Anna arabindan kesson (120 resultados)

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Librería: Half Price Books Inc., Dallas, TX, Estados Unidos de AmericaHalf Price Books Inc.
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EUR 9,54
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paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de AmericaThriftBooks-Atlanta
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EUR 13,09
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Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

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Librería: Big River Books, Powder Springs, GA, Estados Unidos de AmericaBig River Books
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Condición: good. This book is in good condition. The cover has minor creases or bends. The binding is tight and pages are intact. Some pages may have writing or highlighting.

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Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores
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EUR 20,37
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Paperback or Softback. Condición: New. Declaration House. Book.

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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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EUR 22,23
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 22,47
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Paperback. Condición: New. During the drafting of the Declaration of Independence in 1776, Thomas Jefferson and enslaved valet Robert Hemmings spent several months at 700 Market Street in Philadelphia. The editors and contributors to Declaration House reflect on the history of this site and illuminate the entangled legacy of fre…edom and enslavement at the core of our nation's founding. They expand our history by revisiting and mapping this historic place in the city and nation, past and present, as a way to tend to our democracy today.At the center of the book is artist Sonya Clark's revelatory public artwork "The Descendants of Monticello," a multichannel video installation created in collaboration with Hemmings' collateral descendants and others who are related to the hundreds of people enslaved at Monticello. Interviews and essays about the project and the site consider history, memory, and the founding of our country. Like Clark's project, Declaration House asks the timely question, "What does the Declaration of Independence mean to us today?"Contributors: Niya Bates, Kerry Bickford, Paul Buchanan, Sonya Clark, Andrew M. Davenport, Kai Davis, Husnaa Haajarah Hashim, J. Calvin Jefferson Sr., Jabari Jefferson, Jane Kamensky, Matthew Kenyatta, Salamishah Tillet, Gayle Jessup White, Auriana Woods, and the editors.

Lumen
Biswas, Sutapa (CON); Tobin, Amy (EDT); Pollock, Griselda; Martin, Courtney; Arabindan-kesson, Anna
Idioma: Inglés
Editorial: Ridinghouse/Kettle's Yard Cambridge/BALTIC Centre for Contemporary Art Gateshead, 2023
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 20,44
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Condición: New.

Idioma: Inglés
Editorial: Temple University Press,U.S., Philadelphia PA, 2026
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 23,64
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Paperback. Condición: new. Paperback. During the drafting of the Declaration of Independence in 1776, Thomas Jefferson and enslaved valet Robert Hemmings spent several months at 700 Market Street in Philadelphia. The editors and contributors to Declaration House reflect on the history of this site and illuminate the entangled le…gacy of freedom and enslavement at the core of our nation's founding. They expand our history by revisiting and mapping this historic place in the city and nation, past and present, as a way to tend to our democracy today.At the center of the book is artist Sonya Clark's revelatory public artwork "The Descendants of Monticello," a multichannel video installation created in collaboration with Hemmings' collateral descendants and others who are related to the hundreds of people enslaved at Monticello. Interviews and essays about the project and the site consider history, memory, and the founding of our country. Like Clark's project, Declaration House asks the timely question, "What does the Declaration of Independence mean to us today?"Contributors: Niya Bates, Kerry Bickford, Paul Buchanan, Sonya Clark, Andrew M. Davenport, Kai Davis, Husnaa Haajarah Hashim, J. Calvin Jefferson Sr., Jabari Jefferson, Jane Kamensky, Matthew Kenyatta, Salamishah Tillet, Gayle Jessup White, Auriana Woods, and the editors Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Lumen
Biswas, Sutapa (CON); Tobin, Amy (EDT); Pollock, Griselda; Martin, Courtney; Arabindan-kesson, Anna
Idioma: Inglés
Editorial: Ridinghouse/Kettle's Yard Cambridge/BALTIC Centre for Contemporary Art Gateshead, 2023
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 21,75
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Condición: As New. Unread book in perfect condition.

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 19,16
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 19,98
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Condición: New.

Barkley Hendricks
Anna Arabindan-Kesson, co-published by Skira and Jack Shainman Gallery, Terry R. Myers
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 28,50
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Hardback. Condición: New.

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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 22,53
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Condición: new.

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 24,54
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Beyond Boundaries : Seeing Art History from the Caribbean
Arabindan-kesson, Anna (EDT); Modest, Wayne (EDT); Chung, Andrea (CON); Dacres, Petrina (CON); Delgado, Aldeide (CON)
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 28,59
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Condición: As New. Unread book in perfect condition.

Beyond Boundaries : Seeing Art History from the Caribbean
Arabindan-kesson, Anna (EDT); Modest, Wayne (EDT); Chung, Andrea (CON); Dacres, Petrina (CON); Delgado, Aldeide (CON)
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 28,96
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Condición: New.

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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 31,44
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Paperback. Condición: New. An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history Despite its rich cultural and intellectual heritage, the Caribbean region has often been excluded from art history-along with essential discussions ranging from plantation life and antislaver…y movements to decolonization and transculturation. Beyond Boundaries: Seeing Art History from the Caribbean explores why the field has been slow to embrace Caribbean intellectual history and advocates for an approach that acknowledges the multidisciplinary and multilingual nature of the region's voices. By reevaluating existing interpretive methodologies, the authors show how a broader engagement with Caribbean perspectives can benefit art history, reshaping the discourse and creating a more inclusive and dynamic field. Distributed for the Clark Art Institute.

Declaration House
Arabindan-Kesson, Anna (Editor)/ Farber, Paul M. (Editor)/ Wisher, Yolanda (Editor)
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 20,04
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Paperback. Condición: Brand New. 192 pages. 6.00x0.60x9.00 inches. In Stock.

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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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EUR 26,49
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Librería: Russell Books, Victoria, BC, CanadaRussell Books
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EUR 16,01
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paperback. Condición: New. Special order direct from the distributor.

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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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EUR 26,45
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Condición: new.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 34,65
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Paperback. Condición: new. Paperback. In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models…an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton-as both commodity and material-became inexorably tied to the monetary value of Black bodies. From the production and representation of "negro cloth"-the textile worn by enslaved plantation workers-to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor. Anna Arabindan-Kesson examines how cotton became a subject for nineteenth-century art by tracing the symbolic and material correlations between cotton and Black people in British and American visual culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 35,09
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Paperback. Condición: New. In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art hist…orical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton-as both commodity and material-became inexorably tied to the monetary value of Black bodies. From the production and representation of "negro cloth"-the textile worn by enslaved plantation workers-to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor.

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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 27,91
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Condición: New.

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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 35,84
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Paperback. Condición: new. Paperback. An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history Despite its rich cultural and intellectual heritage, the Caribbean region has often been excluded from art historyalong with essential discussions ranging from plantation life and an…tislavery movements to decolonization and transculturation. Beyond Boundaries: Seeing Art History from the Caribbean explores why the field has been slow to embrace Caribbean intellectual history and advocates for an approach that acknowledges the multidisciplinary and multilingual nature of the region's voices. By reevaluating existing interpretive methodologies, the authors show how a broader engagement with Caribbean perspectives can benefit art history, reshaping the discourse and creating a more inclusive and dynamic field. Distributed for the Clark Art Institute An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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EUR 32,67
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Condición: New.
Más imágenesJohn La Farge's Second Paradise: Voyages in the South Seas, 1890-1891
Hodermarsky, Elisabeth; [with] Gordon, John Stuart; Childs, Elizabeth; Adams, Henry; Arabindan-Kesson, Anna
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- Primera edición
Librería: Great Expectations Rare Books, Staten Island, NYC, NY, Estados Unidos de AmericaGreat Expectations Rare Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 31,13
Envío por EUR 5,61Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: As New. Estado de la sobrecubierta: As New. First Edition. Large format hardcover, light blue cloth in publisher's pictorial dust-jacket. 224 pages. Chronology, Appendix, Exhibition Checklist Index, etc. Illustrated with 160 color reproductions. First edition, first printing with full number line. This volu…me published in conjunction with the eponympusly named exhibition organized by the Yale University Art Gallery. Not only does the present title showcase many of La Farge's most important oils, watercolors and sketches produced during his sojourn to the islands of the South pacific, but places them firmly within the realm of the larger movement which saw numerous nineteenth century artists and writers travel to exotic locations for fresh inspiration. No previous ownership marks. A clean, crisp, unmarked and like new copy. As new in an as new dust-jacket. A large book, Priority and International orders will require additional postage, calculated as close to actual cost as possible.

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Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de AmericaRarewaves USA
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EUR 37,61
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Paperback. Condición: New. An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history Despite its rich cultural and intellectual heritage, the Caribbean region has often been excluded from art history-along with essential discussions ranging from plantation life and antislaver…y movements to decolonization and transculturation. Beyond Boundaries: Seeing Art History from the Caribbean explores why the field has been slow to embrace Caribbean intellectual history and advocates for an approach that acknowledges the multidisciplinary and multilingual nature of the region's voices. By reevaluating existing interpretive methodologies, the authors show how a broader engagement with Caribbean perspectives can benefit art history, reshaping the discourse and creating a more inclusive and dynamic field. Distributed for the Clark Art Institute.

Declaration House
Arabindan-Kesson, Anna (Editor)/ Farber, Paul M. (Editor)/ Wisher, Yolanda (Editor)
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 25,73
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Paperback. Condición: Brand New. 192 pages. 6.00x0.60x9.00 inches. In Stock.

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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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EUR 26,93
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Condición: New.