Aebischer pascale (241 resultados)

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. This Element offers a first-person phenomenological history of watching productions of Shakespeare during the pandemic year of 2020. The first section of the Element explores how Shakespeare 'went viral' during the first lockdown of 2020 and considers how the archival recordings of Shakespeare productions made freely available by theatres across Europe and North America impacted on modes of spectatorship and viewing practices, with a particular focus on the effect of binge-watching Hamlet in lockdown. The Element's second section documents two made-for-digital productions of Shakespeare by Oxford-based Creation Theatre and Northern Irish Big Telly, two companies who became leaders in digital theatre during the pandemic. It investigates how their productions of The Tempest and Macbeth modelled new platform-specific ways of engaging with audiences and creating communities of viewing at a time when, in the UK, government policies were excluding most non-building-based theatre companies and freelancers from pandemic relief packages.…

Hardcover. Condición: As New. Estado de la sobrecubierta: Very Good. AS NEW hardcover in VERY GOOD dust jacket, no marks in text, tight binding, appears unread. Book.

Condición: New.

Condición: New. 2022. New. Paperback. . . . . .

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Like New. Like New. First Edition. First Edition, First Printing. Published by Palgrave, 2003. Octavo. Book is like new. Dust jacket is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Shakespeare, Spectatorship and the Technologies of Performance examines how rapid changes in performance technologies affect modes of spectatorship for early modern drama. It argues that seemingly disparate developments - such as the revival of early modern architectural and lighting technologies, digital performance technologies and the hybrid medium of theatre broadcast - are fundamentally related. How spectators experience performances is not only affected in medium-specific ways by particular technologies, but is also connected to the plays' roots in early modern performance environments. Aebischer's examples range from the use of candlelight and re-imagined early modern architecture, to set design, performance capture technologies, digital video, social media, hologram projection, biotechnologies and theatre broadcasts. This book argues that digital and analogue performance technologies alike activate modes of ethical spectatorship, requiring audiences to adopt an ethical standpoint as they decide how to look, where to look, what medium to look through, and how to take responsibility for looking.…

Condición: New.

Condición: New.

Paperback. Condición: Brand New. 75 pages. 7.00x5.00x0.24 inches. In Stock.

hardcover. Condición: Very Good.

Condición: New. In English.

Condición: New. 2022. New. Paperback. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. xiii, 221 pp. [ISBN: 978-0521829359] Hardbound in dustwrapper. A fine bright copy.

Condición: New.

Paperback. Condición: New. The plays of Shakespeare's contemporaries are increasingly popular thanks to a spate of recent stage and screen productions and to courses that set Shakespeare's plays in context. This Reader's Guide introduces students to the criticism and debates that are specific to the drama of playwrights such as Jonson, Middleton, Dekker and Webster. Pascale Aebischer explores recent critical developments in key areas including:- How the plays were staged and printed- Innovative editions of plays- How the plays represent and contest the dominant ideologies of the Jacobean period- Dramatic genres- The representation of the human body and of social, gender and race relations- Modern productions on stage and screenFeaturing suggestions for further research and reading, and a filmography of commercially available film versions of non-Shakespearean drama, this is an invaluable resource for anyone with an interest in the diverse plays of the Jacobean age.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. New edition NO-PA16APR2015-KAP.

Paperback / softback. Condición: New. New copy - Usually dispatched within 3 working days.

Softcover. Condición: Very good condition. New Series. 1-111 pp. Oxford Journals. Volume 58, Number 233 (2007). Softcover.

Paperback. Condición: Brand New. 75 pages. 7.00x5.00x0.24 inches. In Stock.

Condición: As New. Unread book in perfect condition.