anne collins m (55 resultados)

Paperback. Condición: Very Good. No Jacket. Rubine Ilustrador. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condición: Very Good. Edition Unstated. very good, booklet w/cd Multiple copies available this title. Quantity Available: 9. Category: Literature & Literary; Education. ISBN: 039310544X. ISBN/EAN: 9780393105445. Pictures of this item not already displayed here available upon request. Inventory No: ABE364155532.

Condición: Good. 14th Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: acceptable. Rubine Ilustrador. Book is considered to be in acceptable condition. The actual cover image may not match the stock photo. Book may have one or more of the following defects: noticeable wear on the cover dust jacket or spine; curved, dog eared or creased page s ; writing or highlighting inside or on the edges; sticker s or other adhesive on cover; CD DVD may not be included; and book may be a former library copy.

Softcover. Condición: New. Edition Unstated. Media Companion Booklet with CD, Brand New Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Education. ISBN: 039310544X. ISBN/EAN: 9780393105445. Pictures of this item not already displayed here available upon request. Inventory No: 1560802580.

Softcover. Condición: As New. Edition Unstated. Media Companion. Booklet with CD. Includes Registration Card Multiple copies available this title. Quantity Available: 11. Category: Literature & Literary; Education. ISBN: 039310544X. ISBN/EAN: 9780393105445. Pictures of this item not already displayed here available upon request. Inventory No: 1560737465.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.

Soft cover. Condición: New. 14e fourteenth e. all new inside all new outside; USA book, ships from IL USA;

Paperback. Condición: Brand New. 106 pages. 8.50x5.50x0.22 inches. In Stock.

Taschenbuch. Condición: Gut. 48 Seiten 82733 Sprache: Englisch Gewicht in Gramm: 82.

Hardcover. Condición: NEW. Estado de la sobrecubierta: NEW. 1st. Cloth, xix, 220 pages, illustrations (some colour); 29 cm. Exhibition held November 2, 2003 to March 7, 2004. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. *** "The North Carolina Museum of Art and Blue Cross and Blue Shield of North Carolina launched the nation's most ambitious contemporary art exhibition celebrating the centennial of powered flight. Defying Gravity: Contemporary Art and Flight presents approximately 91 major works and several special commissions derived from the interaction between aviation and the imagination and exploring the human desire to fly.Works included in Defying Gravity were created during the last quarter of the 20th century and the first years of the 21st, and span a diverse range of styles, approaches and media, including painting, sculpture, installations, photography, video and film. Artists featured in the show range from American masters Jonathan Borofsky, Roger Brown, James Rosenquist, Frank Stella and Wayne Thiebaud to international art figures such as Alighiero Boetti, Andreas Gursky, Malcolm Morley and Panamarenko, and to young masters and emerging artists including Lawrence Gipe, Margot Gran, Vera Lutter and Robert and Shana ParkeHarrison. Also featured are several artists with North Carolina connections, such as Brent Cole, Kara Hammond, Marvin Jensen and Michael A. Salter. While straightforward imagery of the airplane is represented in the show, the exhibition also investigates aviation's wide-ranging symbolic implications. For instance, a plane can be a source of anxiety and fear, as revealed in such works as Exploding Plane by Heide Fasnacht and a modern-day Saint Sebastian - an airman whose body is pierced by airplanes rather than arrows - by the late Michael Richards, an artist killed in the attacks on the World Trade Center. It can also triumphantly be a symbol for creativity and transcendence, as in Rosemary Laing's color photographs of an effervescent human figure, reveling in being airborne as seen in the picture above. Man's personal desire to fly is also explored with a video of a self-propelled flight over Greenland by Simone Aaberg K rn and works by Jamaica-born Albert Chong and North Carolina resident Hoss Haley, who were each inspired by the myth of Icarus and Daedalus. Flight's effect on artistic perspective can be detected in aerial views such as Ed Ruscha's maplike painting of Los Angeles streets and in the video component of Brent Cole's installation, which simulates flight by taking viewers on a virtual journey through the Museum, out the door and around the grounds. And equally engaging perspectives can be found at airports themselves: striking, large color photographs taken from inside airport terminals by the Swiss team of Peter Fischli and David Weiss will be joined by Julian Schnabel's photographs, taken from the tarmac, of passengers seen through plane porthole windows and by Leo Rubinfien's views of passengers taken aloft. Additionally, several artists use actual airplane parts and materials to create art, including Donald Lipski, who draws materials from the salvage yard of Grumman Aero-space Corporation, and Mark Newson, who uses the aluminum and rivets more commonly associated with a fuselage to construct futuristic furniture. And Chilean Eugenio Dittborn uses the airplane in a much different manner - folding each of his paintings to fit into an envelope and sending them around the world via airmail, a practice he began in the mid-1980s to circumvent the censorship of the Augusto Pinochet regime and the resulting cultural boycott. Two paintings, each with its envelope detailing the work's itinerary, will be on view. The Museum has commissioned several pieces specifically for the exhibition." - Publisher. Size: 4to. Collectible.

Condición: New. In.

Condición: Muy bueno. : Esta edición de 'Mujercitas' de Louisa May Alcott es una versión adaptada para estudiantes de inglés. Publicada por Macmillan Readers en 2005, esta edición incluye un CD de audio con la grabación completa de la lectura, facilitando la comprensión auditiva y la pronunciación. El libro tiene 64 páginas y está diseñado para estudiantes de nivel principiante, ofreciendo una forma accesible de disfrutar de este clásico de la literatura inglesa. EAN: 9781405076203 Tipo: Libros Categoría: Literatura y Ficción|Educación Título: Little Women Autor: Anne Collins| Louisa M. Alcott Editorial: Macmillan Readers Idioma: en Páginas: 64 Formato: tapa blanda.

Condición: As New. Unread book in perfect condition.

Presumed first edition (no direct statement provided). [14], 369 pages. Hardcover: H 23.5cm x L 15.75cm. Dust jacket rubbed with bumping along top edges; several slender vertical streaks of bubbling to dj's laminate at top of front panel. Black boards; spine head bumped. Interior pages are bright and clean. Binding retains some crispness. With illustrations, Acknowledgments, References, Contributors, and Index. Features sixteen chapters/essays in four sections as follows: {#1} "Transforming the Dead" by Shirley J. Schermer, Eve A. Hargrave, Kristin M. Hedman, and Robin M. Lillie; {SECTION I - WOODLAND PERIOD} {#2} "A Taphonomic Analysis of Hopewellian Modified Trophy Jaws" by Stephen P. Nawrocki and Paul D. Emanovsky; {#3} "Objectifying Middle Woodland Mortuary Practices through the Inclusion of Modified Human Jaws: A Central Illinois River Valley Case Study" by Dawn E. Cobb; {#4} "More than Skulls and Mandibles: Culturally Modified Human Remains from Woodland Contexts in Ohio" by Cheryl A. Johnston; {#5} "Arrangement of Human Remains and Artifacts in Scioto Hopewell Burials: Dramatic Rituals or Ritual Dramas?" by Christopher Carr and Anna Novotny; {#6} "Phallic Batons Made of Bone in the Collections of the Ohio Historical Society" by Anne B. Lee and Cheryl A. Johnston; {#7} "Excised and Drilled Human Bone from Eastern Iowa Woodland Sites" by Shirley J. Schermer and Robin M. Lillie; {SECTION II - MISSISSIPPIAN PERIOD} {#8} "Life after Death: A Brief History of Human Bone Tools in Submound 51 at Cahokia" by Eve A. Hargrave and Della Collins Cook; {#9} "Opportunity Knocks: Nonritual Use of Human Bone at the Aztalan Site, Jefferson County, Wisconsin" by Katie J.Zejdlik; {#10} "Vessel, Ornament, Mask, or Rattle?: Reconstructing a Mississippian Worked Bone Object from the Angel Site" by Della Collins Cook and Cheryl Ann Munson; {#11} "Modification of Human Bone from Mississippian CabornÂWelborn Phase Sites in Southwestern Indiana and West-Central Kentucky" by Cheryl Ann Munson, Della Collins Cook, and Mary Lucas Powell; â â â â â {SECTION III - LATE PREHISTORIC PERIOD} {#12} "Human Bone as Ritual Object?: Modified Human Bone from the Hoxie Farm and Anker Sites, Cook County, Illinois" by Kristin M. Hedman; {#13} "Grooved Teeth from Red Wing Locality Sites and the Loss or Gain of Identity" by Kathleen T.Blue; {#14} "Design Motifs and Other Modifications of Human Bone from Iowa Late Prehistoric Oneota Sites" by Robin M. Lillie and Shirley J. Schermer; {SECTION IV - PERSPECTIVES} {#15} "The Meaning of Scalping in Native North America" by Linea Sundstrom; {#16} "Contextualizing the Precolumbian Postmortem 'Life' of Modified Human Remains" by Maria Ostendorf Smith. ISBN 9780817318611.

Condición: New.

Condición: New.

156 pp.; 27.5 x 23 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; July 1988 issue of Art in America, edited by Elizabeth C. Baker. Contents include: "The Marriage of Art and Money," by Carter Ratcliff; "Interviews: 13 Dealers Talk," Leo Castelli, Ivan Karp, Paula Cooper, Lawrence Rubin, Phyllis Kind, Irving Blum, Bess Cutler, Larry Gagosian, Diane Brown, Joe Helman, Douglas Baxter, Holly Solomon, Richard Flood; "Pricing New York Galleries," by Dwight V. Gast; "What Becomes a Legend Most," by Carol Zemel; "Showcase in Arcadia," by Ken Johnson; "An Interview with Thomas Krens;" "Critics and the Marketplace: 10 Statements;" "Beuys and Warhol: Aftershocks," by David Galloway; "Cash Art; "Woman's Place," by Anne Higonnet; "The Sculpture of Camille Claudel," by Brooks Adams; "Issues & Commentary," by Douglas Davis; "On Art and Economic Reasoning," by J.M. Montias; "Artists vs. the Market," by Eleanor Heartney; "Review of Books," by Yve-Alain Bois and Peter Plagens; "Profit and Loss," by Walter Robinson; "Cinema," by Carrie Rickey; "Fashion," by Amy Fine Collins; "The Bottom Line," by Iain Pears; "Exhibition Reviews" and "Artworld." Cover: Joseph Beuys. Good / Very Good. Red soiling to bottom right corner of recto through to pages and back cover and ranging in size from 4 mm. to 1.5 cm. 2.1 cm. dog-ear to bottom right corners of page 43-50. Light rubbing and bumping of cover edges and yellowing of covers. Due to large size and weight additional shipping charges will be required for international orders.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

R.M.Collins Ilustrador. soft covers stapled bound, very good condition.

R.M.Collins Ilustrador. S soft covers stapled bound, very good condition.

R.M. Collins Ilustrador. soft covers stapled bound, very good.

Condición: New. In.

Paperback. Condición: New.

Condición: New.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: New.