareal, Morangis, FranciaAmmareal
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Muy bueno
EUR 3,85
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Softcover. Condición: Bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Ammareal gives back up to 15% of this item's net price to charity organizations.
Idioma: Inglés
Editorial: Independently published, 2019
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 13,76
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Paperback. Condición: Brand New. 49 pages. 9.00x6.00x0.13 inches. In Stock.
