Amanda lett (21 resultados)

Oblong Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. Book and dust jacket in unworn, unmarked condition.

Soft cover. Condición: Fine. 1st. 128pp 1.37lb 8.5x10.5x0.5in.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. The American Art-Union, based in New York City, was founded in 1844 with the goal of fostering the arts in America through education and publication. Modeled after European organizations, the American Art-Union sought to establish a national aesthetic in the United States and unite all regions of the country through art.A small subscription fee entitled members of the Art-Union to at least one engraving of a prominent piece per year, as well as entry in an annual lottery distributing larger works of art. The Art-Union appealed especially to genre painters; William Sidney Mount, George Caleb Bingham, Charles Deas, William Tylee Ranney, and other noted artists submitted their works for jury and acceptance. As the United States grew increasingly divided in the 1840s, the Art-Union's selections came under heavy scrutiny and there were accusations of supposed abolitionist and Whig sentiments. Low on funds and facing an ultimately successful lawsuit over the legality of the lottery, the American Art-Union disbanded in 1852.This book provides a new look at the American Art-Union and the culture of the United States in the 1840s. The American Art-Union, based in New York City, was founded in 1844 with the goal of fostering the arts in America through education and publication. Modeled after European organizations, the American Art-Union sought to establish a national aesthetic in the United States and unite all regions of the country through art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New.

Soft cover. Condición: New. No Jacket issued. Signed by all authors except Brownlee. RARE. Signed by Author(s).

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 200 pages. 10.50x8.40x0.60 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Brand New. 250 pages. 11.50x8.75x0.75 inches. In Stock.

Condición: New.

Condición: New. KlappentextrnrnThe American Art-Union, based in New York City, was founded in 1844 with the goal of fostering the arts in America through education and publication. Modeled after European organizations, the American Art-Union sought to establish.

Condición: New. KlappentextForging a Nation: The American History Collection at Gilcrease Museum explores that strugglethe history of the United Statesas told through art, artifacts, and archival materials that illuminate some three hundred years of a s.

Paperback. Condición: new. Paperback. The American Art-Union, based in New York City, was founded in 1844 with the goal of fostering the arts in America through education and publication. Modeled after European organizations, the American Art-Union sought to establish a national aesthetic in the United States and unite all regions of the country through art.A small subscription fee entitled members of the Art-Union to at least one engraving of a prominent piece per year, as well as entry in an annual lottery distributing larger works of art. The Art-Union appealed especially to genre painters; William Sidney Mount, George Caleb Bingham, Charles Deas, William Tylee Ranney, and other noted artists submitted their works for jury and acceptance. As the United States grew increasingly divided in the 1840s, the Art-Union's selections came under heavy scrutiny and there were accusations of supposed abolitionist and Whig sentiments. Low on funds and facing an ultimately successful lawsuit over the legality of the lottery, the American Art-Union disbanded in 1852.This book provides a new look at the American Art-Union and the culture of the United States in the 1840s. The American Art-Union, based in New York City, was founded in 1844 with the goal of fostering the arts in America through education and publication. Modeled after European organizations, the American Art-Union sought to establish a national aesthetic in the United States and unite all regions of the country through art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: Brand New. 239 pages. 12.00x9.25x1.25 inches. In Stock.

Condición: New. KlappentextrnrnWhen the Second Continental Congress adopted the Declaration of Independence and created a new nation - the United States of America - few colonists-turned-citizens could foresee the great struggles that lay before it in the centu.

Hardcover. Condición: New. The American Art-Union, based in New York City, was founded in 1844 with the goal of fostering the arts in America through education and publication. Modeled after European organizations, the American Art-Union sought to establish a national aesthetic in the United States and unite all regions of the country through art.A small subscription fee entitled members of the Art-Union to at least one engraving of a prominent piece per year, as well as entry in an annual lottery distributing larger works of art. The Art-Union appealed especially to genre painters; William Sidney Mount, George Caleb Bingham, Charles Deas, William Tylee Ranney, and other noted artists submitted their works for jury and acceptance. As the United States grew increasingly divided in the 1840s, the Art-Union?s selections came under heavy scrutiny and there were accusations of supposed abolitionist and Whig sentiments. Low on funds and facing an ultimately successful lawsuit over the legality of the lottery, the American Art-Union disbanded in 1852.This book provides a new look at the American Art-Union and the culture of the United States in the 1840s.…

Hardcover. Condición: New. On a humid morning in Philadelphia in 1776, the Second Continental Congress adopted the Declaration of Independence, severing forever all ties with Great Britain. With the stroke of a pen, a new republic was formed, the United States of America. As colonists-turned-citizens took to the streets in celebration, few had any real sense of the new nation s immediate future or could foresee the great struggles that lay before it in the centuries to come. Forging a Nation: The American History Collection at Gilcrease Museum explores that struggle the history of the United States as told through art, artifacts, and archival materials that illuminate some three hundred years of a shared cultural experience. Drawn entirely from the diverse and noted collections of the Gilcrease Museum, this volume examines the foundations of the American republic from colonial times through the Early National period. With essays focused on some of the finest artworks, artifacts, and documents in the Gilcrease Museum collection, Forging a Nation offers a unique examination of early American life. The catalog of artists includes such essential American painters as Charles Willson Peale, John Singleton Copley, Robert Feke, Benjamin West, George Catlin, Alfred Jacob Miller, Emanuel Leutze, John Vanderlyn, William Tylee Ranney, and John Wesley Jarvis. Also included are rare sculptures by Jean Antoine Houdon, Hiram Powers, and Augustus Saint-Gaudens and an extensive array of American archival treasures, including a handwritten transcription of the Declaration of Independence itself. Forging a Nation examines the national self across time through the triumphs and tragedies of the Civil War and the violence and inequities involved in the ensuing settlement of the American West. This essential retrospective ends with the closing of the frontier, when the nation was poised at the center of the world stage, its frontiers about to become those of industry, science, technology, and social justice.…