Alexander radvilovich (56 resultados)

Stapled Wraps. Condición: Very Good. Assumed First Edition. A haunting, contemplative work for two pianos by this gifted St. Petersburg composer, marked Misterioso [Largo]. 15 pages. CONDITION: a solid unused copy with light shelf-wear and age-tanned pages. The score pages are unmarked, but there is a small red catalogue number on the back cover, as well as an inked name/address/phone # (in the composer's own handwriting). This attractive copy is now in a clear, protective polypropylene bag with archival backing board. NOTE: multiple score orders, depending on weight, may qualify for a generous shipping charge reduction.…

Condición: new. Pages: 32 Language: Russian. The composer, pianist and teacher Alexander Yuryevich Radvilovich (born in 1955) originates from St Petersburg. Having graduated from the Petersburg Conservatoire, where he studied composition at professor S. M. Slonimsky, Radvilovich was the probationer at special seminars in Poland, Holland and Germany. Just there the composer conferred with W. Lutoslavsky, T. de Leeuw, P.-H. Dittrich, B. Ferneyhough. Alexander Radvilovich adheres to the most modern tradition of the European music in his own art. He was awarded the prizes of the Queen Marie-Jose International Competition (Geneva, Switzerland, 1992) and the J. W. Stamitz International Competition (Esslingen, Germany, 1998). Among the compositions by A. Radvilovich there are two symphonies, symphonic poem "Legend About Violinist", Concerto for English Horn and Chamber Orchestra, Chamber symphony "Pushkin", Sinfonia sacra for choir and ensemble, Four Psalms for piano "De profundis temporum", chamber opera "Hindrance" to the verses by D. Harms, "Ruin of the Gods" - postlude to Verdi's memory, "The Boy at Christ's New Year Celebration" (after reading F. Dostoyevsky) for string quartet, percussion and audio-recording, comical mini-opera "Let's Write Fairy-tale" for two soloists and choir, "Sequences to the Memory of Luciano Berio" for female choir, string orchestra and percussion, vocal, choral, chamber-instrumental compositions, music for children. 9790660045459.…

Condición: new. Pages: 16 Language: Russian. The composer, pianist and teacher Alexander Yuryevich Radvilovich (born in 1955) originates from St Petersburg. Having graduated from the Petersburg Conservatoire, where he studied composition at professor S. M. Slonimsky, Radvilovich was the probationer at special seminars in Poland, Holland and Germany. Just there the composer conferred with W. Lutoslavsky, T. de Leeuw, P. H. Dittrich, B. Ferneyhough. Alexander Radvilovich adheres to the most modern tradition of the European music in his own art. He was awarded the prizes of the Queen Marie-Jos? International Competition (Geneva, Switzerland, 1992) and the J. W. Stamitz International Competition (Esslingen, Germany, 1998). Among the compositions by A. Radvilovich there are two symphonies, symphonic poem "Legend About Violinist", Three Instrumental Concertos: for English Horn, for Clavecin, for Violin, Chamber symphony "Pushkin", Sinfonia sacra for choir and ensemble, Four Psalms for piano "De profundis temporum", chamber opera "Hindrance" to the verses by D. Harms, "Ruin of the Gods" - postlude to Verdi's memory, "The Boy at Christ's New Year Celebration" (after reading F. Dostoyevsky) for string quartet, percussion and audio-recording, comical mini-opera "Let's Write Fairy-tale" for two soloists and choir, "Sequences to the Memory of Luciano Berio" for female choir, string orchestra and percussion, anti-utopia "Big Brother" for soloists, choir and ensemble to the texts by Orwell, Huxley, Zamiatin and Hesse, so as vocal, choral, chamber-instrumental compositions, music for children. 9790660046852.…

Condición: new. Pages: 80 Language: Russian, English. The composer, pianist and teacher Alexander Yuryevich Radvilovich (born in 1955) originates from St Petersburg. Having graduated from the Petersburg Conservatoire, where he studied composition at professor S. Slonimsky, Radvilovich was the probationer at special seminars in Poland, Holland and Germany. Just there the composer conferred with W. Lutoslavsky, T. de Leeuw, P.-H. Dittrich, B. Ferneyhough. Alexander Radvilovich adheres to the most modern tradition of the European music in his own art. He was awarded the prizes of the Queen Marie-Josj International Competition (Geneva, Switzerland, 1992) and the J. W. Stamitz International Competition (Esslingen, Germany, 1998). Among the compositions by A. Radvilovich there are two symphonies, symphonic poem "Legend About Violinist", Concerto for English Horn and Chamber Orchestra, Chamber symphony "Pushkin", Sinfonia sacra for choir and ensemble, Four Psalms for piano "De profundis temporum", chamber opera "Hindrance" to the verses by D. Harms, "Ruin of the Gods" - postlude to Verdi's memory, "The Boy at Christ's New Year Celebration" (after reading F. Dostoyevsky) for string quartet, percussion and audio-recording, comical mini-opera "Let's Write Fairy-tale" for two soloists and choir, Sequences to the Memory of Luciano Berio" for female choir, string orchestra and percussion, vocal, choral, chamber-instrumental compositions, music for children. Alexander Radvilovich is the member of the Russian Composer's Union, secretary of the St Petersburg Composer's Union. Once he established the International New Music Programme "Sound Ways", being its leader up to nowadays. The creative association of the same name was simultaneously founded by him. Avant-garde musicians from Austria, Germany, USA, Korea and Russia enter this organization. The new music festival "Sound Ways" is annually held in Petersburg from 1989 under his guidance, being the only International Seminar of new music in Russia. At present time Radvilovich carries on pedagogical activity in the Petersburg Conservatoire and in the Humanitarian University, taking part in concert tours as a composer, pianist and leader of the "Sound Ways" ensemble performing modern music, organizes lectures in Russian and foreign institutes and at world master-courses in Europe, Asia and the USA. Radvilovich is the first Russian composer to have reported the International New Music Summer Courses in Darmstadt (1992, 1994). His music is transmitted by Mass Media Companies in many countries, while his compositions are published in Russia, Holland and the USA. Contents: I. Black Butterfly (Badenweiler, Hotel Sommer, August 08.15.1904) II. Chameleon III. The Lady with the Dog IV. Ward No. 6 V. Three Sisters 9790660000366.…

Condición: new. Pages: 28 Language: Russian. The composer, pianist and teacher Alexander Yuryevich Radvilovich (born in 1955) originates from St.Petersburg. Having graduated from the Petersburg Conservatoire, where he studied composition at professor S. M. Slonimsky, Radvilovich was the probationer at special seminars in Poland, Holland and Germany. Just there the composer conferred with W. Lutoslavsky, T. de Leeuw, P. H. Dittrich, B. Ferneyhough. Alexander Radvilovich adheres to the most modern tradition of the European music in his own art. He was awarded the prizes of the Queen Marie-Jose International Competition (Geneva, Switzerland, 1992) and the J. W. Stamitz International Competition (Esslingen, Germany, 1998). Among the compositions by A. Radvilovich there are two symphonies, symphonic poem "Legend About Violinist", Three Instrumental Concertos: for English Horn, for Clavecin, for Violin, Chamber symphony "Pushkin", Sinfonia sacra for choir and ensemble, Four Psalms for piano "De profundis temporum", chamber opera "Hindrance" to the verses by D. Harms, "Ruin of the Gods" - postlude to Verdi's memory, "The Boy at Christ's New Year Celebration" (after reading F. Dostoyevsky) for string quartet, percussion and audio-recording, comical mini-opera "Let's Write Fairy-tale" for two soloists and choir, Sequences to the Memory of Luciano Berio" for female choir, string orchestra and percussion, anti-utopia "Big Brother" for soloists, choir and ensemble to the texts by Orwell, Huxley, Zamiatin and Hesse, so as vocal, choral, chamber-instrumental compositions, music for children. Alexander Radvilovich is the member of the Russian Composers' Union, secretary of the St. Petersburg Composers' Union. Once he established the International New Music Programme "Sound Ways". At present time Radvilovich carries on pedagogical activity in the Petersburg Conservatoire and in the Humanitarian University, taking part in concert tours as a composer, pianist and leader of the "Sound Ways" ensemble performing modern music, organizes lectures in Russian and foreign institutes and at world master-courses in Europe, Asia and the USA. Alexander Radvilovich is the first Russian composer to have reported the International New Music Summer Courses in Darmstadt (1992, 1994). His music is transmitted by Mass Media Companies in many countries, while his compositions are published in Russia, Holland and the USA. 9790660047293.…

Condición: new. Pages: 44 Language: Russian. Ot avtora Kniga Mikhaila Ivanovicha Chulaki "Instrumenty simfonicheskogo orkestra" vpervye byla opublikovana v dalekom 1950 godu i s togo vremeni neodnokratno pereizdavalas. Etot emkij, lakonichnyj i strojnyj po svoej strukture trud na protjazhenii bolee pjati desjatiletij byl postojannym sputnikom studentov uchilisch i konservatorij. Neskolko pokolenij muzykantov predpochitali imet etu knizhku pod rukoj, a ne obraschatsja k muzykalnym entsiklopedijam i k solidnym spravochnikam. Avtor v dostupnoj forme raskryvaet istoriju, stanovlenie i razvitie instrumentarija sovremennogo emu orkestra. Za proshedshie gody sostav orkestra znachitelno rasshirilsja. On popolnilsja instrumentami, ranee ne upotrebljavshimisja v orkestrovoj praktike; mnogie instrumenty byli v znachitelnoj mere modernizirovany. Osobenno razroslas gruppa udarnykh, obogativshajasja instrumentami narodov, naseljajuschikh samye raznye regiony zemnogo shara. S techeniem vremeni oni podverglis unifikatsii i v nastojaschee vremja suschestvujut uzhe ne kak folklornye, a kak ustojavshiesja orkestrovye udarnye instrumenty. Rasshirilis i tekhnicheskie ispolnitelskie vozmozhnosti instrumentalnoj igry, pojavilis i prochno voshli v praktiku novye priemy zvukoizvlechenija, spetsificheskie zvukovye effekty. V poslednie desjatiletija XX veka vo mnogikh stranakh byl zameten povyshennyj interes muzykantov i slushatelej k neobychnym tembram. Eto privelo, s odnoj storony, k tomu, chto muzykanty ischut i nakhodjat novye priemy zvukoizvlechenija, s drugoj - k vozrozhdeniju starinnykh instrumentov. Tak, v poslednee vremja burno razvivaetsja ispolnitelstvo starinnoj muzyki na originalnykh ili rekonstruirovannykh instrumentakh proshedshikh epokh. Eto vernulo k zhizni starinnye instrumenty (ili ikh tochnye kopii, rekonstruirovannye po chertezham) - violy, klavesiny, klavikordy, serpenty, barochnye truby i dr. Poisk novykh zvukovykh krasok privodit takzhe k modernizatsii nekotorykh instrumentov, kotorye tak i ne voshli v sostav sovremennogo orkestra. Eto basovaja i kontrabasovaja flejty, baritonovyj goboj, altovyj i kontrabasovyj klarnet. Svedenija o novykh instrumentakh i tekhnicheskikh novatsijakh chitatel najdet v nastojaschem Prilozhenii, kotoroe vernet knige prisuschuju ej aktualnost. Prilozhenie soderzhit v sebe primechanija k osnovnomu tekstu knigi, utochnenija i razjasnenija, a takzhe otdelnye kratkie stati, kasajuschiesja opisanija konkretnykh instrumentov i sovremennoj ispolnitelskoj tekhniki. Aleksandr Radvilovich 9785737902827.…

Condición: new. Pages: 124 Language: Russian, English. The composer, pianist and teacher Alexander Yuryevich Radvilovich (born in 1955) originates from St Petersburg. Having graduated from the Petersburg Conservatoire, where he studied composition at professor S. M. Slonimsky, Radvilovich was the probationer at special seminars in Poland, Holland and Germany. Just there the composer conferred with W. Lutoslavsky, T. de Leeuw, P. H. Dittrich, B. Ferneyhough. Alexander Radvilovich adheres to the most modern tradition of the European music in his own art. He was awarded the Queen Marie-Jose International Prize (Geneva, Switzerland, 1992) and the J. W. Stamitz International Prize (Esslingen, Germany, 1998). Alexander Radvilovich is the member of the Russian Composer's Union, secretary of the St. Petersburg Composer's Union. Once he established the International New Music Festival "Sound Ways". At present time Radvilovich carries on pedagogical activity in the Petersburg Conservatoire and in the Humanitarian University, taking part in concert tours as a composer, pianist and leader of the "Sound Ways" ensemble performing modern music, organizes lectures in Russian and foreign institutes and at master-courses in Europe, Asia and the USA. Alexander Radvilovich is the first Russian composer to have reported the International New Music Summer Courses in Darmstadt (1992, 1994). His music is transmitted by Mass Media Companies in many countries, while his compositions are published in Russia, Holland and the USA. The Gospel of Judas, discovered and deciphered in the 21st century, had been long considered irrevocably lost. Although scientists proved the manuscript's historic authenticity, the Christian church would hardly accept it more than an apocryphal work because of Judas, whose personality is interpreted rather extraordinary. Judas' character did not stop stirring minds of Ernest Renan, Jorje Borjes, Mikhail Bulgakov, Leonid Andreyev. Literary men were attracted by Judas' spiritual pains; he was something different from other disciples. The Gospels of Judas describes him as Jesus' favourite follower, able to understand and to love more than others. Even his betrayal is committed in accordance with Jesus himself: thus the highest God's destination is fulfilled by Judas, doomed to eternal forsakenness and condemnation. The composer Alexander Radvilovich was the first to express theme in music. As the Gospel of Judas is not completed, Radvilovich resorts to Leonid Andreyev's well-known story "Judas Iscariot" in the finale. The composer considers the title "Gospel of Judas" to be rather inexact, for unlike canonic gospels of (Mathew, Mark, Lucas and Johann) the narration is given on behalf of anonymous evangelist. That's why Radvilovich called this musical interpretation of apocryphal text "Judas' Passions", adhering meanwhile to everything peculiar for classical passions. Among the characters are Jesus, Judas, and anonymous narrator. Choir acts simultaneously as Jesus' disciples and crowd. Orchestra means are most significant here. The ancient text lacks any mention of post-betrayal events, i. e. flogging, cross bearing, crucifixion and resurrection. These most important elements are depicted by the orchestra, imbibing the whole composition. 9790660049600.…

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Condición: New. In English.

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Taschenbuch. Condición: Neu. The Toolkit of New Music | Instrumentation of New Music in Chamber Music in the Second Half of the Twentieth Century | Alexander Radvilovich | Taschenbuch | Kartoniert / Broschiert | Englisch | 2021 | Our Knowledge Publishing | EAN 9786203183184 | Verantwortliche Person für die EU: SIA OmniScriptum Publishing, Brivibas Gatve 197, 1039 RIGA, LETTLAND, customerservice[at]vdm-vsg[dot]de | Anbieter: preigu.…

Condición: New.

Condición: new. Pages: 76 Language: Russian, English. The composer, pianist and teacher Alexander Yuryevich Radvilovich (born in 1955) originates from St Petersburg. Having graduated from the Petersburg Conservatoire, where he studied composition at professor S. M. Slonimsky, Radvilovich was the probationer at special seminars in Poland, Holland and Germany. Just there the composer conferred with W. Lutoslavsky, T. de Leeuw, P. H. Dittrich, B. Ferneyhough. Alexander Radvilovich adheres to the most modern tradition of the European music in his own art. He was awarded the prizes of the Queen Marie-Jos? International Competition (Geneva, Switzerland, 1992) and the J. W. Stamitz International Competition (Esslingen, Germany, 1998). Among the compositions by A. Radvilovich there are two symphonies, symphonic poem "Legend About Violinist", Three Instrumental Concertos: for English Horn, for Clavecin, for Violin, Chamber symphony "Pushkin", Sinfonia sacra for choir and ensemble, Four Psalms for piano "De profundis temporum", chamber opera "Hindrance" to the verses by D. Harms, "Ruin of the Gods" - postlude to Verdi's memory, "The Boy at Christ's New Year Celebration" (after reading F. Dostoyevsky) for string quartet, percussion and audio-recording, comical mini-opera "Let's Write Fairy-tale" for two soloists and choir, "Sequences to the Memory of Luciano Berio" for female choir, string orchestra and percussion, anti-utopia "Big Brother" for soloists, choir and ensemble to the texts by Orwell, Huxley, Zamiatin and Hesse, so as vocal, choral, chamber-instrumental compositions, music for children. Alexander Radvilovich is the member of the Russian Composer's Union, secretary of the St. Petersburg Composer's Union. Once he established the International New Music Programme "Sound Ways". At present time Radvilovich carries on pedagogical activity in the Petersburg Conservatoire and in the Humanitarian University, taking part in concert tours as a composer, pianist and leader of the "Sound Ways" ensemble performing modern music, organizes lectures in Russian and foreign institutes and at world master-courses in Europe, Asia and the USA. Alexander Radvilovich is the first Russian composer to have reported the International New Music Summer Courses in Darmstadt (1992, 1994). His music is transmitted by Mass Media Companies in many countries, while his compositions are published in Russia, Holland and the USA. 9790352202634.…

Condición: New.

Taschenbuch. Condición: Neu. L'instrumentation de la musique nouvelle | L'instrumentation de la musique nouvelle en musique de chambre dans la seconde moitié du XXe siècle | Alexander Radvilovich | Taschenbuch | Französisch | 2021 | Editions Notre Savoir | EAN 9786203183207 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.…

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Condición: New. Noten. 3 Gitarren und Erzähler. Partitur und Stimmen 40 S. .

Taschenbuch. Condición: Neu. De instrumentatie van nieuwe muziek | Instrumentatie van nieuwe muziek in kamermuziek in de tweede helft van de twintigste eeuw | Alexander Radvilovich | Taschenbuch | Niederländisch | 2021 | Uitgeverij Onze Kennis | EAN 9786203183221 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Condición: New.

Condición: New.

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Taschenbuch. Condición: Neu. Instrumentacja nowej muzyki | Instrumentacja nowej muzyki w muzyce kameralnej w drugiej po¿owie XX wieku | Alexander Radvilovich | Taschenbuch | Polnisch | 2021 | Wydawnictwo Nasza Wiedza | EAN 9786203183238 | Verantwortliche Person für die EU: SIA OmniScriptum Publishing, Brivibas Gatve 197, 1039 RIGA, LETTLAND, customerservice[at]vdm-vsg[dot]de | Anbieter: preigu.…

Taschenbuch. Condición: Neu. A instrumentação de música nova | Instrumentação de Música Nova em Música de Câmara na Segunda Metade do Século XX | Alexander Radvilovich | Taschenbuch | Portugiesisch | 2021 | Edições Nosso Conhecimento | EAN 9786203183245 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.…

Taschenbuch. Condición: Neu. La strumentazione della nuova musica | Strumentazione della nuova musica da camera nella seconda metà del XX secolo | Alexander Radvilovich | Taschenbuch | Italienisch | 2021 | Edizioni Sapienza | EAN 9786203183214 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. …

Taschenbuch. Condición: Neu. Die Instrumentierung der neuen Musik | Instrumentierung der Neuen Musik in der Kammermusik in der zweiten Hälfte des zwanzigsten Jahrhunderts | Alexander Radvilovich | Taschenbuch | 236 S. | Deutsch | 2021 | Verlag Unser Wissen | EAN 9786203183177 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.…

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Kurztext The book is devoted to questions of modern instrumentation. The subject of analysis is chamber works by Western European and American composers of the 1960s and 1980s. It covers in detail such aspects as an expanded interpretation of instrumental technique and the phenomenon of expanding the functions of the interpreter in the performing arts, examines the latest performing techniques, and offers a classification of chamber ensembles. The author reveals the main trends in the development of modern chamber music. These include the renewal of the instrumental means due to the non-traditional use and expansion of the possibilities of the existing instruments, the invention of new instruments, the use of the ancient instruments in a structurally improved form, the involvement of the folklore instruments of non-European cultures into the performing practice. The book is addressed to a wide range of readers - musicologists, composers, conductors, instrumentalists - everyone who is interested in the problems of contemporary musical art. 220 pp. Englisch.…

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Kurztext The book is devoted to questions of modern instrumentation. The subject of analysis is chamber works by Western European and American composers of the 1960s and 1980s. It covers in detail such aspects as an expanded interpretation of instrumental t.…

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Kurztext The book is devoted to questions of modern instrumentation. The subject of analysis is chamber works by Western European and American composers of the 1960s and 1980s. It covers in detail such aspects as an expanded interpretation of instrumental technique and the phenomenon of expanding the functions of the interpreter in the performing arts, examines the latest performing techniques, and offers a classification of chamber ensembles. The author reveals the main trends in the development of modern chamber music. These include the renewal of the instrumental means due to the non-traditional use and expansion of the possibilities of the existing instruments, the invention of new instruments, the use of the ancient instruments in a structurally improved form, the involvement of the folklore instruments of non-European cultures into the performing practice. The book is addressed to a wide range of readers - musicologists, composers, conductors, instrumentalists - everyone who is interested in the problems of contemporary musical art.…