alloa emmanuel (275 resultados)

Condición: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

paperback. Condición: New.

Softcover. Condición: As New. Leichte Kratzer / Abnutzungen / Druckstellen.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: Used - Very Good. VG hardback. 1st edition. English language edition; published to accompany an exhibition at the Centre Pompidou, Oct.2012 - Jan. 2013. A clean, bright copy in firm binding. This is a heavy book (about 2.2kg packed); additional postage may be required Used - Very Good. VG hardback.

Paperback. Condición: new. Paperback. Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work.Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory-Aristotle's concept of the diaphanous milieu of vision-and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices. Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Condición: Fine. Gebrochener Buchrucken. The paradoxical logic of transparency and mediation Transparency is the metaphor of our time. Whether in government or corporate governance, finance, technology, health or the media - it is ubiquitous today, and there is hardly a current debate that does not call for more transparency. But what does this word actually stand for and what are the consequences for the life of individuals? Can knowledge from the arts, and its play of visibility and invisibility, tell us something about the paradoxical logics of transparency and mediation? This Obscure Thing Called Transparency gathers contributions by international experts who critically assess the promises and perils of transparency today.

Paperback. Condición: New. Assesses the importance of Merleau-Ponty to current and ongoing concerns in contemporary philosophy.Maurice Merleau-Ponty is widely recognized as one of the major figures of twentieth-century philosophy. The recent publication of his lecture courses and posthumous working notes has opened new avenues for both the interpretation of his thought and philosophy in general. These works confirm that, with a surprising premonition, Merleau-Ponty addressed many of the issues that concern philosophy today. With the benefit of this fuller picture of his thought, Merleau-Ponty and Contemporary Philosophy undertakes an assessment of the philosopher's relevance for contemporary thinking. Covering a diverse range of topics, including ontology, epistemology, anthropology, embodiment, animality, politics, language, aesthetics, and art, the editors gather representative voices from North America and Europe, including both Merleau-Ponty specialists and thinkers who have come to the philosopher's work through their own thematic interest.

Paperback. Condición: new. Paperback. Assesses the importance of Merleau-Ponty to current and ongoing concerns in contemporary philosophy.Maurice Merleau-Ponty is widely recognized as one of the major figures of twentieth-century philosophy. The recent publication of his lecture courses and posthumous working notes has opened new avenues for both the interpretation of his thought and philosophy in general. These works confirm that, with a surprising premonition, Merleau-Ponty addressed many of the issues that concern philosophy today. With the benefit of this fuller picture of his thought, Merleau-Ponty and Contemporary Philosophy undertakes an assessment of the philosopher's relevance for contemporary thinking. Covering a diverse range of topics, including ontology, epistemology, anthropology, embodiment, animality, politics, language, aesthetics, and art, the editors gather representative voices from North America and Europe, including both Merleau-Ponty specialists and thinkers who have come to the philosopher's work through their own thematic interest. Assesses the importance of Merleau-Ponty to current and ongoing concerns in contemporary philosophy. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Paperback. Condición: New. In this book, Emmanuel Alloa offers a handrail for venturing into the complexities of the work of the French philosopher Maurice Merleau-Ponty (1908-61). Through a comprehensive analysis of the three main phases of Merleau-Ponty's thinking and a thorough knowledge of his many unpublished manuscripts, the author traces how Merleau-Ponty's philosophy evolved and exposes the remarkable coherence that structures it from within. Alloa teases out the continuity of a motive that traverses the entire oeuvre as a common thread. Merleau-Ponty struggled incessantly against any kind of ideology of transparency, whether of the world, of the self, of knowledge, or of the self's relation to others. Already translated into several languages, Alloa's innovative reading of this crucially important thinker shows why the issues Merleau-Ponty raised are, more than ever, those of our time.

Condición: new.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. The visible world overflows with pictures: more than three billion of them stream across social media every day. This overproduction this excess needs to be managed. Images must be stored, formatted and transported, their flow and exchange must be organised. They require road networks (such as internet cables) and new forms of labour (such as content moderators and clickworkers). And they transform the way we see, mobilising our gaze as never before. The essays and artworks in this catalogue, by observing similar transformations currently affecting our financialised economy in the age of cryptocurrencies, seek to grasp and theorise this new iconomy of the visible.This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Hervé Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Jean-Joseph Goux, Maurizio Lazzarato, Catherine Malabou, Marta Ponsa, Marie Rebecchi, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman and Dork Zabunyan.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Bartana's works reflect the relationship between the individual and society while taking into consideration the specific political situation in her homeland, Israel. This publication contains an extensive visual and written presentation of all of the artist's works, as well as a complete videography. Edited by Yilmaz Dziewior. Text by Meike Behm, Galit Eilat, Moshe Ninio, Eva Birkenstock. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: as new. Wie neu/Like new.

Condición: As New. Unread book in perfect condition.

Condición: New. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Condición: Neuf.

Paperback. Condición: New. Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work.Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory-Aristotle's concept of the diaphanous milieu of vision-and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices.

Condición: New.

Hardcover. Condición: new. Hardcover. 'Art and economics have entertained a complex and decisive relationship since ancient times. But for over a century, what is at stake goes far beyond the mere art market: what we face now is the commodification of all that is visible. We live in a world that is increasingly saturated with images. The photographs, drawings, paintings, videos, films, digital works and multimedia installations selected for the exhibition cast a keen and watchful eye over these issues. On the one hand, they reflect the upheavals that currently affect economics in general, whether in terms of unprecedentedly large storage spaces, scarce raw materials, labour and its mutations towards immaterial forms of work, or in terms of value and its new manifestations, such as cryptocurrencies. At the same time, however, these artists' works repeatedly interrogate the future of images and things visible in the age of their globalised 'iconomics'. This exhibition catalogue is a collection of short texts providing a wide range of perspectives on the economics of the image and images of the economy. A number of classic essays have also been reproduced, in part or in full. Includes contributions from Emmanuel Alloa, Herve Aubron, Matthias Bruhn, Yves Citton, Elena Esposito, Maurizio Lazzarato, Catherine Malabou, Marie Rebecchi, Marta Ponsa, Antonio Somaini, Peter Szendy, Leah Temper, Elena Vogman, Dork Zabunyan and Miren Etxezarreta Zubizarreta. AUTHOR: Peter Szendy is Professor of Comparative Literature and Humanities at Brown University. Previously, he worked as Maitre de conferences and accredited research director at Universite de Paris Nanterre, Visiting Professor at NYU and Princeton, and Maitre de conferences at Universite Marc-Bloch in Strasbourg. In 1995, he obtained his doctoral degree in Musical Aesthetics at Ecole des hautes etudes en sciences sociales (Ehess), Paris. SELLING POINTS: . Explores a wide range of perspectives on the economics of the image and images of the economy . Published to accompany an exhibition at Jue de Paume Museum, Paris, from February - June 2020 . Preface by Quentin Bajac, director of Jeu de Paume, previously head of photography at MoMA . Edited by widely published Peter Szendy, author of The Supermarket of Visible translated into English at Fordham University Press 200 colour images This book explores a wide range of perspectives on the economics of the image and images of the economy. Accompanies an exhibition at Jeu de Paume, Paris, showcasing more than 50 artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: Brand New. 128 pages. 9.00x6.00x0.25 inches. In Stock.