Aaron berkman (33 resultados)

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. ex-library book, cover and text all in very good condition, binding tight and square no damage, DJ with price not clipped, mylar protection, text clean, standard library markings.

Condición: New.

Oversized Hardcover. Condición: Good. No Jacket. Solid overall copy. Boards and pages clean. Front/rear hinges weakened.

Hardcover. Condición: Very Good in Fair dust jacket. Traces the development of the linear technique from its elementary sources to its culminating mastery in the Orient and its decline in Europe after the Renaissance.103 pages, b/w examples throughout. Cover edges sun-faded; DJ sun-darkened, smudged, edges chipped, and a 1/2 x 3" triangle missing at rear DJ (now in mylar sleeve). ; 7 1/4 x 10 ". …

Condición: Fair. Acceptable condition. Good dust jacket. (art history, art, paintings) A readable, intact copy that may have noticeable tears and wear to the spine. All pages of text are present, but they may include extensive notes and highlighting or be heavily stained. Includes reading copy only books. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.…

Cloth. Condición: Good. No Jacket. Gray cloth binding, red lettering. Int. good. Art printed in black and white. 175 pages. Usual library markings and flaws. Spine slightly worn. Illustrated (ilustrador).

Hardcover. good condition with minor soiling xlibrary with usual markings; xlibrary with usual markings; LIB2958010542.

Condición: New.

Very good in worn, soiled dust jacket with tears and or chips. Cloth Quarto Endpapers foxed. This oversize book may require extra shipping for priority and international orders. Illustrated.

HARDCOVER. Condición: Good+. first edition,8p; Eighth Printing. GOOD+ Condition .,some scuffing to spine ends.neat,Pencil notes inner covers .paper gently toning with age, but still sturdy with strong text block. ; black spine & cover titles on light blue cloth hard covers.; 299pg pages; Tips & techniques for drawing. Just fair TORN, CHIPPED DUST JACKET. Materials to Use, how to etching, lithography, crayon, etc SOME BLEACH SPOTS TO COVER CLOTH. Gift Note ep. ".Father's Day, 1965.". Illustrated by 15 Color Plates,100s Ilustr (ilustrador). …

hardcover. Condición: very good(+). very good(-). First. With b/w illustrations throughout. 102 pages. Tall thin 8vo, blue cloth, a bit faded at edges, d.w. (some sunning and chipping but largely intact). New York: Thomas Yoseloff, (1957). First edition. A very good(+) copy in a very good(-) dust wrapper.…

Condición: New. In English.

Condición: New.

Hardcover. Dust Jacket Included. cloth, dust jacket, quarto, illustrated, VG/VG.

Hardcover. Condición: Good. Estado de la sobrecubierta: Poor. Art and Space by Aaron Berkman 1949 HCDJ Published by Social Sciences Publishers New York 1949 Art appreciation and analysis of an artworks construction using world renowned artist's work for examples Aaron Berkman was born in Hartford, Connecticut in 1900. In 1916 Berkman attended the Connecticut League of Art Students, founded by Charles Noel Flagg. Beginning in 1919 he studied under Albertus E. Jones at the Hartford Art School. Berkman was influenced during this time by George Inness and John Singer Sargent and the Old Masters. He received a scholarship to the Museum Art School of Boston in 1921 and then traveled to Europe, remaining there from 1924 through 1925. He spent time in France, Italy, Spain, Holland and Belgium. In 1929 Berkman moved to New York City, continuing a friendship and painting relationship with Milton Avery. He was appointed by the W.P.A. as Director of the WPA Art Center at the 92nd Street Y in New York City. Berkman helped established the A.C.A. Gallery in New York City at 52 West 8th St., the first Artist Cooperative Gallery in New York City. He spent summers on Mohegan Island in Maine, Cape Ann in Massachusetts, the Connecticut Shore, Vermont and the Adirondacks. When the WPA ended, the 92nd Street Y became the Y Art Center, with Berkman remaining as the Director. He also taught art classes and lectured on art history. Berkman had many one-man exhibitions and group shows. He wrote two books. Art and Space and The Functional Line and was a columnist for ARTnews. When Berkman retired from the position at the Y Art Center, he established Bercone Gallery, New York City where he continued to paint, teach and exhibit. His work appears in many corporate, private and museum collections. " Jacket, wear, tear, in parts, fading, book inside is good". …

Condición: New. In English.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First edition. Very good in very good dustwrapper. Minor rubs at edges of cloth/ dustwrapper faded w. Minor rubs at edges and corners.

Hardcover. Condición: VG-, light wear to cover edges. Green cloth. 175 p. 32 bw plates, numerous bw ills.

Taschenbuch. Condición: Neu. Neuware - This influential work from Aaron Berkman provides a new and provocative theory of painting, arguing that the composition of a painting can be understood as a kind of functional architecture. Using vivid examples and insightful analysis, Berkman presents a compelling case for his innovative approach to understanding the art of painting.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Buch. Condición: Neu. Neuware - This influential work from Aaron Berkman provides a new and provocative theory of painting, arguing that the composition of a painting can be understood as a kind of functional architecture. Using vivid examples and insightful analysis, Berkman presents a compelling case for his innovative approach to understanding the art of painting.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the 'public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover/Hardback. Condición: Good. This book, 'Art and Space' by Aaron Berkman, presents a groundbreaking analysis of spatial concepts in art. Published in 1949, it delves into the evolution of spatial perspectives from medieval to modern times. Berkman offers a comprehensive overview of how artists understand and depict space across different historical periods. The book covers a variety of topics including the cube of the canvas, perspective principles, and angular perspectives applied to art. Aaron Berkman was a prominent figure in the field of art theory. His works are appreciated by artists and scholars for their deep insights into conceptual art and spatial relationships. This hardcover copy is a first edition from 1949, published by Social Sciences Publishers. The book is in very good condition with a sturdy binding. While it is missing the dust jacket, the interior pages are clean and well-preserved. For collectors and readers interested in the evolution of space in art, this book is a valuable acquisition. It stands as a testament to the mid-century exploration of art theory. Aaron Berkman discusses various perspectives and spatial theories in art, detailing their evolution from medieval to modern times. Significant for its unique examination of space in art. Publisher: Social Sciences Publishers. Year: 1949. Binding: Hardcover/Hardback. Condition notes: Clean pages and firm binding. Minor wear to cover. Actual item shown in the photos. Ships from Montreal, Canada.…

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New. Print on Demand.

Condición: New. Print on Demand.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

HRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: New. PRINT ON DEMAND.

Condición: New. Print on Demand.