Allison kemmerer (77 resultados)

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Good. A sound copy with only light wear. Overall a solid copy at a great price.

Hardcover. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Condición: Very Good. 1st Edition. First edition pb.

hardcover. Condición: Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Hardcover. Condición: Good.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

paperback. Condición: Fair.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Allison N. Kemmerer, Elizabeth C. DeRose, and Carroll Dunham. 256 pages, 431 color illustrations, glossary, concordance, quarto (4to), hardcover, red cloth with black text on cover and spine, dust jacket. Very good condition, unsold inventory of an old bookstore. Inventory #56701-2.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. 123 pages, illustrations (some colour); 32 cm. Published on the occasion of an exhibition held at the Addison Gallery of American Art, September 12 to December 10, 2006. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "In 1968 artist Jennifer Bartlett (b. 1941) began painting in what would become her celebrated and trademark style - colored dots on gridded steel plates and canvas. Focusing on the single and multi-plate pieces that began in 1968 and culminated in 1976 when Bartlett sprang onto the art scene with her pivotal Rhapsody painting, this book analyzes for the first time the significant role these formative and long-overlooked works played in her artistic development. Bartlett's early plate work reflects her transformation of the prevailing Minimalist aesthetic into something distinctly her own. With colour illustrations of this body of work - many of which have never before been published or exhibited - the book charts Bartlett's progression from mathematically precise dot paintings to rigorously structured patterned pieces to more freehand and expressive painterly pieces. In the process, the importance of these works to the artist's career and to the history of contemporary art is discovered. / Brenda Richardson, a writer and independent curator, served as deputy director of art and curator of modern painting and sculpture at the Baltimore Museum of Art from 1975 to 1998. Allison Kemmerer is Curator of Art after 1950 and of Photography at the Addison Gallery of American Art." - Publisher. *** CONTENTS: Lenders to the exhibition; Acknowledgements, by Brian T. Allen; Connecting the dots, by Allison N. Kemmerer; What if?, by Brenda Richardson. Size: Folio. Collectible.…

Hardcover with dustjacket, 256 pages; very good condition; small tear to dj at bottom of spine; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good. Text clean and tight; NOTE: additional postage may be necessary for international shipping; Addison Gallery Of American Art; 8vo 8" - 9" tall; 256 pages.

First Edition. First edition. Softcover. 54 pages. Exhibition catalog for a show that ran March 19 through May 1, 1999 at Howard Greenberg Gallery and May 8 through July 31, 1999 at Addison Gallery of American Art, Phillips Academy. Essay by Allison N. Kemmerer. Includes numerous black and white images. A fine copy in wrappers and with laid in complimentary slip. An attractive catalog.…

Sep 02, 1999. Condición: New. Handsome, new softcover. Text in Italian and English. No marks or flaws; no defects.

hardcover. Condición: Fine copy in fine dust jacket. 1st. 4to, 256 pp., Still shrink-wrapped from the publisher. Profusely illustrated (ilustrador).

Hardcover. Size: 9.25"x11.5", 255pp., 431 colour illustrations. Near new, fresh unused condition, covers bright, text clean & binding tight / bright and crisp dust jacket.

hardcover. Condición: Collectible; Like New. First Edition; First Printing. Numerous full page plates in color and black and white. With essays by Allison N. Kemmerer, Elizabeth C. Derose, and Carroll Dunham. Published on the occasion of the the exhibitionat at Allen Memorial Art Museum, Oberlin College, Ohio February 5 - March 23, 2008, and at Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, May 10 - July 13, 2008. ; Tight, clean and crisp. A faint hint of shelf wear to dustjacket. No inscriptions. No remainder mark. Not price clipped. Not ex-library.…

Hardcover. Condición: New. First Edition. The item is brand new, never used or read. It's in perfect condition and may include supplements and/or access codes or come shrink-wrapped.

Soft cover. Condición: Fine. Softcover, with pictorial dust jacket, 74 pgs. 6.5" x 9.5". Essays, interview, color illus. Fine.

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Hardback or Cased Book. Condición: New. Alison Elizabeth Taylor: The Sum of It. Book.

Condición: As New. Unread book in perfect condition.

Softcover. Condición: VG. A matte blue and white book with French flaps. There is orange and grey text on the spine. 81 pages; profusely illustrated with black-and-white images.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Superior copy, gift-quality condition, inside and out, no discernible wear, bright and shiny dust jacket, protected. Bound handsomely in dark raspberry cloth over boards, black lettering to spine and front cover. Illustrated front panel of dust jacket features "Point of Origin 1988-92." Probing essays of homage to the master printmaker by Allison N. Kemmerer, Elizabeth C. DeRose and Carroll Dunham himself. [6], 7-256 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. …

Condición: New.

Hardcover. Red cloth boards with black stamped lettering. White and color-illustrated dust jacket with black lettering. 256 pp. Mainly color illustrations. Issued in connection with the exhibition Carroll Dunham prints : a survey, held February 5-March 23, 2008, Allen Memorial Art Museum, Oberlin College, Oberlin, Ohio, and May 10-July 13, 2008, Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts. VG/VG- light wear to edges and corners of dust jacket, including a bit of curling.…

Hardcover. Condición: new. Hardcover. The first book on Alison Elizabeth Taylor, known for her daring fusion of wood inlay technique with gritty, dystopian scenes of deserts, casinos and cocktail loungesRepudiating distinctions between craft and high art, and transcending both marquetry (wood inlay) and painting, the meticulously crafted works of Alison Elizabeth Taylor are as much about seeing as they are about making. Juxtaposing the over-the-top connotations of this ancient craft with dystopian images of blighted desert landscapes, anonymous subdivisions, glitzy casinos and seedy cocktail lounges, Taylor creates a tension between surface and subject, appearance and reality. The splendor of the shellacked wood invites us to consider the innate humanity of marginalized subjects we might otherwise overlook as well as the often-ignored impact of a boom-and-bust economy on American life and culture.Featuring insightful essays by leading curators and writers, this fully illustrated publication traces the evolution of the artists work from early paintings that explore space, line, color and form within the limited palette afforded by the grains and tones of natural woods to vividly colored hybrids that layer marquetry, paint and photographic imagery, to brand-new and increasingly complex works inspired by the resilience of the artists urban neighborhood and community during the pandemic.Raised in Las Vegas, Nevada, Alison Elizabeth Taylor (born 1972) received her MFA from the Graduate School of the Arts, Columbia University in 2005. Her work has been exhibited widely throughout the world. In 2009, she received a Louis Comfort Tiffany Foundation Award and the Smithsonian's Artist Research Fellowship Program Award. Taylor lives and works in Brooklyn, NY. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …