andres violette (24 resultados)

paperback. Condición: Very Good. Still wrapped in original plastic film, unopened and unworn!

paperback. Condición: New.

Trade Paperback. Condición: Used - Very Good. Clean and bright. Possible light wear.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: New.

hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Paperback. Condición: New. Pablo Picasso's artistic output is astonishing in its ambition and variety. This handsome publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional 'constructions', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d'Avignon (1907) and Guernica (1937). With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso's genius seized the potential of paper at different stages throughout his career.

Paperback. Condición: New.

Condición: New. In.

Paperback. Condición: New. Pablo Picasso's artistic output is astonishing in its ambition and variety. This handsome publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional 'constructions', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d'Avignon (1907) and Guernica (1937). With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso's genius seized the potential of paper at different stages throughout his career.

Paperback. Condición: Brand New. 328 pages. 11.25x9.25x11.80 inches. In Stock.

Softcover, 216 pages, in Italian; good condition, edgewear to covers with large stains to rear cover; no internal marks. Foreign shipping may be extra.

Condición: New.

Paperback. Black paper wraps with photograph. 325 pages : chiefly illustrations (some color). Contents: 1. Early Works and the Blue Period / Claustre Rafart Planas -- 2. The Rose Period / Ann Dumas -- 3. Les Demoiselles d'Avignon / Johan Popelard -- 4. Cubism / Emilia Philippot -- 5. Neoclassicism, Naturalism And Parade / Ann Dumas -- 6. Surrealism And Marie-Therese Walter / William H. Robinson -- 7. Guernica and the War Years / William H. Robinson -- 8. Encounters with Delacroix And Manet / Emilia Philippot -- 9. The Last Studio / William H. Robinson -- 10. Materials and Techniques / Claustre Rafart Planas. VG Cover has minor wear, edge/corner damage.

Condición: New.

hardcover. Condición: Very Good. Estado de la sobrecubierta: very good.

Softcover. Large black glossy softcover book. (13), 14-543, (1) pp., Contains hundres of color illustrations. Written in French. The Picasso-Paris National Museum celebrated its thirty year anniversary with the exhibition, "¡Picasso!". This work puts into perspective the life and masterpieces of Pablo Picasso year by year since his trip to Paris in 1900. It also traces the history of the museum, which preserves the largest collection in the world works of the artist. VG: Small crease in the bottom right corner of the cover page. No markings on the pages.

Andres, Violette et al. PICASSO and Paper. 328 pages, including 400 color plates. 4to, boards. London, Royal Academy of Arts, 2020.

Condición: New. Pablo Picasso s artistic output is astonishing in its ambition and variety. This handsome publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper.KlappentextrnrnPablo Picass.

Paperback. Condición: New. Pablo Picasso's artistic output is astonishing in its ambition and variety. This handsome publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional 'constructions', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d'Avignon (1907) and Guernica (1937). With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso's genius seized the potential of paper at different stages throughout his career.

Taschenbuch. Condición: Neu. Neuware - Picasso's artistic output is astonishing in its ambition and variety. Picasso and Paper examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collâe experiments of the 1910s and his revolutionary three-dimensional 'constructions,' made of cardboard, paper and string. Sometimes his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were in short supply, he ripped up paper tablecloths to make works of art. And of course his works on paper comprise the preparatory stages of some of his very greatest paintings. With reproductions of nearly 400 works of art and a series of insightful new texts by leading authorities on the artist, this sumptuous study reveals the myriad ways in which Picasso explored the potential of paper at different stages of his career. Picasso and Paper is published for an exhibition organized by the Royal Academy of Arts, London, and the Cleveland Museum of Art in partnership with the Musâee national Picasso-Paris. The legendary life and career of Pablo Picasso (1881-1973) spanned nearly the entire 20th century and ushered in some of its most significant artistic revolutions.

Hardcover. Condición: Brand New. 328 pages. 12.00x10.00x1.25 inches. In Stock.

Paperback. Condición: New. Pablo Picasso's artistic output is astonishing in its ambition and variety. This handsome publication examines a particular aspect of his legendary capacity for invention: his imaginative and original use of paper. He used it as a support for autonomous works, including etchings, prints and drawings, as well as for his papier-collé experiments of the 1910s and his revolutionary three-dimensional 'constructions', made of cardboard, paper and string. Sometimes, his use of paper was simply determined by circumstance: in occupied Paris, where art supplies were hard to come by, he ripped up paper tablecloths to make works of art. And, of course, his works on paper comprise the preparatory stages of some of his very greatest paintings, among them Les Demoiselles d'Avignon (1907) and Guernica (1937). With reproductions of more than 300 works of art and additional texts by Violette Andres, Stephen Coppel, Emmanuelle Hincelin, Christopher Lloyd, Johan Popelard and Claustre Rafart Planas, this sumptuous study reveals the myriad ways in which Picasso's genius seized the potential of paper at different stages throughout his career.

paperback. Condición: Very Good. Catalogo di mostra, "Le opere, l'artista, il personaggio", Museo dell'Ara Pacis, Roma 14 ottobre 2016 -  19 febbraio 2017. A cura di Violette Andres e Anne de Mondenard. Ampiamente illustrato a colori e in bianco e nero con scatti di Brandt, Brassai, Burri, Capa, Clergue, Colomb, Cot, Deletang, Doisneau, Duncan, Fournol, Glass, List, Maar, Mancuet, Maywald, Mili, Miller, Newmn, Nocenti, Otero, Quinn, Villers. Biografie dei fotografi e bibliografia scelta . Cm 33x23. pp. 216. . Molto buono (Very Good). . . . Il volume accompagna la mostra omonima, il cui progetto si basa sulla ricchezza del fondo fotografico del Musée Picasso. Il percorso si articola in tre parti e propone 176 stampe fotografiche databili dal 1901 al 1971 oltre a una trentina di dipinti, sculture, disegni e riproduzioni dell'artista.Nel periodo che va dal 1901 al 1921, Picasso scopre la fotografia e inizia a sperimentarla: si misura con la ripresa, si mette in scena, per lo più nell'atelier accanto alle sue tele, analizzando alcune immagini per tradurle in pittura. Tra il 1932 e il 1962, ormai famoso, abbandona l'apparecchio fotografico. Nel 1932 incontra Brassaï, in occasione della pubblicazione delle sue sculture sulla rivista ?Minotaure? Dora Maar, la sua nuova compagna, entra in scena nel 1936 e documenta la genesi di Guernica. Nel 1954 prende sotto la sua ala il giovane André Villers che a partire da sagome ritagliate da Picasso crea fotogrammi e sovrimpressioni, in parte pubblicati nel volume Diurnes (1962) con poesie di Jacques Prévert. Dopo la seconda guerra mondiale Picasso coltiva la propria immagine di artista moderno attraverso la stampa illustrata, che conosce uno sviluppo senza precedenti. Non è solo un modello per fotografi come Robert Capa, Henri Cartier- Bresson, Lucien Clergue, David Douglas Duncan, Robert Doisneau, Edward Quinn, che con le loro immagini alimentano le pagine delle riviste, ma è anche il protagonista di scatti in cui mette in scena una forma di intimità. Book.