after daniel (52 resultados)

Soft cover. Condición: Very Good. 100 pages. 3 Martyn Crucefix Rebuilding Tellisford Weir 5 Lisa Kelly Six Perspectives on Lilian Kjaerulff 8 Joshua Mostafa / Julian Openski Cheat Mode 16 Gavin Morrison Phillip King 26 Martin Monahan Notes for an Appliqué of the Fish Market 27 Dan Duggan Chinese Night 29 Kita Shantiris Scars 31 Donna Pucciani Dust 32 Anna Saunders After Dark 33 Krishan Coupland Decade 37 Daniel Jeffreys The Brightlingsea Boy 41 George Looney Tattoo of a Road Runner 43 Dominic Bury The Lighthouse 44 Carrie Etter Imagined Sons 45 Natacha Bryan June Meeting 47 Kate Miller Bouquet 48 Neil Ayling Ectype (Limited Edition Poster) 50 Trevor Shearer 57 David Troupes The First Settlement 59 Joanna Bratten Sunset Over Watford 59 Aideen Henry Spindrift 60 Stuart Snelson The Double Life 67 Jessica Mayhew Pin Ups 69 Katrina Naomi Portrait of my Step-father as a Xmas Tree 70 Alex Strnad Praga Cantat 72 Beth Gilstrap/ Abby Clark Getting By With Sound 81 Carolyn Jess-Cooke What matters 82 Pippa Little For Adele 83 Sinta Werner 93 Huw Lawrence Emigre 94 Eli Goldstone Dumb 96 Enoh Meyomesse Ambit Action 97 Afric McGlinchey Spillage 99 Joel Scarfe In Time 100 Jack Conway Hems Untitled #4 Artwork on cover by Phillip King.

Soft cover. Condición: Very Good. 174 pages. Thomas Carothers "Civil Society" / Martin Libicki "Rethinking War: The Mouse's New Roar?" / Wolfgang H Reinicke "The Other World Wide Web: Global Public Policy Networks" / Michael McFaul "Getting Russia Right" / Daniel Treisman "After Yeltsin Comes.Yeltsin" (SL#95).

Hardcover. Condición: Fair. Wth illustrations by Kauffmann Ilustrador. Undated edition, late 19th or ealry 20th century. Loosely bound, back inner hinge completely split with spine coming away. Decorated purple cloth boards. Gilt closed page edges. Peeling, scuffing and dust spotting on cover and spine. No jacket.

Hardcover. Condición: Good+. Illustrated by Alice B Woodward Ilustrador. H/b; 8vo; book covers are extremely faded; contents much better condition; illustrated green & white endpapers, with a this book belongs to box that is not filled in. Colour frontis plus 7 further colour plates and further b/w plates; a few small nicks to plate edges; occasional small brown mark on pages; ; 8vo 8" - 9" tall.

Hardcover. Condición: Very good. Estado de la sobrecubierta: very good. Cloth/dust jacket Octavo. printed covers, beige cloth to spine, gilt lettering to spine, dust jacket unclipped, 188 pp.

Hard. Condición: Fine. Illustrated with 16 plates after Daniel Chodowiecki. Ilustrador. Limited edition No. 47 of 150 copies bou. Fine. Fine binding of full plum levant, with five bands to spine and exquisitely tooled in gilt and with gilt lettered calf tile to spine. Gilt inner dentelles. Marbled endpapers. Uncut pages. Top edge gilt. 176pp. German language text. 0.

Sehr seltener Augsburger Kupferstich in reicher barocker Umrahmung von ca. 1750. -- Zeigt die Figur des Heiligen mit dazugehörigem Namenstag bzw. Tag der Verehrung im Kirchenjahr. -- Blatt-Masse ca. 17 x 10,5 cm -- gut erhalten. || Very rare, richly decorated copper engraving from c. 1750. Shows the figure of the saint with the associated name day or day of worship. in good condition. || ! // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Sehr seltener Augsburger Kupferstich in reicher barocker Umrahmung von ca. 1750. -- Zeigt die Figur des Heiligen mit dazugehörigem Namenstag bzw. Tag der Verehrung im Kirchenjahr. -- Blatt-Masse ca. 17 x 10,5 cm -- gut erhalten. || Very rare, richly decorated copper engraving from c. 1750. Shows the figure of the saint with the associated name day or day of worship. in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Sehr seltener Augsburger Kupferstich in reicher barocker Umrahmung von ca. 1750. -- Zeigt die Figur des Heiligen mit dazugehörigem Namenstag bzw. Tag der Verehrung im Kirchenjahr. -- Blatt-Masse ca. 17 x 10,5 cm -- gut erhalten. || Very rare, richly decorated copper engraving from c. 1750. Shows the figure of the saint with the associated name day or day of worship. in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Original Kupferstich-Portrait. -- Bild-Maße: ca. 17,5 x 11 cm. -- gut erhalten. || Original engraved portrait. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

Sehr seltener Augsburger Kupferstich in reicher barocker Umrahmung von ca. 1750. -- Zeigt die Figur des Heiligen mit dazugehörigem Namenstag bzw. Tag der Verehrung im Kirchenjahr. -- Blatt-Masse ca. 17 x 10,5 cm -- gut erhalten. || Very rare, richly decorated copper engraving from c. 1750. Shows the figure of the saint with the associated name day or day of worship. in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 550.

Original Kupferstich-Portrait aus dem 17. Jahrhundert. -- Blattmasse: ca. 28 x 18,5 cm. Plattenmasse: ca. 20,5 x 14,5 cm. -- gut erhalten. || Original copper engraved portrait from the 17th century. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

No Binding. Condición: Very Good. 1st Edition. Original Engraving, Trimmed To Near The Image. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Daniel Niklaus Chodowiecki (1726 -1801) Was A Polish?And Later German?Painter And Printmaker With Huguenot Ancestry, Who Is Most Famous As An Etcher. He Spent Most Of His Life In Berlin, And Became The Director Of The Berlin Academy Of Art. In A Letter To Józef ??cki, The Polish Astronomer, He Wrote: "I Consider It An Honour To Be A Genuine Pole, Even Though I Am Now Living In Germany". Because Of His Mother's And His Wife's Huguenot Descent He Was Very Close To The Huguenots Of Berlin. Nearly All His Life And Career Was Spent In Germany, Writing In German And Living In Berlin From The Age Of Almost 17. .

Hardcover. Condición: Very Good. HAVELL Daniel after HASELER H. Ilustrador. 1st Edition. With Lord Gwydir's Summer Cottage! Internally, folding coloured frontis, additional engraved title page with coloured print, [5], (viii) only, [1], 2-100, [2] pp. Complete with twenty-two hand-coloured aquatints (including folding panoramic frontispiece of Sidmouth and coloured vignette on engraved title page). Engraved map of Sidmouth on penultimate page with touring directions below. Illustrations by Daniel Havell; after H. Haseler. Contemporary half red morocco over marbled boards, expertly rebacked using original spine. Smooth spine partitioned by gilt rules and with gilt decorations between, gilt spine lettering, marbled endpapers, Some rubbing to boards. Overall, a very good copy; very clean and fresh. There are two issues of this book with the latter having two more views and no text. Page 100 is devoted to a description of 'Additional Buildings &c.' that, at the time of printing, were being completed in or near Sidmouth. Two of the buildings mentioned in this section later had plates illustrative of them. "Copies with the extra views also discard the letterpress title and text, the book appearing in album form only. It will also be noted that the present copy carries a leaf giving the name of the 'first fifty subscribers', and it is possible that the early state was limited to a number but little in excess of fifty" (Abbey). This copy has the subscriber list. Probably the next owner of Woodlands was Peter Burrell, Lord Gwydir, who purchased the old house in about 1806 and immediately set about altering it into the most picturesque thatched cottage ornée, spending a great deal of money in the process. Historically, the Gwydir estates lay in County Caernavon. Lord Gwydir's estate was Langley Park, Beckenham, Kent, and 'Woodland Cottage', as he renamed the house, was his seaside retreat. Part of the cottage was pulled down and a new west front was built overlooking the garden allowing a suite of reception rooms to be formed, all of which were decorated in fashionable Regency style. Lord Gwydir was also responsible for the lovely barrel ceilings found in the Dining Room and rooms 11, 14 and 15. He put in a new staircase - one of the best in the district - with a spacious landing. All the windows were changed and many fashionable 'Gothic' headed casements were installed; some still have the original coloured glass. Regency craftsmen replaced the inner doors and mouldings. He was so keen to oversee the work and improvements himself that he rented a house in Fortfield Terrace (built 1790-94) for the duration of the work. The building he created was mentioned in many books on Regency times. As a result of family connections he moved in the highest social circles and was a friend of the Prince Regent, 'Woodland Cottage' was visited by many of his society friends. The garden was a particularly picturesque feature, and much commented upon. There was a loggia along the north side supported by pillared oak trunks and roofed with rustic branches with the bark left on, these were planted with roses and honeysuckle which twined up, the whole terminating in a little room of similar design all surrounded by orchards. As with many great houses of the time, when Lord Gwydir was not in residence visitors were admitted to view the house and gardens. 22 hand coloured aquatints. Abbey Scenery 307. Prideaux p329. Only 1 copy located by OCLC.

Condición: Good. Etching on laid paper. 37 x 29.5 cm (sheet). Very Good, a few specks of foxing, toning along sheet edges.

Condición: Good. 27x20 cm. Black and white steel engraving. Very Good.

Condición: Good. Engraving, 16 x 12 cm. Good with dry mold, faint creasing. Likely from a periodical such as "Universal Magazine.".

Hardcover. Condición: Fine. 300 Engravings After Designs By J.J. Grandville Ilustrador. Attractively rebound in leather quarto with gilt titles, raised spine bands with thick marbled boards and end papers. Gift inscription in pencil dated 1860.

Schönes Kupferstich-Portrait von ca. 1690. An den Ecken aufmontiert. - Blatt-Maße: ca. 32,5 x 20 cm - gut erhalten. -- original engraving from c.1690. Mounted on paper. - in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Deutsch Gewicht in Gramm: 10.

No Binding. Condición: Very Good. 1st Edition. High Quality Lithograph, 595 X 485Mm. A Single Plate, The Long-Talied Paradigalla, From One Of The Most Admired Bird Plate Books, 1873. Shallow Chipping At Edges, Far From The Illustrated Area.

Condición: Good. Stipple and line engraving on chine colle. 43 x 30 cm (sheet). Very Good, minor surface soiling, some tears along sheet edges, light specks of foxing.

Condición: Good. Double-page wood engraving on newsprint. Text on verso. 40 x 54 cm (sheet). Good, age toning along the sheet edges, tears to sheet edges, tears to sheet edges.

Condición: Good. Etching and engraving on laid paper. 44 x 31 cm (sheet). Very Good, minor surface soiling in the margins.

Condición: Good. Original engraving. 23 x 15 cm (sheet). Very Good, sheet trimmed to the plate mark, horizontal center crease.

Condición: Good. Stipple and line engraving on chine colle. 34 x 24.5 cm. (sheet). Very Good.

Condición: Good. Stipple and line engraving on chine colle. 36 x 24.5 cm. (sheet). Very Good.

Condición: Good. Line engraving. 28 x 21.5 cm. (sheet). Very Good. Surface soiling primarily in the margin areas. Missing lower right sheet corner. A few sheet creases at right sheet edges.

Size: Folio. Disbound. Engraved. Comprising: i) WELDON, John (1676-1736), Fair Celia's Eyes (2ff., January 1705); ii) WELDON, I'm Cupids Warrior (2ff., March, 1705); iii) XIMENES, Charles, Why shou'd women be so coy (1f., March, 1705); iv) CLAYTON, Thomas (1673-1725), Wanton Zephyrs, in the Opera of Arisnoe (1f., May, 1705); v) PURCELL, Daniel (1664?-1717), Why Belvidera, song in the Tender Husband (1f., May, 1705); vi) YOUNG, Anthony (ca 1685-1747), Damon Restrain your Wand'ring Eyes (1f., May, 1705); vii) WELDON, The Welfare of all on blest Anna, Song in the Subscription Musick (1f., June, 1705); viii) LEVERIDGE, Richard (1670-1758), A Song in the Play call'd the Quacks, or Lov's the Physitian, Sung by the Boy. ['To gentle Strephon'] (2f., June, 1705). RISM A/I/5 and A/I/12 L 2282. BUC p.617; ix) WELDON, With sighing (2ff., November, 1706); x) BARRETT, John (1674-1738), Cruell Charmer (1f., November, 1706); xi) TOWNSHEND, James (Organist of Lym Riges), Fly Damon (1f., November, 1706); xii) WILLIS, Thomas, She's come, T'immortalize our toast (1f., June, 1707); xiii) RAMONDON, Littleton (1684-after 1715), When first Amintas Charm'd my heart (1f., June, 1707); xiv) WELDON, Cease Aminta to complain (1f., August, 1707); xv) LEVERIDGE, A New Song. ['If to love or good Wine'] (2f., August, 1707). RISM A/I/5 L 2225 and BUC p.616 reference the same single copy; xvi) YOUNG, Anthony, Cupid designing to Disarm poor Strephon (1f., August, 1707); xvii) WELDON, The Wakefull Nightingale (1f., January, 1708). The monthly mask of vocal music, 1702-1711, a facsimile edition, edited by Olive Baldwin and Thelma Wilson, nos 93, 98, 100, 104, 105, 107, 109, 164, 165, 166, 186, 187, 192, 194.

Hardcover. Condición: Very Good. From Original Water Color Drawings After Nature EAch Chromo Lithographic Plate Tissue Guarded, Ten Plates Per Original Title For A Total Of Forty, Five of the Plates In Volume I I Beautiful Ferns Have Two Illustrations Per Plate Ilustrador. 1st Edition. First Edition Thus, Copyright Date: 1885, Quarto, Hardcover, Rebacked With New Blue Cloth Spines, Gray Boards And Gilt Lettered Spine, Two Volumes, Aeg, 1885, Unpaginated, Originally Published In Four Volumes As Beautiful Wild Flowers, Flowers Of The Field & Forest, Wayside Flowers & Ferns By Hervey And Beautiful Ferns By Eaton Descriptive Text Includes Extracted Material From Longfellow, Whittier, Bryant, Holmes And Others Former Ex. Library Book However The External Marking Have Been Eliminated With The New Backing, Embossed Stamp At Title Page And Plates, New End Papers Quarto, Hardcover, Rebacked With New Blue Cloth Spines, Gray Boards And Gilt Lettered Spine, Two Volumes, Aeg.

Colour printed stipple engraving with additional hand-colouring. In good condition with the exception of some small expert repairs. Lower margin repaired with loss of imprint. Image size: 16 3/4 x 22 5/8 inches. An unusually richly coloured image after Morland: 'a master of genre and animal painting, an artist worthy to be placed in the same rank as the best of those Dutch masters whom he studied as a boy' (DNB) George Morland was one of the most successful genre painters of his time, creating, during his industrious career, some of England's most cherished paintings. At an early age Morland displayed his artistic genius, he learned to paint at three and exhibited his first work at the Royal Academy at the mere age of ten. Morland was a prodigious painter, producing more than 4000 paintings during the entirety of his career, and sometimes painting two or three works in a day. His beautiful idealistic scenes were a favorite source of inspiration for contemporary engravers, and as many as 250 separate engravings were done of his paintings during his lifetime. This print expertly demonstrates why Morland is considered a master of English genre painting. In its depiction of a poor country family gathered around the father as he prepares to leave with his covered cart, the simplicity and rough beauty of rural life is neatly conveyed to the viewer in the two pigs in the foreground: in the charming wife pouring a drink for her husband, who is tying his boots; in the daughter, head bowed, who obviously doesn't want her father to go. "Higlers" was a term for country peddlars, who went from house to house, as well as markets, selling esential goods.