andrew carver (9 resultados)

Paperback. Condición: Brand New. 44 pages. 9.00x6.00x0.11 inches. In Stock.

Hard Back. Condición: Very Good. Estado de la sobrecubierta: Very Good. Andrew Kay - Jacket Ilustrador. First. A very good copy of this book which looks to be unread. Clean dark green boards with a gilt title to the spine. 322 pages. Illustrated. The jacket is also in very good condition with no wear and no creases. Book.

Soft cover. Condición: Very good. No jacket. First ed. Excellent condition. Cover has light wear, but is bright. Binding is tight. Inside is clean and unmarked.

Condición: Neuf.

Hardcover. Condición: New. Estado de la sobrecubierta: New.

Softcover. Condición: Near Fine. First edition. Printed yellow wrappers. Modest age-toning, near fine. Essays and poetry contributions by John Lucas, Robley Wilson, Jr., Lawrence P. Spingarn, Ernest Kroll, John Pauker and Ralph S. Pomeroy, Harold Bordwell, Laurence Lieberman, Barry Spacks, Daniel Hoffman and Mona Van Duyn, Robert Lowry, Larry Rubin, Constance Urdang, Andrew Oerke and Kenneth Pitchford, Forbes Hays, David Porter, Robert Diebold and Wayne Carver.

Soft cover. Condición: Very Good. 1st edition. Near VG. 8vo, 224pp, printed wrappers. This brilliant issue includes the short story A Night Out by Raymond Carver, plus an interview with Robert Downey Sr. and a range of interesting content (much on film). Library stamp and title underlining to cover (no other markings), light wear and soil. Not Signed.

Soft cover. Condición: Very Good. Limited Edition. Rare 2 Issues "december magazine: a magazine if the arts and opinion" 1965 & 1970 Founded 1958 at influential Iowa Writers' Workshop group of poets, writers, & experimental graphic designers declaring themselves "humanists. " december magazine emerged as a pioneering force in the "little magazine" & small press movement. Throughout its transformative years in Chicago under Curt Johnson, december was a vital platform for cutting-edge fiction, poetry, non-fiction, and experimental graphic design and film. Issue #7 (1965-1970) A bold blend of graphic design montage and film stills that mirrored the radical visual language of the time. Notable contributors include: Raymond Carver, whose early fiction appeared alongside works by Robert Heinecken (photography) & Robert Wilson A Garbo editorial, plus film essays by Robert Brown (New American Cinema), Andrew Sarris, and Carl Linder, addressing underground filmmakers and the subversive lens of "The Servant" as a sex thriller Issue 12½ (Vol. XII, Nos. 1 and 2, 1970) Edited by Johnson, this double issue is a landmark of small press magazines , a platform for groundbreaking writers such as Raymond Carver's short story "A Night Out"- a piece he would later revise as "Signals" in his debut collection "Will You Please Be Quiet, Please?" & William Kittredge "The Red Room," an important early literary work. At 224 pages, this issue embodies december's dedication to literary discovery, showcasing talents that would later shape American literature. Across the decades, december has championed the early work of literary giants such as Rita Mae Brown, Raymond Carver, Stephen Dunn, Donald Hall, Michael Harper, Donald Justice, Ted Kooser, Philip Levine, Joyce Carol Oates, Marge Piercy, William Stafford, C.K. Williams, Charles Wright, James Wright, and many others. True to its founding ethos, the magazine continues its mission to discover and amplify unheralded talent, carrying forward a proud tradition of literary innovation and cultural engagement. Revival and Recent History In late 2012, journalist-turned-fiction writer Gianna Jacobson acquired december magazines assets, the and the magazine was revitalized, with Volume 24 released in December 2013. The revived december continued its mission of publishing exceptional, thought-provoking poetry, prose, and art, championing both emerging and established voices.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 2021 Cambridge University Press hardcover edition. Light reading wear else very good condition. Contents: (1) Introduction, (2) Aliens, (3) Oceanic States: Modernism, Imperialism, and the Sea, (4) Passage Work: The Rise of 'English'?, (5) Anglo-Irish Transitions, (6) British War Writing: Empire, Mass Warfare, and Mass Culture, (7) Capturing Home: British First World War Poetry, (8) Literature and Wartime Propaganda, (9) Black, White, and Read All Over: Mines, Mountains, and the Paysage Moralise of the British Press, (10) Notable Trials and Literary Realism, (11) Literature and Telecommunication, (12) Literature and Film, (13) Transitions, Turns: Centuries, Decadents, Modernists, (14) Poetry and Transition, (15) Realism and Mass Politics, (16) Short Fiction, (17) Ideals of a Picture Gallery, (18) Pseudo-Cities: Exhibitionary, Military, Cinematic, (19) Ecological Points of View, (20) Gender, Biopolitics, Bildungsroman, (21) 'Freudian Fiction' or 'Wild' Psycho-Analysis'? Modernism, Psychoanalysis, and Popular Fiction, (22) The Economics of Generosity in Ford, Conrad, and Keynes.